A gothic melodrama set in England during the 18th century, the film is about John Mohune, a young orphan (Jon Whiteley), who is sent to the Dorset village of Moonfleet to stay with his mother's former lover, Jeremy Fox. Fox (Stewart Granger), is a morally ambiguous character, an elegant gentleman intimately involved with smugglers.[3] On the run from the law, Mohune and Fox must decipher a coded message in their pursuit of a fabulous diamond hidden long ago.
The book was published in England in 1898 but not published in the US until 1951.[4] Reviews were excellent.[5]
MGM bought the film rights and announced Stewart Granger as the star immediately. William Wright was originally going to produce.[6]
Then the job of producing went to John Houseman.[7] Houseman later recalled, "the novel was written back about 1890, was as successful as Treasure Island had been, and then was totally forgotten. The man [J. Meade Falkner] never wrote anything else. It was a grim story, a realistic adventure story about pirates and a little boy who accidentally got himself involved with them. There was no sex. But then we began to have fun with it, and embroider it."[8]
At one stage Merle Oberon was going to be the female lead.[9] Eventually Joan Greenwood was brought over from England.
In October 1953 the film was officially put on MGM's schedule.[10]
Shooting
Filming took place in September 1954. "We are trying to make it one of the best of its type", said Houseman.[11]
Director Fritz Lang said the story "calls for mood, for atmosphere. The smugglers work in the dark, on hazy days. I plan to light my principals just as you would in a play, dropping shadows on the sides of the stage to concentrate on the main action and the players involved in it."[12]
The movie was shot almost entirely on the MGM backlot, augmented by a few shots of the California coast. During filming, James Dean visited the set; Stewart Granger said his manner was rude and dismissive.[13]
Houseman said, "I got along fine with Fritz Lang, even though we screamed and yelled at each other. But he was very anxious to make a picture at Metro, and he rather wanted to make a picture with me. On the whole, we managed to turn out something very much off the beaten track-and... we had a good time."[8]
Granger later said : "I hated working with Fritz Lang – he was a Kraut and it was a bloody awful film. I wanted to produce and act it in Cornwall and made them buy the book. MGM turned it into a big colour film. Moonfleet was not Lang's type of film – it is a romantic child's film. It wasn't a bad part."[14]
Houseman says one time during filming his associate producer, Jud Kinberg, "came down to the stage and heard this awful caterwauling. As he got near he heard: [German accent] "You are not a professional! We pay you a lot of money to be a professional actor, and it seems to me you are stupid, you are lazy, you are nothing at all...!" Jud came around the corner, and saw that the recipient of this was a little boy of eleven!"[8] The little boy being referred to was obviously Jon Whiteley, as he was the only boy actor in the film. But Jon was only nine years old during the filming and not eleven.
Reception
Houseman later said, "It ended up being rather a crazy type of picture – still much admired by European filmmakers – but, commercially, it was a disaster."[8]
The film was a critical and financial failure on release. According to MGM records the movie earned $567,000 in the US and Canada and $1,007,000 overseas. It made a loss of $1,203,000.[1]
The film was released in France in 1960 and had 917,219 admissions.[15]
The prestigious French film publication Cahiers du Cinéma named Moonfleet as one of the 100 most essential films ever made, listing it at #32.
^Halliwell's Film Guide, 6th edition, 1987, p. 703
^Jackson, Joseph Henry (Aug 5, 1951). "A BOOKMAN'S NOTEBOOK: An Adventure Classic". Los Angeles Times. p. B5.
^ORVILLE PRESCOTT (Aug 31, 1951). "Books of The Times: Comparison With Stevenson Many Chilling Adventures". New York Times. p. 12.
^Hopper, H. (Oct 20, 1951). "Best seller story, 'moonfleet,' to be produced by metro in '52". Chicago Daily Tribune. ProQuest178171823.
^Schallert, E. (May 6, 1954). "Drama". Los Angeles Times. ProQuest166625670.
^ abcdHandzo, Stephen. "JOHN HOUSEMAN THE PRODUCER'S SIGNATURE INTERVIEW". Film Comment. Vol. 11, no. 2 (Mar/Apr 1975). New York. pp. 18–21.
^Hopper, Hedda (May 22, 1954). "Looking at Hollywood: Clark Gable Rounds Up Top Talent for His New Movie". Chicago Daily Tribune. p. 18.
^THOMAS M. PRYOR (Oct 11, 1953). "HOLLYWOOD DIGEST: Spectacles of Silent Era Eyed as Wide Screen Fare -- M-G-M Slate -- Addenda". New York Times. p. X5.
^Richard Dyer MacCann (Feb 1, 1955). "About a 'Little Kidnapper': Hollywood Letter". The Christian Science Monitor. p. 4.
^M. A. S. (Sep 5, 1954). "VIEWS ON THE SCREEN DIRECTED BY FRITZ LANG". New York Times. ProQuest113093247.
