Mohammed Mrabet (born March 8, 1936; néMohammed ben Chaib el Hajam) is a Moroccan author, artist and storyteller of the Ait Ouriaghel tribe in the Rif region.[1][2]
Mrabet, mostly known in the West through his association with Paul Bowles, William Burroughs and Tennessee Williams, is an artist of intricate felt tip and ink drawings in the style of Paul Masson or Joan Miró, which have been shown at various galleries in Europe[3] and America.[4] His art work is comparable with that of his contemporary Jillali Gharbaoui (1930–1971). Mrabet is recognized as an important member of a small group of Moroccan master painters who emerged in the immediate post-colonial period[5] and his works have become highly sought after, mostly by European collectors.[6]
Biography
Mohammed Mrabet was born in Tangier, which was an International Zone from 1923 to 1956. His father enrolled him in a Koranic school at the age of four, then in 1943 at L'ecole public de Boukhachkhach.[7] From 1946 to 1950, Mrabet worked as a caddie at the Royal Tangier Golf Club and thereafter as a fisherman, until 1956, when he met an American couple, Russ and Anne-Marie Reeves, at the Café Central in Tangier's Petit Socco, and remained friends with them for several years. They leased the Hotel Muneria (Tangier Inn) in Tangier, and Mrabet worked there as a barman from 1956 to 1959, when he accompanied them to New York, where he stayed with them for several months. His account of his relationship with this couple is semi-fictionalised in his autobiography Look and Move On.
Upon his return to Tangier in 1960, he resumed his life as a fisherman and began to paint (his earliest drawing known to originate in 1959) and met and became friends with Jane Bowles and Paul Bowles, the latter, who, being impressed by his storytelling skills, became the translator of his many prodigious oral tales, which were orated from a distinctive "kiffed" and utterly non-anglicized perspective[8] and published in fourteen different books. Throughout the 1960s until 1992 Mrabet dictated his oral stories (which Bowles translated into English) and continued work with his paintings. His books have been translated into many languages, and in 1991 Philip Taaffe collaborated with Mrabet for the illustrations of his book Chocolate Creams and Dollars.[9] Mrabet continues to paint and holds periodic art exhibitions, mostly in Spain and Tangier. He lives in the Souani area of Tangier with his wife, children and grandchildren.
Bibliography
Love with a Few Hairs 1967, NY: George Braziller, Translated by Paul Bowles
M'Hashish 1969, San Francisco, City Lights, Translated by Paul Bowles
The Lemon 1969, London: Peter Owen, Translated by Paul Bowles
The Boy Who Set the Fire 1974, Black Sparrow Press, Santa Barbara, Translated by Paul Bowles
Hadidan Aharam 1975, Black Sparrow Press, Santa Barbara, Translated by Paul Bowles
Look and Move On 1976, Black Sparrow Press, Santa Barbara, Translated by Paul Bowles
Harmless Poisons, Blameless Sins 1976, Black Sparrow Press, Santa Barbara Translated by Paul Bowles
The Big Mirror 1977, Black Sparrow Press, Santa Barbara, Translated by Paul Bowles
Short story: "The Lute" in Five Eyes 1979, Black Sparrow Press, Santa Barbara, Translated by Paul Bowles
The Beach Cafe & The Voice 1980, Black Sparrow Press, Santa Barbara, Translated by Paul Bowles
The Chest 1983, Bolinas, Tombouctou, Translated by Paul Bowles
Marriage With Papers 1986, Bolinas, Tombouctou, Translated by Paul Bowles
Chocolate Creams and Dollars 1992, Inanout Press NY, Translated by Paul Bowles
Collected Stories 2004, Moroccan Cultural Studies Centre, Fez, Morocco, Translated by Paul Bowles
Le poisson conteur : Et autres stories de Tanger, 2006, Mohammed Mrabet and Eric Valentin, Le bec en l'air éditions
Autobiography
Look and Move On 1976, Black Sparrow Press, Santa Barbara
Books on Mrabet
2006 – With Much Fire In The Heart: The Letters of Mohammed Mrabet to Irving Stettner by Ron Papandrea
2006 – Without Bowles: The Genius of Mohammed Mrabet by Andrew Clandermond and Terence MacCarthy
Literary criticism and reviews
1966 – The Spring, In Transatlantic Review, Summer 1966
1967 – The Blood Drinker, In The Great Society Issue 2, 1967
1971 – The Café, In Vertumnus (Paris) Spring 1971
1971 – The Young Man Who Lived Alone, In World of the Short Story April 1971
1971 – The Hut, In Mediterranean Review Spring 1971
1971 – Si Mokhtar, In Armadillo Fall 1971
1972 – Abdesalam and Amar, In Omphalos March 1972
1972 – Doctor Safi, In Rolling Stone April 1972
1972 – The Dutiful Son, In Bastard Angel, Spring 1972
1972 – Bahloul, In Antaeus Summer 1972
1977 – El Fellah, In Outlaw Visions 1977
1981 – Earth, a play by Mohammed Mrabet, In Conjunctions Issue No 1: (Winter 1981–82)
1990 – Mohammed Mrabet's Fiction of Alienation In World Literature Today, Vol. 64, 1990 by Ibrahim Dawood
1992 – Paul Bowles/Mohammed Mrabet: Translation, Transformation, and Transcultural Discourse by Richard F. Patteson
1999 – On Translating Paul (and Jane and Mrabet) by Claude Nathalie Thomas In Journal of Modern Literature – Volume 23, Number 1, Fall 1999, pp. 35–43
2006 – In Defense of Tradition: Mohammed Mrabet's Postcolonial Leanings and the Confrontation of “Kif Wisdom with Modernity by Raj Chandarlapaty
Art exhibitions including catalogs
1970 – New York at the Antaeus office, USA
1970 – City Lights Bookshop, San Francisco, USA
1988 – La Gallerie Paul Mauradian, Lyon France
1989 – Cavin-Morris in New York. (Pen and Ink drawings exhibited)
1991– La Gallerie Art en Marge, Bruxelles, Belgium
1997– Hotel Continental, Tangier, Morocco
1998/04 – Akhawain Universite de Ifrane, Morocco
1998/08 – Galerie Aplanos, Cultural Museum of Assilah, Morocco
1998/09 – Museum of Immigration, Douai, France
1999 – University of Charleston, S.C; USA
2002 – Galeria Tarifa, Tarifa, Spain
2003 – Institut Cervantes, Tangier, Morocco
2004 – Darna, Women's Community Centre, Tangier, Morocco
2006 – Dawliz Complex, Tangier, Morocco
2006 – August The Lawrence-Arnott Art Gallery, Tangier, Morocco
2007 – October/November El Minzah Hotel, Tangier, Morocco
