Born Siri Naima Matilda Wifstrand in Stockholm in 1890, she was raised by her mother in Fleminggatan. Wifstrand never trained acting but learned the art thoroughly when she in 1905 joined the Anna Lundberg Theatre Company, a well reputed and respected theatre company in Sweden at the time. She travelled with them for a number of years, appearing in small parts. This eventually led her to small parts at theatres in Helsinki and around Stockholm. But at this time Wifstrand did not have her mind set on acting, instead she sought to be a singer. And it was as a grand operetta singer she became famous and enjoyed a successful star career for 30 years in Sweden.
Career and break-through
Wifstrand studied music and singing in Stockholm at the Swedish Royal Academy of Music and in 1910 she went to London and further trained for Raymond von zur Mühlen. After her studies she was one of the most acknowledged operetta singers in Scandinavia. She worked at Oscarsteatern from 1913 to 1918, and toured Sweden and Scandinavia for years. Greta Garbo admired Wifstrand in this time, and patterned some of her performances after Wifstrand's.[1]
Wifstrand's big breakthrough came as Countess Stasi in Emmerich Kálmán's operetta Die Csárdásfürstin in 1916. She worked in the 1920s mainly at the opera houses in Oslo and Copenhagen. For many years she lived in London where she performed with troubadour-songs alone along with her guitar, or with a piano accompanist.[2] When the first attempts at broadcast television took place in Britain, Wifstrand became one of the first "TV stars", as she appeared on TV in the 1930s and performed a number of songs.
Wifstrand as Countess Stasi in Kálmán's Die Csárdásfürstin, 1916
In 1937 Swedish stage director Per Lindberg cast her as Mother Peachum in Bertolt Brecht's The Threepenny Opera (in Swe: Tolvskillingsoperan) which became a hugely successful production and toured with the National Swedish Touring Theatre. When Bertolt Brecht later left Germany because of the Nazis he first moved to Sweden where he lived for a time and wrote the part Mother Courage especially for Wifstrand – but sadly, she herself never got to play the part in what became one of Brecht's most successful plays. During his stay in Sweden, Wifstrand had helped Brecht both financially and also personally with accommodation.[3]
Naima Wifstrand in the 1940s planned to retire from her own stage career by turning to directing, first at the Royal Swedish Opera 1944–1946. However, due to some successful supporting parts in some Swedish 1940s films – where Naima surprised critics and proved herself a surprisingly strong and charismatic character actress – a number of Sweden's young stage and film directors approached her and offered her parts in dramatic productions on stage: one of these young directors was Ingmar Bergman. Later on Wifstrand became one of the director's most reliable and longtime ensemble actors. She was part of Bergman's ensemble (1954–1961) during all his legendary years at Malmö City Theatre.[4][5] Later he would also cast her in some of his most memorable early films, including Wild Strawberries, Smiles of a Summer Night[6] and The Magician. Aside from this she also worked with the new established Stockholm City Theatre 1962–1963 and at Gothenburg City Theatre from 1964.
Naima Wifstrand was married to captain Erling Nielsen from 1921 to 1928.
