Music from Big Pink is the debut studio album by Canadian-American rock band the Band.[2] Released on July 1, 1968, by Capitol Records, it employs a distinctive blend of country, rock, folk, classical, R&B, blues, and soul. The album's title refers to a house in West Saugerties, New York called "Big Pink", which was shared by bassist/singer Rick Danko, pianist/singer Richard Manuel and organist Garth Hudson and in which the album's music was partly composed. The album itself was recorded in studios in New York and Los Angeles in 1968,[3] and followed the band's stint backing of Bob Dylan on his 1966 tour (as the Hawks) and time spent together in upstate New York recording material that was officially released in 1975 as The Basement Tapes, also with Dylan. The cover artwork is a painting by Dylan.
In 2000, the album was rereleased with additional outtakes from the recording sessions, and in 2018, a "50th Anniversary Super Deluxe" edition was released with a new stereo mix by Bob Clearmountain.
Background and Big Pink house
"Big Pink" in 2006
The Band's members included Danko, Manuel, Hudson, guitarist Robbie Robertson and drummer/singer Levon Helm. They began to create their distinctive sound during 1967 when they improvised and recorded with Bob Dylana huge number of cover songs and original Dylan material in the basement of a pink house in West Saugerties, New York, located at 56 Parnassus Lane (formerly 2188 Stoll Road). The house was built by Ottmar Gramms, who bought the land in 1952. The house was newly built when Rick Danko found it as a rental. Danko moved in along with Garth Hudson and Richard Manuel in February 1967. The house became known locally as "Big Pink" for its pink siding. The house was subsequently sold by Gramms in 1977, and since 1998, it has been a private residence.[4]
The Band's manager Albert Grossman (who was also Dylan's manager) approached Capitol Records to secure a record deal for a group still informally described as "Dylan's backing band". Alan Livingston at Capitol signed the Band, initially under the name the Crackers. Armed with news of a recording deal for the group, they lured Levon Helm back from the oil rigs where he had been working to Woodstock where he took up his crucial position in the Band, singing and playing drums. Helm's return coincided with a ferment of activity in Big Pink as the embryonic Band not only recorded with Dylan but also began to write their own songs.[5]
After meeting with producer John Simon, the Band started to record their debut album in Manhattan at A&R Studios, at 799 7th Avenue in the early months of 1968. The Band recorded "Tears of Rage", "Chest Fever", "We Can Talk", "This Wheel's On Fire" and "The Weight" in two sessions. Robertson has said that when Simon asked them how they wanted it to sound, they replied, "Just like it did in the basement."[6]
Dylan offered to sing on the album, but ultimately realized it was important for the Band to make their own statement. Instead, Dylan signified his presence by contributing a cover painting. Barney Hoskyns has written that it is significant the painting depicts six musicians. The cover of Music from Big Pink was intended to establish the group as having a different outlook from the psychedelic culture of 1968. Photographer Elliott Landy flew to Toronto to photograph the assembled Danko, Manuel, Robertson, and Hudson families on the Danko chicken farm. A photo was inserted of Diamond and Nell Helm, who lived in Arkansas. The photo appeared on the cover with the caption "Next of Kin".[8] The overall design of the sleeve is by Milton Glaser (who also did the poster that was packed with the 1967 Bob Dylan's Greatest Hits).
The initial reception to the album was positive.[9][19] It received praise for the organic quality of the instrumentation, which had been recorded live without overdubbing.[20] In Rolling Stone, Al Kooper's rave review of Big Pink ended with the words, "This album was recorded in approximately two weeks. There are people who will work their lives away in vain and not touch it."[21] This helped to draw public attention to it (Rolling Stone even referred to them as "the band from Big Pink"[22] instead of just "the Band"). The fact that Bob Dylan wrote one and co-wrote two of the songs on the album also attracted attention. Robert Christgau was less enthusiastic in The Village Voice, crediting the music's original evocation of "country-soul feeling without imitating it" and the "human roughness around the edges", [20] yet stating that he "always admired that album" but "from a distance".[23]
In 1968, "The Weight" peaked at No. 63 on Billboard's Hot 100 singles chart in the US. The song was a bigger hit elsewhere, peaking at No. 35 in Canada, and No. 21 in the UK. The album peaked at No. 18 in Canada[24] and reached No. 30 on Billboard's Pop Albums chart in 1968, and then recharted as a No. 8 hit on the Top Internet Albums chart in 2000. "The Weight" gained widespread popularity from the Band's performance of it at Woodstock on August 17, 1969, and due partially to its inclusion in the film Easy Rider, though it was omitted from the soundtrack because of licensing issues. A cover version by the band Smith was included on the soundtrack album instead.
Music from Big Pink was voted No. 452 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000).[27] In 2003, it was ranked 34th on Rolling Stone's list of the 500 greatest albums of all time,[28] a ranking it maintained on the magazine's 2012 revised list,[29] before dropping to number 100 in a 2020 revised list.[30] On Metacritic, the expanded 50th anniversary edition of the album has an aggregate score of 99 out of 100, based on seven reviews, a rating that the website defines as indicating "universal acclaim".[31]
Re-releases
"Big Pink" in 2023
The original LP record issue included a gatefold cover in 1968, duplicated 40 years later in 2008 as a remastered 180 gm LP. On compact disc, it was remastered as a gold CD in 1989, as a DVD-audio in 2001 and as a remastered numbered edition SACD in 2009. On August 29, 2000, it was reissued by EMI Records as a standard compact disc with nine bonus tracks. In 2012, Mobile Fidelity released a remastered, numbered, limited edition, Half-speed Mastering from the original master tapes, 180g LP pressed at RTI.
In 2018, a 50th Anniversary Edition was released with an entirely new stereo mix and 5.1 mix by Bob Clearmountain, mastered by Bob Ludwig. It also included some of the additional tracks from the 2000 re-release, and a new vocal-only mix of "I Shall Be Released".[32]
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