In 1923, Ney made her debut at the Café Gößenwahn on Kürfurstendamm in Berlin.[4] By the late 1920s, Ney was performing regularly in the "Cabaret of Comics" (Kabarett der Komiker [de]), the longest-running German-language cabaret.[7][4][3][8] She was famous enough to receive reviews in the American magazine Variety and was one of the most famous German women singers in the 1920s and 1930s.[9][10]
She often performed in a sailor suit, perhaps emphasizing her nautical background from the port town of Kiel, and played the accordion.[4] In the 1920s "A Sailor in Marseille" at the Cabaret of Comics, Ney performed with ten backup accordionists.[9] Her performance "Give It" (Gib ihn) with Heinrich Giesen included a scene in a gondola rowed by two masked characters who seem to be in blackface.[11]
Films
Ney served as the master of ceremonies in several short sound films that consisted of several different acts or scenes. Terra-Melophon Magazine, No. 1 (1930), which was called a "magazine film," included the reading aloud of passages from a novel, an explanation of how a telephone call between Berlin and New York worked, a demonstration of how to make a martini, and a series of exercises led by a famous physical educator.[12]
Cabaret Program No. 6 (1931), Ufa-Cabaret Program (4th Part) (1931), Aafa Potpourri II (1932) consisted of mixtures of different cabaret acts and film studio events.[13][14] The Ufa-Cabaret was produced for the film company Universum Film AG (Ufa), while the Aafa Potpourri was about Aafa-Film.[14] These films attempted to replicate cabaret performances and atmosphere.[15]
During the Third Reich, Ney was in two feature films: The New Cabin Boy (1936), in which she played the accordion, and Shots in Cabin 7 (1937–38).[6]Shots in Cabin 7 was a mystery film set on board a cruise ship traveling from Cape Town to Amsterdam, in which a pair of detectives uncover a diamond smuggling ring.[16] Ney portrayed the wife of one of the detectives, who was played by Aribert Grimmer.[17]
Radio
Starting in 1948, Ney presented "Coffee Table" and other light programs on Rundfunk im amerikanischen Sektor (RIAS, Radio in the American Sector), the United States-sponsored radio station in Berlin.[3][4]
Filmography
Short Sound films
1926: Der sprechende Film (The Speaking Film) — as herself; documentary about sound films ("talkies")[18]
1930: Terra-Melophon-Magazin Nr. 1 (Terra-Melophon Magazine, No. 1) — as master of ceremonies or narrator; directed by Rudolf Biebrach[19][12]
1931: Ufa-Kabarett-Programm (4. Teil) (Ufa-Cabaret Program [4th Part]) — as master of ceremonies; directed by Kurt Gerron[20]
1931: Kabarett-Programm Nr. 6 (Cabaret Program No. 6) — as master of ceremonies; directed by Kurt Gerron[13][21]
1932: Aafa-Kunterbunt II (Aafa Potpourri II) — as master of ceremonies; about Aafa-Film[14]
Feature films
1930: Stürmisch die Nacht (The Stormy Night) — a German and Austrian film about rum-running; directed by Kurt Blachy[22][23]
1936: Der neue Schiffsjunge (The New Cabin Boy) — credited as "with her accordion;" directed by Hans Morschel[6][21]
1937–1938: Schüsse in Kabine 7 (Shots in Cabin 7) — detective's wife; directed by Carl Boese[16][21]
Made-for-TV Films
1954: Mit Musik geht alles besser (Everything is Better with Music) — as herself; documentary[21]
Discography
circa 1980, included in Meister des Humors: das ist doch mal was anderes, a historical recording of humorists and cabaret performances[24]
References
^ abDeutsches Filminstitut und Filmmuseum. "Maria Ney". Film Portal (in German). Retrieved May 16, 2021. [birth] 06.05.1890 Kiel [death] 06.04.1961 Berlin
^ ab"Maria Ney". Deutschen Nationalbibliothek. Retrieved May 16, 2021. Lebensdaten: 1890–1961
^ abc"Obituaries: Maria Ney". Variety. 222 (9): 215. April 26, 1961 – via ProQuest.