Contemporary genre of German music intended for use in churches
Neues Geistliches Lied
Singer and band, a typical group performing contemporary sacred songs
Genre
Song
musical
Composed
1961 (1961)–present
Neues Geistliches Lied (German:[ˈnɔʏəsˈɡaɪstlɪçəsˈliːt], lit. new spiritual song), abbreviated NGL, is a music genre of songs in German intended for church usage, and based on contemporary lyrics and with music by contemporary composers.
History
The idea to reach young people by new songs for church services began in the 1950s. The first song in the genre was in 1955 Seigneur, mon ami by Père Duval who performed his religious chansons at the Protestant church assembly Kirchentag in 1962. Christians looked for an expression for reformation of thoughts and liturgy in the churches.[1] The Protestant Evangelische Akademie Tutzing organised competitions, initiated by the minister for students (Studentenpfarrer) in Munich, Günther Hegele. The first competition in 1962 received 996 entries, the first prize went to "Danke" with text and music by Martin Gotthard Schneider. "Stern über Bethlehem" was written by Alfred Hans Zoller for the third competition in 1964, and became a common song of the star singers. Musicals by Andrew Lloyd Webber, in 1968 Joseph and the Amazing Technicolor Dreamcoat and in 1970 Jesus Christ Superstar, nourished tendencies to write more new music for young people.
In 1972, Peter Janssens introduced the term Sacropop to Germany, for a fusion of sacred texts and musical styles derived from pop and rock. A 2001 study, presented at the Überdiözesane Fachtagung Neues Geistliches Lied reported more than 1895 choirs and bands active in the field of NGL.[1] The songs became an established medium in services. Christoph Kießig of a Berlin band noted: "Das NGL ist eine der wenigen Stellen, an denen Jugendliche und Erwachsene nicht nur konsumieren." (The NGL is one of the few fields where adults and young people don't only consume.)[1]René Frank [de] wrote in 2003 that only songs that congregations like to sing in services are truly NGL ("Denn nur was sich bewährt, bleibt in den Gemeinden lebenden und wird als Neues Geistliches Lied praktiziert.").[2] New elements compared to traditional hymns are rhythms with syncopes and stresses on the offbeat, contemporary lyrics, and melodies that can be easily learned.[2]
Songbooks
Collections of NGL were for example in 1970 Jericho, edited by Karl Natiesta and Tom Runggaldier, and a year later in Schalom – Ökumenisches Liederbuch (Schalom – Ecumenical songbook).
Josef Mittermair published in 1979 the collection Das Lob (Praise), which tried to represent the bandwidth of spirituals with German texts, chansons by Maurice Cocagnac, Duval, Alfred Flury and Sœur Sourire, the Gen Rosso [de] mass, the Tiroler Jugend- und Kindermessen by Raimund Kreidl, and the mass for children Pfälzer Kindermesse by Hartmut Wortmann [de]. A 14th edition of this song book appeared in 2013.[3]
The group initiated more than books for choir books and song books, including:
1994 Vom Leben singen, choir book, 188 songs
1999 die Zeit färben, choir and band book, 161 songs
2003 Lass dein Licht leuchten, choir book, 103 songs
2008 Weil du da bist – Kinder-Gotteslob, song book, 380 songs
2009 Weil der Himmel uns braucht, choir and band book, 200 songs
2011 Junges Gotteslob – Ein Segen sein, song book, 720 songs
Literature
Peter Hahnen: Das Neue Geistliche Lied als zeitgenössische Komponente christlicher Spiritualität. 2nd ed, LIT-Verlag, Münster 2003, ISBN3-8258-3679-7.
Peter Hahnen: Liederzünden! Theologie und Geschichte des Neuen Geistlichen Liedes. Lahn-Verlag/Haus Altenberg, Kevelaer/Düsseldorf 2009, ISBN978-3-7840-3433-1.
Dorothea Monninger (ed.): Neue Geistliche Lieder. Töne – Texte – Temperamente. Arbeitsstelle Gottesdienst der EKD, Informations- und Korrespondenzblatt, 16th year, issue 2 (2002).
^ abFrank, René (2003). "Das Neue Geistliche Lied". Das Neue Geistliche Lied – Neue Impulse für die Kirchenmusik (in German). Marburg: Tectum. pp. 196–212. ISBN9783828885738. Retrieved 29 October 2016.