Michael Herman Elias (born September 20, 1940) is an American writer, film director and producer.
Early and private life
Elias was born in upstate New York. He inherited his left-wing politics from his parents. His father was a doctor, the son of immigrants to the US from Hungary who spent some time in Spain in the 1930s during the Spanish Civil War. His mother was a librarian and trade union activist, whose parents came to the US from Russia. The family moved to Woodstock in the early 1960s. Elias attended Woodbourne Elementary School, Fallsburg High Central Junior and Senior High School. From there he went to St. John's College in Annapolis, Maryland, graduating in 1962 with a degree in mathematics and philosophy. He was President of The Rogers Albritton Film Club and acted in The King William Players productions of Shakespeare, Brecht, and Beckett. Elias is the brother of Ruth Rogers[1] (Lady Rogers) who is married to British born architect Richard Rogers[citation needed] (Lord Rogers) and Susan Elias,[2] an artist living in Berlin who is married to artist Reinhard Voigt.[3][4]
Elias has been married three times: Caroline Bielefelt 1963–1974, Laraine Mestman 1991–2001, and Bianca Roberts[5] former executive director of the Mona Bismarck American Center in Paris. Elias has one son with Laraine Mestman, Frederick Mestman, and three step-sons: Ernie Klein, Siggy Bodolai, and James Bulliard.
In the late 1960s, Elias joined Frank Shaw[7] and formed the comedy team of Elias and Shaw.[8] They made their first appearance on The Tonight Show in 1967, then played New York nightclubs The Bitter End, Upstairs at the Downstairs, Bon Soir, The Village Gate. After another appearance on The Tonight Show they were seen by Ernest Chambers,[9] a television producer who hired them to come to Hollywood as writers. They gave up the act and wrote for Leslie Uggams, Glen Campbell, and Bill Cosby. They also wrote the screenplay for the film The Frisco Kid which starred Gene Wilder and Harrison Ford.
Film and television
In 1971, Elias and Steve Martin were both staff writers on The Pat Paulsen Half A Comedy Show. When Martin decided to devote himself to stand-up he invited Elias to write material for him. This began a long collaboration that also included Martin's comedy albums and two of his network TV specials, A Wild and Crazy Guy (1978) and Comedy Is Not Pretty! (1980), and the screenplay for The Jerk (1979).[10]
In 1978, Elias partnered with Rich Eustis and began a 20-year collaboration in which they created and produced the hit sitcom Head of the Class starring Howard Hesseman about gifted but socially inept high school students. It ran for five seasons on ABC. In the last year Howard Hesseman was replaced by the Scottish comedian Billy Connolly. The Hollywood Reporter confirmed in 2019 that a reboot is planned for HBO Max.[11] Two of the 115 episodes of Head of The Class were filmed in the USSR ("Mission to Moscow Pts. 1 & 2").[12] It was the first American television show to be shot in Moscow. In addition, Elias and Eustis wrote screenplays for Young Doctors in Love, Serial, North Dallas, Back to School and other television series including Eye to Eye, Tall Hopes, and numerous pilots for Warner Brothers.
In 1992, Elias and Eustis amicably dissolved their partnership. Elias went on to write and direct the award-winning Showtime movie Lush Life[13][14] with Forest Whitaker and Jeff Goldblum. He was nominated for best director at the CableACE Awards.
In 2007, Paul Mazursky directed Elias's semi-autobiographical play The Catskill Sonata.[15][16][17][18] The LA Weekly named it one of the best ten plays of the year.[19]
Author
Elias' novels include The Last Conquistador[20] published in 2013 by Open Road Media.[21] In 2020, Michael released his latest novel You Can Go Home Now published by HarperCollins.[22][23][24]
Lawsuit
In July 2011, Michael Elias and Rich Eustis filed a lawsuit against Creative Artists Agency (CAA), the talent agency which had represented them from the 1970s until 1995. The suit claimed that in addition to the agency's package fee of US$3.2 million for Head of the Class, the agency had an undisclosed "side deal" with Warner Bros. for 10% of profits which was paid before and cut into the creators' profits. According to the suit, CAA allegedly received US$9 million from this deal. CAA denied the allegations.[25][26]