Muscle Shoals is the largest city in Colbert County, Alabama, United States. It is located on the left bank of the Tennessee River in the northern part of the state and, as of the 2010 census, its population was 13,146.[4] The estimated population in 2019 was 14,575.[5]
Due to its strategic location along the Tennessee River, Muscle Shoals had long been territory of Native American tribes.[clarification needed] In the late 18th and early 19th centuries, as Europeans entered the area in greater number, it became a center of historic land disputes. The new state of Georgia had ambitions to anchor its western claims (to the Mississippi River) by encouraging development here, but that project did not succeed.
Under President Franklin D. Roosevelt's administration during the Great Depression, the Tennessee Valley Authority was established to create infrastructure and jobs, resulting in electrification of a large rural area along the river. The Ford Motor Company did build and operate a plant for many years in the Listerhill community, three miles east of Muscle Shoals; it closed in 1982 as part of industrial restructuring when jobs moved out of the country.[7][8]
Since the 1960s, the city has been known for music. Local studios and artists developed the "Muscle Shoals Sound", including FAME Studios in the late 1950s and Muscle Shoals Sound Studio in 1969.
Etymology
There are several explanations as to how the city got its name. One is that it was named after a former natural feature of the Tennessee River, a shallow zone where mussels were gathered and settlers named, and spelled, "Muscle Shoals".[9] When the area was first settled, the proper spelling of "mussel" to refer to the shellfish had not been locally adopted.[10]
Cherokee people knew this place as ᏓᎫᎾᏱ (Dagunahi), or "the place of clams or mussels," from daguna (mussel) and -hi (place).[11]
History
Like other areas along waterways, this was important to indigenous peoples for thousands of years.[citation needed] The area of Muscle Shoals was a part of the historic Cherokee hunting grounds dating to at least the early eighteenth century, if not earlier. In the early 18th century, Muscle Shoals was the site of a French trading post.[12] In 1783, six prominent North Carolinians (William Blount, Richard Caswell, Griffith Rutherford, John Donelson, Joseph Martin, John Sevier) formed a company for the purposes of establishing a colony at Muscle Shoals.[12]
Many Cherokee fought against the rebels during the late American Revolutionary War, hoping to expel them from their territories. After the Revolution, Cherokee attitudes toward the new U.S. republic were divided, as settlers increasingly encroached on their territory. An anti-American faction, dubbed the Chickamauga, separated from more conciliatory Cherokees, and moved into present-day south-central and southeastern Tennessee. Most of this band settled along the Chickamauga Creek, from which their name was derived. They claimed Muscle Shoals as part of their domain. When Anglo-Americans attempted to settle the region in the 1780s and 1790s, the Chickamaugas bitterly resisted them.[13][14]
The Upper Creek, residing in what is now north and central Alabama, also resented any European or Euro-American presence in the region. A major incident occurred in 1790, when U.S. President George Washington sent an expedition under Major John Doughty in an attempt to establish a fort and trading post at Muscle Shoals. This expedition was nearly annihilated by a Chickamauga and Creek party sent to destroy it, and the administration abandoned the project.[15] Meanwhile, Francisco Luis Hector de Carondelet, governor of the Spanish Louisiana, was in conversations with the Indian confederation to establish a fort in 1792. [16]
Anglo-American settlers in Tennessee continued to agitate for control of this region. The site was particularly desirable, as it controlled access to fine cotton-producing land immediately to its south.[17] In 1797, John Sevier, the first governor of Tennessee, complained to Andrew Jackson that "The prevention of a settlement at or near the Muscle Shoals is a manifest injury done the whole western country." At Sevier's behest, Jackson attempted to persuade Congress and President John Adams to fund a new expedition to take control of the site, but to no avail.[18]
U.S. officials finally took control of the region in the wake of the U.S. invasion of Creek country during the War of 1812. Jackson and General John Coffee obtained cession of the land from both the Cherokee and Creek (who had continued to dispute possession) by treaty, without permission from the federal government. Secretary of War William H. Crawford refused to recognize the cession, and reconfirmed Cherokee ownership, leading to personal enmity between him and Jackson. The political struggle over the lands was eventually won by Jackson and his backers, who gained passage in Congress of the Indian Removal Act in 1830.[19] When Jackson, as president, implemented the policy of Indian Removal, Muscle Shoals was used as a site from which to exile the Upper Creek to Indian Territory (now Oklahoma).[20]
During World War I President Wilson authorized a dam on the Tennessee River just downstream of Muscle Shoals to help power nitrate plants for munitions.[21]
The first plant started producing nitrates two weeks after the armistice, but the dam was not completed until 1924.
Meanwhile, in 1922 Henry Ford tried to buy the nitrate works and the unfinished dam. The Michigan car manufacturer and industrialist proposed leasing the uncompleted hydro-electric dam at Muscle Shoals on the Tennessee River in Alabama. The US War Department had begun the project during World War I, and engineers estimated a cost of $40 million to complete. At this time, public projects were financed either through raising taxes—which, Congress was unwilling to do at the time- or by issuing bonds. For the Muscle Shoals project, the proposal was for 30-year bonds at 4% interest.
Ford and his friend and fellow inventor Thomas Edison balked at the idea that the US government should have to pay $48 million in interest on top of the $40 million they would have to pay back—all for a project that would benefit the public (the argument being that the hydro-electric dam and accompanying fertilizer plants would create jobs and revitalize the area). Responding to the bond issue, Edison remarked: "Any time we wish to add to the national wealth, we are compelled to add to the national debt."[22] Edison and Ford hoped that a new monetary system could be created where dollar bills were issued directly to workers and manufacturer, with the money being backed by the goods they produced rather than the gold and silver held in bank vaults.[23][24][25] Congress eventually rejected Ford's idea.
The project of area development based on hydroelectric power languished until the Great Depression. President Franklin D. Roosevelt's administration created the Tennessee Valley Authority in 1933 to construct needed infrastructure and install an electrical system in the rural area, using newly generated electricity from the dam complex.[21]
In addition to the city being home to country music band Shenandoah, it has been a destination of numerous artists to write and record. Both FAME Studios and Muscle Shoals Sound Studio are still in operation in the city. They recorded such recent hit songs such as "Before He Cheats" by Carrie Underwood and "I Loved Her First" by Heartland, continuing the city's musical legacy. George Michael recorded an early, unreleased version of "Careless Whisper" with Jerry Wexler in Muscle Shoals in 1983. Bettye LaVette recorded her Grammy nominated album "Scene of the Crime" at FAME in 1972.[26]
The original Muscle Shoals Sound Studios were located at 3614 Jackson Highway in Sheffield but that site was closed in 1979 when the studio relocated to 1000 Alabama Avenue in Sheffield. The studio in the Alabama Avenue building closed in 2005; as of 2018[update] it houses a movie production company, which also hosts tours and concerts at the venue.[27]
Muscle Shoals encouraged the cross-pollination of musical styles: black artists from the area, such as Arthur Alexander and James Carr, used white country music styles in their work, and white artists from the Shoals frequently borrowed from the blues/gospel influences of their black contemporaries, creating a distinct sound.
Sam Phillips, founder of Sun Records, was born in and lived in the area. He stated that the Muscle Shoals radio station WLAY (AM), which played both "white" and "black" music, and where he worked as a disc jockey in the 1940s, influenced his merging of these sounds at Sun Records with Elvis Presley, Jerry Lee Lewis, and Johnny Cash.[28]
Rolling Stone editor David Fricke wrote that if one wanted to play a single recording that would "epitomize and encapsulate the famed Muscle Shoals Sound", that record would be "I'll Take You There" by The Staple Singers in 1972.[citation needed] After hearing that song, American songwriter Paul Simon phoned his manager and asked him to arrange a recording session with the musicians who had performed it. Simon was surprised to learn that he would have to travel to Muscle Shoals to work with the artists. After arriving in the small town, he was introduced to the Muscle Shoals Rhythm Section ("The Swampers") who had recorded this song with Mavis Staples. Expecting black musicians (the original Rhythm Section consisted only of white musicians), and assuming that he had been introduced to the office staff, Simon politely asked to "meet the band". Once things were sorted out, Simon recorded a number of tracks with the Muscle Shoals band, including "Kodachrome" and "Loves Me Like a Rock".[29]
When Bob Dylan began to plan the recording of an album that would feature his new-found faith in Christ, he recruited veteran R&B producer Jerry Wexler and they agreed to use the Muscle Shoals studio. Wexler remembered: "Dylan came to me because he wanted the sonority he'd heard in Aretha and Otis as opposed to those out-of-time, see-you-down-the-line, thirteen-and-a-half-measure, out-of-time phrases." With Wexler, Dylan recorded two albums of contemporary gospel music, Slow Train Coming (1979) and Saved (1980).[30]
In the early 21st century, Florence native Patterson Hood, son of "Swamper" David Hood, found fame as a member of the alternative rock group Drive-By Truckers. Siblings and Muscle Shoals natives Angela Hacker (winner) and Zac Hacker (second place) were the top two finishing finalists on the 2007 season of Nashville Star, a country-music singing competition. In 2008, State Line Mob, a Southern rock duo group formed by singer and songwriters Phillip Crunk (Florence native) and Dana Crunk (Rogersville native), released their first CD, Ruckus, and won two Muscle Shoals Music Awards for 2008 for (Best New Artist) and Best New Country Album) of the year.[citation needed]Band of Horses recorded a portion of their album Infinite Arms at Muscle Shoals.[26] Artists signed to the FAME label in 2017 include Holli Mosley, Dylan LeBlanc, Jason Isbell, Angela Hacker, Gary Nichols, and James LeBlanc.[31]
A number of rock, R&B and country music celebrities have homes in the area surrounding Muscle Shoals (Tuscumbia), or riverside estates along the Tennessee River. They may be seen performing in area nightclubs, typically rehearsing new material.
FAME Recording Studios in Muscle Shoals (photograph by Carol M. Highsmith)
Sister city Florence, Alabama, is frequently referred to as "the birthplace of the Blues". W. C. Handy was born in Florence and is generally regarded as the "Father of the Blues". Every year since 1982, the W. C. Handy Music Festival is held in the Florence/Sheffield/Muscle Shoals area, featuring blues, jazz, country, gospel, rock music and R&B. The roster of jazz musicians known as the "Festival All-Stars", or as the
W. C. Handy Jazz All-Stars, includes musicians from all over the United States, such as guitarist Mundell Lowe, drummer Bill Goodwin, pianist/vocalist Johnny O'Neal, vibraphone player Chuck Redd, pianist/vocalist Ray Reach, and flutist Holly Hofmann.
After FAME studio founder Rick Hall died in early 2018, The New Yorker concluded its retrospective with this comment:
"Muscle Shoals remains remarkable not just for the music made there but for its unlikeliness as an epicenter of anything; that a tiny town in a quiet corner of Alabama became a hotbed of progressive, integrated rhythm and blues still feels inexplicable. Whatever Hall conjured there—whatever he dreamt, and made real—is essential to any recounting of American ingenuity. It is a testament to a certain kind of hope."[33]Al.com commented that Hall is survived by his family "and a Muscle Shoals music legacy like no other".[34] An editorial in the Anniston Star concludes with this epitaph, "If the world wants to know about Alabama – a state seldom publicized for anything but college football and embarrassing politics – the late Rick Hall and his legacy are worthy models to uphold".[35]
3614 Jackson Highway Studio
The original location of Muscle Shoals Sound Studios in Sheffield has been listed on the National Register of Historic Places since June 2006.[36] From the early 2000s to 2013, it had been partly restored and open for tours. In 2013, the documentary Muscle Shoals raised public interest in a major restoration of the original studio.[37][38] In the same year, the Muscle Shoals Music Foundation was formed to raise funds to purchase the building and to complete major renovations. In June 2013, the owner of the property since 1999 sold it without the historic recording equipment to the Foundation.[39]
A grant from Beats Electronics, a manufacturer of headphones owned by Apple Inc., and founded by Dr. Dre and Jimmy Iovine, provided an essential $1 million. The state tourism director said in 2015 that the 2013 film Muscle Shoals[40] had been a significant influence. "The financial support from Beats is a direct result of their film." Additional donations were made by other groups and individuals.[41]
As of August 2015[update], tours were visiting the partly-restored studio on Jackson Highway. It was closed when major restoration work started in September 2015. Muscle Shoals Sound Studio reopened as a finished tourist attraction on January 9, 2017. Owned and operated by the foundation, the interior is reminiscent of the 1970s, with relevant recording equipment and paraphernalia. There are plans for future recording projects.[42][43]
Even before the Jackson Highway studio reopened, The Alabama Tourism Department named Muscle Shoals Sound Studio as the state's top attraction in 2017.[44]
Affectionately called The Swampers, the Muscle Shoals Rhythm Section was a local group of first-call studio musicians (initially working at FAME and then at Muscle Shoals Sound Studios) who were available for back-up. They were given the nickname The Swampers by music producer Denny Cordell during the Leon Russell sessions because of their "funky, soulful Southern 'swamp' sound".[45]
A verse of the Lynyrd Skynyrd song "Sweet Home Alabama" contains references to the Swampers and their native town, Muscle Shoals: "Now Muscle Shoals has got the Swampers / And they've been known to pick a song or two."
As of the 2020 United States census, there were 16,275 people, 5,371 households, and 3,738 families residing in the city.
2010 census
As of the census of 2010, there were 13,146 people, 5,321 households, and 3,769 families residing in the city. The population density was 845.4 inhabitants per square mile (326.4/km2). There were 5,653 housing units at an average density of 363.5 per square mile (140.3/km2). The racial makeup of the city was 80.6% White, 15.3% Black or African American, 0.3% Native American, 0.9% Asian, 1.3% from other races, and 1.6% Hawaiian or Pacific Islander. Hispanic or Latino of any race were 2.7% of the population.
There were 5,321 households, out of which 31.1% had children under the age of 18 living with them, 54.4% were married couples living together, 12.9% had a female householder with no husband present, and 29.2% were non-families. 26.2% of all households were made up of individuals, and 11.3% had someone living alone who was 65 years of age or older. The average household size was 2.44 and the average family size was 2.93.
In the city, the population was spread out, with 23.6% under the age of 18, 8.1% from 18 to 24, 24.9% from 25 to 44, 27.3% from 45 to 64, and 16.0% who were 65 years of age or older. The median age was 40.1 years. For every 100 females, there were 90.5 males. For every 100 females age 18 and over, there were 91.9 males.
The median income for a household in the city was $48,134, and the median income for a family was $60,875. Males had a median income of $41,061 versus $37,576 for females. The per capita income for the city was $23,237. About 8.3% of families and 10.6% of the population were below the poverty line, including 19.9% of those under age 18 and 4.8% of those age 65 or over.
2000 census
As of the census of 2000, there were 11,924 people, 4,710 households and 3,452 families residing in the city. The population density was 979.7 inhabitants per square mile (378.3/km2). There were 5,010 housing units at an average density of 411.6 per square mile (158.9/km2). The racial makeup of the city was 83.88% White, 14.16% Black or African American, 0.38% Native American, 0.56% Asian, 0.31% from other races, and 0.70% from two or more races. Hispanic or Latino of any race were 1.16% of the population.
There were 4,710 households, out of which 34.7% had children under the age of 18 living with them, 59.4% were married couples living together, 11.3% had a female householder with no husband present, and 26.7% were non-families. 23.8% of all households were made up of individuals, and 8.2% had someone living alone who was 65 years of age or older. The average household size was 2.48 and the average family size was 2.95.
In the city, the population was spread out, with 24.8% under the age of 18, 8.6% from 18 to 24, 29.6% from 25 to 44, 23.9% from 45 to 64, and 13.1% who were 65 years of age or older. The median age was 37 years. For every 100 females, there were 88.9 males. For every 100 females age 18 and over, there were 86.1 males.
The median income for a household in the city was $40,210, and the median income for a family was $48,113. Males had a median income of $38,063 versus $21,933 for females. The per capita income for the city was $21,113. About 5.4% of families and 7.3% of the population were below the poverty line, including 8.1% of those under age 18 and 7.2% of those age 65 or over.
^Mean monthly maxima and minima (i.e. the expected highest and lowest temperature readings at any point during the year or given month) calculated based on data at said location from 1991 to 2020.
^Records kept in nearby Florence, Alabama from January 1893 to November 1940, and at Northwest Alabama Regional Airport near Muscle Shoals since December 1940.[47]
^M. Thomas Hatley, The Dividing Paths: Cherokees and South Carolinians through the Era of Revolution (Oxford, UK: University Press, 1993), 215–228.
^William C. McLoughlin, Cherokee Renascence in the New Republic (Princeton, NJ: University Press, 1992), 19–20.
^William S. Coker and Thomas D. Watson, Indian Traders of the Southeastern Spanish Borderlands: Panton, Leslie & Company and John Forbes & Company, 1783–1847 (Pensacola: University of West Florida Press, 1986), 178.
^Luis de Las Casas (3 de diciembre de 1792). «Gobernador Habana sobre reedificación de dos fuertes». Portal de Archivos Españoles. Archivo General de Indias, ESTADO, 9, N.27: Ministerio de Cultura y Deportes. p. 1. Archived from the original August 24, 2021. Consulted August 24, 2021. «y otro en Muscle Shoals en el Río Tenesí ».
^Michael Paul Rogin, Fathers and Children: Andrew Jackson and the Subjugation of the American Indian (New York: Alfred A. Knopf, 1976), 170–174.
^H. W. Brands, Andrew Jackson: His Life and Times (New York: Random House Digital, Inc., 2006), 93.
^Don C. East, A Historical Analysis of the Creek Indian Hillabee Towns and Personal Reflections on the Landscape and People of Clay County, Alabama. (New York: iUniverse, 2008), 106–107.
^The Associated Press (December 31, 2016). "Alabama's top tourist attraction 2017: Muscle Shoals Sound Studio". AL.com. Retrieved January 17, 2016. has been revamped with a 1970s feel that includes bright colors, retro chairs and a metal ashtray; the sign over the front door is once again bright blue. Vintage recording equipment fills the production booth.
^"Station: Muscle Shoals RGNL AP, AL". U.S. Climate Normals 2020: U.S. Monthly Climate Normals (1991-2020). National Oceanic and Atmospheric Administration. Retrieved June 6, 2021.
^"Levi Colbert". Viki's Little Corner of the Web : A Resource for Chickasaw Native American History and Genealogy. Archived from the original on May 9, 2008. Retrieved February 5, 2013.
