"Hello yourself, and see how you like it..." (Narrative: Mark Twain/Cindy Lovell; Background score: "Comet Ride" performed by Andy Leftwich) Jimmy Buffett, Garrison Keillor, Clint Eastwood – 1:24
"Hannibal, Missouri, where my boyhood was spent..." (Narrative: Mark Twain/Cindy Lovell; Background score: "Comet Ride" performed by Carl Jackson/Andy Leftwich; "Uncle John's Farm" written and performed by Carl Jackson) Garrison Keillor, Jimmy Buffett, Clint Eastwood – 6:28
"Better Times A' Comin'" (Cal Veale) Doyle Lawson & Quicksilver – 2:37
"He agreed to teach me the Mississippi River..." (Narrative: Mark Twain/Cindy Lovell; Background score: "Run Mississippi" performed by Carl Jackson) Garrison Keillor, Jimmy Buffett, Clint Eastwood – 3:44
"Run Mississippi" (Priscilla Houliston/Carl Jackson) Rhonda Vincent – 2:59
"Several years of variegated vagabondizing..." (Narrative: Mark Twain/Cindy Lovell; Background score: Medley: "Dixie," "Ink," and "Mexican Telegram" arranged and performed by Carl Jackson; "Dixie" written by Daniel D. Emmett, "Mexican Telegram" written by Carl Jackson) Garrison Keillor, Jimmy Buffett, Clint Eastwood – 2:29
"A Cowboy In His Soul" (Bryan Kennedy/Jim Rushing) Bradley Walker – 2:07
"It liberates the vandal to travel..." (Narrative: Mark Twain/Cindy Lovell; Background score: "Safe Water" performed by Carl Jackson) Garrison Keillor, Jimmy Buffett, Clint Eastwood – 1:51
"Safe Water" (Carl Jackson/Jerry Salley) Carl Jackson – 3:37
"You ain't ever to love anybody but me..." (Narrative: Mark Twain/Cindy Lovell; Background score: "Sam & Livy" written and performed by Carl Jackson) Garrison Keillor, Clint Eastwood – 2:07
"I Wandered By A Brookside" (Traditional/Music by Barbara Berry) The Church Sisters – 3:37
"It was a mighty nice family..." (Narrative: Mark Twain/Cindy Lovell; Background score: "Little Creatures" written and performed by Carl Jackson) Garrison Keillor, Clint Eastwood, Angela Lovell – 3:49
"Don't scrunch up like that, Huckleberry..." (Narrative: Mark Twain/Cindy Lovell; Background score: "Comet Ride" performed by Carl Jackson) Garrison Keillor, Clint Eastwood, Jimmy Buffett – 2:11
"Huck Finn Blues" (Emily Hayes, Carl Jackson, Danny Wilson) Brad Paisley – 5:36
"The crows would gather on the railing and talk about me..." (Narrative: Mark Twain/Cindy Lovell; Background score: "Indian Crow" performed by Carl Jackson) Garrison Keillor, Clint Eastwood – 2:51
"So wounded, so broken-hearted..." (Narrative: Mark Twain/Cindy Lovell; Background score: "Tick, Tock, Tick..." written and performed by Carl Jackson) Garrison Keillor, Clint Eastwood – 2:31
"Love Is On Our Side" (Tish Hinojosa) Val Storey – 3:50
"Wheresoever she was, there was Eden..." (Narrative: Mark Twain/Cindy Lovell; Background score: "Safe Water" performed by Carl Jackson) Garrison Keillor, Clint Eastwood – 2:18
"My conscience got to stirring me up hotter than ever..." (Narrative: Mark Twain/Cindy Lovell; Background score: "Indian Crow" performed by Rob Ickes) Garrison Keillor, Clint Eastwood, Jimmy Buffett – 3:21
"The report of my death was an exaggeration..." (Narrative: Mark Twain/Cindy Lovell; Background score: "Comet Ride" performed by Carl Jackson) Garrison Keillor, Clint Eastwood, Jimmy Buffett 1:29
"Comet Ride" (Carl Jackson) Ricky Skaggs – 2:52
"The truth, mainly..." (Narrative: Mark Twain/Cindy Lovell; Background score: "Beautiful Dreamer" performed by Catherine Marx) Jimmy Buffett, Garrison Keillor – 2:03
Personnel
Carl Jackson: Acoustic Guitar, Banjo, Gut String Guitar, Lead Vocal, Baritone Vocal, Tenor Vocal, Background Vocal, High Baritone Vocal
The reviews of the album have been positive.[4] Shortly after the album's release the "L.A. Times" review noted, "Producer Carl Jackson and his co-executive producer Cindy Lovell show deep respect and affection for Twain’s estimable place in American culture."[5] Allmusic wrote that the album was "a celebration of Twain's life and work that, if a bit muted and careful, is a pleasing journey through the world of Twain", while Americana Music News noted the "remarkable line-up,"[6] and "Outlaw Magazine"'s Gregg Andrews wrote, "Thanks to the excellent interplay between the narrative and songs, the CD gives listeners a fascinating introduction to Mark Twain."[7] The album ranked 28 in Folk Music the week of July 6, 2012.[8]