Michael William Camille (6 March 1958 – 29 April 2002) was a British art historian and academic, who was an influential, provocative scholar and historian of medieval art and specialist of the European Middle Ages. He was Mary L. Block Professor at the University of Chicago.
In The New York Times obituary of Michael Camille, The New York Times writes, "Mr. Camille was noted for bringing contemporary critical theory and social perspectives to the study of medieval art. Using anthropological, psychoanalytic, semiotic and other approaches, as well as traditional art historical methods, he described the Middle Ages as a time of complex social and political ferment with similarities to modern experience." Camille's new approach marked "a departure from the more popular conception of the period as a remote and static 'age of faith.'''[1]
The New York Times obituary of Michael Camille is titled "Michael Camille, an influential and provocative scholar of medieval art at the University of Chicago, died on April 29. He was 44."[1]
"Camille's first article in the English journal Art History (1985) brought him immediate attention."[2] Camille applied himself to "the traditional field of medieval manuscript illumination," but with new perspectives.
His work is translated into "Spanish, French, Japanese, and Korean," and his book Image on the Edge "was reviewed by publications ranging from the Burlington Magazine to the Wall Street Journal." [3]
The Gothic Idol: Ideology and Image-Making in Medieval Art (New York: Cambridge University Press, 1989). ISBN978-0521424301
Image on the Edge (Cambridge, Mass.: Harvard University Press, 1992). ISBN978-1789140064
Master of Death: The Lifeless Art of Pierre Remiet, Illuminator (New Haven: Yale University Press, 1996). ISBN978-0300064575
Gothic Art: Glorious Visions (New York: Abrams, 1996). ISBN978-0135701775
Mirror in Parchment: The Luttrell Psalter and the Making of Medieval England (Chicago: University of Chicago Press, 1998). ISBN978-0226092409
The Medieval Art of Love: Objects and Subjects of Desire (New York: Abrams, 1998). ISBN978-0810915442
"Before the Gaze: The Internal Senses and Late Medieval Practices of Seeing." In Visuality Before and Beyond the Renaissance: Seeing as Others Saw (Cambridge and New York: Cambridge University Press, 2000): 197–223. ISBN978-0521652223
The Gargoyles of Notre-Dame: Medievalism and the Monsters of Modernity (Chicago: University of Chicago Press, 2009). ISBN978-0226092454