Caniglia participated in the exhumation of a few long-forgotten operas such as Donizetti's Poliuto and Verdi's Oberto. She also participated in the creation of many contemporary works: Manuela in Montemezzi's La notte di Zoraima, Milan, 1931, Rosanna in Alfano's Cyrano di Bergerac, Rome, 1936, and the title role of Respighi's Lucrezia, Rome, 1937.
D. Hamilton (ed.),The Metropolitan Opera Encyclopedia: A Complete Guide to the World of Opera (Simon and Schuster, New York 1987). ISBN0-671-61732-X
Roland Mancini and Jean-Jacques Rouveroux, (orig. H. Rosenthal and J. Warrack, French edition), Guide de l'opéra, Les indispensables de la musique (Fayard, 1995). ISBN2-213-59567-4
(in Italian)Maria Caniglia biography – Detailed information on her life and career on Operaclick.
'Caniglia, Maria' in Rosenthal, H. and Warrack, J., 1979, The Concise Oxford Dictionary of Opera, 2nd Edition, Oxford University Press, p. 80