My True Story is an American radio dramatic anthology series that ran from February 15, 1943, until February 1, 1962,[1] and was adapted into an American television series that ran from May 5, 1950, until September 22, 1950.[2] Material for episodes of both programs was taken from articles in True Story magazine.[1][2]Margaret Sangster wrote the scripts for both series.[3]
Radio
The radio version of My True Story was "a confession magazine of the air, with stories of people driven by 'strange, selfish desire'".[1] It ran on the Blue Network and its successor, ABC,[1] until July 1957, when it moved to NBC as ABC ended its live morning dramatic shows.[4] Its final season (1961-1962) was on Mutual.[1]
Initially, Sangster faced "quite a bit of consternation" about the concept of My True Story.[5] She was warned, "It can't possibly succeed in the face of daytime serial competition", with its unusual status of having a complete story each day—no day-to-day cliffhangers and no "overwhelming weekend suspense to interest the audience in a follow-through".[5]
Ted Lloyd was the producer,[1] Martin Andrews and Charles Warburton were the directors,[6] Glenn Riggs was the announcer in the 1940s, and Rosa Rio provided organ music.[1] It was sponsored by Libby, McNeill & Libby[7] and Sterling Drug.[8]
Recognition
My True Story won the Radio and Television Mirror award for favorite radio daytime program (non-serial) for 1950.[9] In 1958, the American Cancer Society honored the program for educating the public about cancer.[10]
May 5, 1950 (1950-05-05) – September 22, 1959 (1959-09-22)
Charles Powers produced and directed the TV version of My True Story.[2] Herbert Duncan was the announcer.[11] The series was broadcast on ABC on Fridays, initially from 8:30 to 9 p.m. Eastern Time; in June 1950 it was moved to 8 to 8:30 p.m. E. T.[12] The sustaining series originated from WJZ-TV.[13]
Critical response
A review in the trade publication Variety described the premiere episode as "a carefully planned, well-rehearsed half hour" but found fault with the script, saying that the story and characters seemed artificial from the beginning.[14] The review complimented the "better-than-usual visual effect" achieved via camera movement and described the production as "smoothly polished".[14]
^ abcMcNeil, Alex (1996). Total Television: the Comprehensive Guide to Programming from 1948 to the Present (4th ed.). New York, New York: Penguin Books USA, Inc. p. 582. ISBN0-14-02-4916-8.
^Brooks, Tim; Marsh, Earle (1999). The Complete Directory to Prime Time Network and Cable TV Shows 1946-Present (7th ed.). New York: The Ballentine Publishing Group. p. 705. ISBN0-345-42923-0.