Emilie Cosman, known as Milein Cosman, (31 March 1921 – 21 November 2017) was a German-born British artist. She was best known for her graphic work of leading cultural figures, dancers and musicians in action, such as Francis Bacon, Mikhail Baryshnikov, T. S. Eliot and Igor Stravinsky.
In 1946, Cosman moved to London. She began book illustration and working as a freelance artist, while continuing to teach evening classes for the WEA and working for the American Broadcasting Station in Europe. She contributed drawings to national and international magazines and newspapers, including the BBC’s Radio Times.[3][4] Particularly noteworthy is a commission from Heute to draw Konrad Adenauer's post-war cabinet in Germany 1949. These drawings were acquired by the German Government Art Collection in 2019 and their first public exhibition as a collection was opened at the German Bundestag in Berlin in April 2022.[6]
In 1947, Cosman met the Viennese-born musician, writer, broadcaster and teacher Hans Keller (1919–1985), whom she married in 1961.[3][4][5] Some books of his writings – The Jerusalem Diary (2001), Stravinsky The Music Maker (2010) and Britten (2013), for example – include many of her drawings and prints. Hans and Milein lived in Hampstead, where their friends included the artist Marie-Louise von Motesiczky.
In 2006, Cosman founded the Cosman Keller Art and Music Trust, which aims to support young musicians and artists as well as publishing, exhibiting and archiving her own and Hans Keller’s work.[4] In 2014, a documentary film about Milein Cosman, directed by Christoph Böll, premiered in Düsseldorf in her presence.[4]
Cosman died in November 2017.[7] She bequeathed a set of over 1300 drawings to the Royal College of Music, London.[2][8][9] Before her death Cosman gave drawings, sketchbooks, etchings and oil paintings, The Milein Cosman Dancers Collection, to the Department of Music and Dance Studies at the University of Salzburg.[10] A biography and comprehensive overview of Cosman's art by art historian Ines Schlenker was released in 2019.[11]
Books produced or illustrated by Cosman
Hans Keller and Donald Mitchell (eds) (with drawings by Cosman): Benjamin Britten: A Commentary on his Work from a Group of Specialists (London, Rockliff, 1952)
(with Hans Keller): Stravinsky at Rehearsal (1962; published in Germany as Stravinsky Dirigiert)
(with Hans Keller): 1975 (1984 minus 9) (London, 1977)
(with Hans Keller): Stravinsky Seen and Heard (Toccata Press, 1982; ISBN0-907689-02-7). Reissued as Stravinsky The Music Maker (ed. M. Anderson, Toccata Press, 2010)
(With Hans Keller): The Jerusalem Diary - Music, Society and Politics, 1977 and 1979 (ed. C. Wintle & F. Williams, Plumbago Books, 2001, ISBN0-9540123-0-5)
Lebenslinien/Lifelines (ed. Thomas B Schumann and Julian Hogg, Edition Memoria, Cologne, 2012, ISBN978-3-930353-32-3)
(with Hans Keller): Britten London, Plumbago Books and Arts, 2013, ISBN978-0-9566007-4-5 (hardback), 978-0-95660075-2 (softback)
^Ines Schlenker (2019). Milein Cosman. Capturing Time. Prestel: Munich, London, New York. Reviewed by Tom Fleming, "Portraits of a lady" (print title), "The unsung art of Milein Cosman". Apollo Magazine. 22 July 2019., vol. CXC nr. 677, July/August 2019.