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Marin Sais
Marin Sais
	Publicity photo, c. 1917
Born	Mae Smith; August 2, 1890; San Rafael, California, U.S.
Died	December 31, 1971 (aged 81); Woodland Hills, California, U.S.
Occupation	Actress
Years active	1910–1953
Spouse	Jack Hoxie (m. 1920; div. 1925)

Marin Sais (born Mae Smith; August 2, 1890 – December 31, 1971) was an American actress whose career was most prolific during the silent film era of the 1910s and 1920s. Sais' acting career spanned over four decades and she is possibly best recalled for appearing in Western themed films.

Early life and career

Born in San Rafael, California into a family that was allegedly descended from one of the earliest Spanish families to settle in California, Marin Sais began her acting career as a teenager after travelling to New York City where she appeared in vaudeville.

In 1910, at the age of twenty, Sais made her screen debut for New York City's Vitagraph Studios in the short film adaptation of William Shakespeare's Twelfth Night opposite the notable actors Florence Turner and Julia Swayne Gordon. Sais would go on to star in a number of well-received comedy shorts for Kalem Company opposite actors Ruth Roland, Marshall Neilan and Edward Coxen. In 1911, Sais made her first appearance in a Western titled The Ranger's Stratagem – it would become a frequent career choice for the actress and in her later career she would rarely appear in other motion picture genres.

Throughout the 1910s, Sais' career as an actress continued to build momentum and the actress showed her versatility by appearing in such varied genres as comedy shorts, Westerns, dramas, and beginning in 1915 she began appearing in a James W. Horne directed Kalem Company Nancy Drew-style mystery serial The Girl Detective, with such titles as: The Riddle of the Rings, The Secret Code, The Disappearing Necklace and The Vanishing Vases. Sais also continued to work under the direction of Horne in dozens of Western shorts.

Rise to stardom

In December 1915, Sais was filming a lead role on location in the Mojave Desert when a sudden sandstorm blew in. She and the film crew were stranded for a day, unable to get to the nearest settlement. She suffered seriously from exposure but recuperated after a few days of rest in Los Angeles, California. In 1916 she began appearing as the character Barbara Brent in a Horne directed Western series of shorts.

By 1918 Sais was a highly popular and publicly recognizable film personality and was chosen by Japanese silent film matinee idol Sessue Hayakawa to appear opposite him in a series of film collaborations, the first being the 1918 racial drama The City of Dim Faces followed by His Birthright, released the same year and also starring Hayakawa's actress wife Tsuru Aoki. Sais' collaboration with Hayakawa ended with the 1919 film Bonds of Honor and the same year Sais appeared with Swedish actress Anna Q. Nilsson in the moderately successful drama The Vanity Pool.

In 1920, Sais married silent Western actor Jack Hoxie whom she met on the set of the 1916 film Tigers Unchained. It was her second marriage. The two began appearing in a number of well-received Western action and adventure films. Although the couple would divorce seven years later, Sais would rarely appear in films outside of the Western genre from 1920 onward. One notable film of the period was the Bruce M. Mitchell directed 1924 film The Hellion, which featured British actor Boris Karloff in one of his first prominent roles.

Later career and death

By the mid-1920s Marin Sais' career was declining and she began appearing in a number of lower-budget Westerns. It was a trend that would follow Sais throughout her career into the talkie era of the 1930s and give her the dubious title of "Queen of the B-movie oaters". During the 1930s, Sais appeared in approximately twenty films - nearly all Westerns. One notable exception is an uncredited role as Mrs. Harper in 1936 cult classic Reefer Madness.

Sais' acting career continued throughout the 1940s and into the 1950s, often in bit parts or in uncredited roles in poorly received, low-budget Westerns. Two exceptions were the popular 1945 Sam Newfield-directed Western Lightning Raiders, starring Buster Crabbe and her role as The Duchess in the long-running 1949 Red Ryder serials starring Jim Bannon. By the early 1950s, she made a tentative foray into the new medium of television with a guest appearance on The Lone Ranger. Sais' last role before retirement was a small part in the made-for-TV movie The Great Jesse James Raid in 1953.

As a star in her 20s, prior to the end of World War I, Sais' home was in Glendale, California. In her later years, Marin Sais retired to the Motion Picture & Television Country House and Hospital in Woodland Hills, California, where she was a resident for many years. She died on December 31, 1971, of cerebral arteriosclerosis at the age of 81.^[1]

Selected filmography

Twelfth Night (1910)
Walk, -- You, Walk! (1912)
The Girl Bandits' Hoodoo (1912)
The Boer War (1914) as Jane Lambert, their daughter
Shannon of the Sixth (1914) as Dora Kimber
The Potter and the Clay (1914, Short) as Rose Masters
The Girl Detective (1915) as Bertha - The Girl Detective
The Strangler's Cord (1915) as Frances Ballon - House Detective
Mysteries of the Grand Hotel (1915, Serial) as Frances Ballon - House Detective [Ch. 1-7, 10] / Various Roles [Ch. 8-9, 11-12]
The Barnstormers (1915) as Clara Worth
The Pitfall (1915) as Margaret Laird
Stingaree (1915, Serial) as Ethel Porter - Stingaree's Sweetheart
The Social Pirates (1916) as Mona Hartley
The Girl from Frisco (1916) as Barbara Brent
The Further Adventures of Stingaree (1917) as Ethel Porter
The Man from Tia Juana (1917) as Madge King
The Golden Eagle Trail (1917) as Madge King
The Ghost of the Desert (1917) as Madge King
A Whirlwind of Whiskers (1917) as Manicurist
The City of Dim Faces (1918) as Elizabeth Mendall
His Birthright (1918) as Edna Kingston
The Vanity Pool (1918) as Diana Casper
Bonds of Honor (1919) as Olga Orczy
The Gray Wolf's Ghost (1919)
Thunderbolt Jack (1920) as Bess Morgan
Dead or Alive (1921) as Sheriff Lamar's Wife
The Broken Spur (1921) as Ida Hunt
Hills of Hate (1921) as Carmen
The Sheriff of Hope Eternal (1921) as Hela Marcale
Riders of the Law (1922) as Barbara Layne
The Forbidden Trail (1923) as Woman washing (uncredited)
Wolf Tracks (1923) as Rose Romaine
Good Men and Bad (1923) as Felicia
Behind Two Guns (1924) as Mrs. Baxter
The Hellion (1924) as The Hellion
The Measure of a Man (1924) as Clare, his wife
A Roaring Adventure (1925) as Katherine Dodd
The Red Rider (1925) as Silver Waters
The Wild Horse Stampede (1926) as Grace Connor
Rough and Ready (1927) as Martha Bowman
Men of Daring (1927) as Mother Owen
The Fighting Three (1927) as Clara Jones
The Harvester (1927)
A Son of the Desert (1928) as Helen Dobson
Come and Get It (1929) as Breezy's mother
The Fighting Cowboy (1933) as Squaw Mary
Wheels of Destiny (1934) as Settler's Wife (uncredited)
Rawhide Romance (1934) as Mrs. Whitney
The Man from Hell (1934) as Townswoman (uncredited)
When Lightning Strikes (1934) as Mrs. Stevens
Outlaw Rule (1935) as Mrs. Turk (uncredited)
The Circle of Death (1935) as Mrs. Mary Gordon (uncredited)
The Pace That Kills (1935) as Mrs. Bradford (uncredited)
Reefer Madness (1936) as Mrs. Harper (uncredited)
Drums of Destiny (1937) as Ma Green (uncredited)
Windjammer (1937) as Bishop's Secretary (uncredited)
Trailin' Trouble (1937) as Mrs. Johns
Renfrew of the Royal Mounted (1937) as Mrs. MacDonald (uncredited)
Pioneer Trail (1938) as Belle
Phantom Gold (1938) as Mag Smith
I Stand Accused (1938) as Minor Role (uncredited)
Santa Fe Stampede (1938) as Townswoman (uncredited)
Lone Star Pioneers (1939) as Kate (uncredited)
Riders of the Frontier (1939) as Sarah Burton
Oklahoma Terror (1939) as Mathilda - Fleeing Rancher's Wife (uncredited)
The Mad Empress (1939) (uncredited)
Convicted Woman (1940) as Matron (uncredited)
Wild Horse Range (1940) as Harriet Morgan
One Man's Law (1940) as Kathy Winters (uncredited)
Deadwood Dick (1940, Serial) as Calamity Jane
The Durango Kid (1940) as Mrs. Evans (uncredited)
Two Gun Sheriff (1941) as Mrs. McKinnon
Saddlemates (1941) as Mrs. Langley
Billy the Kid in Santa Fe (1941) as Pat Walker
Cracked Nuts (1941) as Woman (uncredited)
The Iron Claw (1941, Serial) as Hannah - Silk's Housekeeper [Ch. 7] (uncredited)
Sierra Sue (1941) as Tess (uncredited)
Forbidden Trails (1941) as Sue - Sandy's Bride (uncredited)
A Tragedy at Midnight (1942) as Second Mrs. Charles Miller (uncredited)
South of Santa Fe (1942) as Townswoman (uncredited)
Murder in Times Square (1943) (uncredited)
Harvest Melody (1943) as Ma Nelson
Frontier Outlaws (1944) as Ma Clark
Enemy of Women (1944) as Frau Bendler
Oath of Vengeance (1944) as Ma - Postmistress
Bells of Rosarita (1945) as Duena in Wedding (uncredited)
Along the Navajo Trail (1945) as Gypsy Woman (uncredited)
Love, Honor and Goodbye (1945) as Wardrobe Mistress (uncredited)
Border Badmen (1945) as Mrs. Bentley
Girls of the Big House (1945) as Foyer Matron (uncredited)
Lightning Raiders'' (1946) as Mrs. Loren
King of the Forest Rangers (1946, Serial) as Mrs. Barton - Landowner [Ch. 3] (uncredited)
Terrors on Horseback (1946) as Mrs. Jed Bartlett
Rendezvous 24 (1946) as Rina - Heligmann's Housekeeper (uncredited)
Stagecoach to Denver (1946) as Aunt May Barnes (uncredited)
Yankee Fakir (1947) as Mrs. Randall (uncredited)
Big Town After Dark (1947) as Mrs. O'Hara-Game Operator (uncredited)
Ride, Ryder, Ride! (1949) as The Duchess (Red's Aunt)
Roll, Thunder, Roll! (1949) as Duchess
The Fighting Redhead (1949) as Duchess
Cowboy and the Prizefighter (1949) as The Duchess
The Great Jesse James Raid (1953) as Mrs. Lovett (uncredited) (final film role)

References

^ Jarvis, Everett Grant (1995). Final Curtain: Deaths of Noted Movie and TV Personalities, 1912-1996. Carol Publishing Group. p. 55. ISBN 978-0-8065-1646-2.

Hoxie Boys: The Lives and Films of Jack and Al Hoxie. by Edgar M. Wyatt, Wyatt Classics, Raleigh, NC. 1992.
Lincoln, Nebraska Sunday Star, Movie Players Brave a Desert Sandstorm For Stingaree Film, Sunday, December 12, 1915, Page 7.
Lincoln Daily Star, Answers To Movie Fans, Sunday, December 9, 1917, Page 22.