Margot Sandeman

Margot Sandeman
Born
Margot Sandeman

(1922-05-27)27 May 1922
Glasgow, Scotland
Died17 January 2009(2009-01-17) (aged 86)
EducationGlasgow School of Art
Known forPainting of West Coast Scottish landscapes
Notable workSheep Resting on the Shore
SpouseJames Robson
AwardsGuthrie Award, 1958

Margot Sandeman (27 May 1922 – 17 January 2009) was a Scottish painter, close friend of Joan Eardley and long-time collaborator with poet Ian Hamilton Finlay. She was known for her paintings of West Coast Scottish landscapes, rural settings, interiors and still lives.

Early life

Glasgow School of Art, where Sandeman studied

Margot Sandeman was born in Glasgow to a family of Scottish artists, the daughter of self-taught watercolourist Archibald Sandeman (1887–1941), and internationally known embroiderer Muriel Boyd (1887–1981).[1][2] Sandeman grew up in Bearsden in a creative household, influenced by William Morris and the Arts and Crafts movement.[1] The family home was decorated by her mother with texts such as "Bread feeds the body but flowers the soul".[1]

Studies

Sandeman studied at the Glasgow School of Art, where her contemporaries included Joan Eardley and the poet Ian Hamilton Finlay.[1][2] Sandeman was already a confident painter when she began art school and, like Eardley, one of a small group selected for special training by the head of drawing and painting, Hugh Adam Crawford. Both artists flourished under his experimental fast-track treatment.[2] Crawford commented on "the inner structure [of Sandeman's paintings], which is not an optical thing."[1]

Relationship with Joan Eardley

Sandeman and Eardley met for the first time at Glasgow School of Art and became close friends.[3][4]

"We were very shy of each other for about a year," Sandeman remembers. "But Joan's mother and my mother enticed us to do a Red Cross course together. We started having to bandage each other, that broke the ice! After that we became tremendously great friends." [3]

Both lived in Bearsden and, although their styles were very different, they encouraged and supported each other,[5] drew and painted together, and shared camping trips and family holidays.[2] In 1941, as students, Sandeman and Eardley acquired a horse and caravan and travelled, sketched and painted around Loch Lomond.[2] For many years, the two women regularly visited High Corrie on the Isle of Arran, renting an outhouse, "The Tabarnacle", as a studio.[1][3]

In a review of a 1940s Society of Scottish Artists exhibition, a Scotsman art critic said,

"Miss Joan Eardley and Miss Margot Sandeman more than maintain the exciting promise of their first appearances […] Both are quite fearless and convinced exponents of highly individual outlooks."[3]

Work

Bletchley Park, where Sandeman worked for a short time

Sandeman graduated from Glasgow School of Art during World War II and in 1942 was sent to Bletchley Park, where she worked for six months as a code-breaker.[2][1]

After leaving Bletchley to care for her mother, Sandeman took a studio in Glasgow. Her first work there was a series of vivid still-lives while, for paid employment, she painted antique effects on lampshades.[1]

In 1946 she married the teacher, potter and ceramic artist James Robson, with whom she had two sons.[2]

Prolific and wide-ranging, Sandeman worked in the open air, in the studio, and from memory, creating unique interpretations of West Coast Scottish landscapes, rural settings, interiors and still lives.[2] She collaborated regularly with poet Ian Hamilton Finlay.[2][4]

In later life Sandeman's range and output continued to increase, including a notable suite of paintings in celebration of Scottish dramatist and poet Robert McLellan, a neighbour in High Corrie.[1][2]

Exhibitions and awards

Sandeman exhibited at The Royal Scottish Academy from 1946-1972,[6] Cyril Gerber Fine Art, Compass Gallery, the Hughson Gallery, Glasgow, the Talbot Rice Gallery, Edinburgh, and the Lillie Art Gallery, Glasgow.[1]

Her principal solo exhibitions were at the Richard Demarco Gallery, Edinburgh from 1974 onwards.[7]

In 1964 Sandeman won the Guthrie Award of the Royal Scottish Academy and in 1970, the Redpath Award from the Society of Scottish Artists.[8] She also received a Scottish Arts Council award in 1970.[7] In 1989 she was Scottish winner in the Laing Competition.[2]

Collections

Sandeman's work is included in the permanent collection of the National Galleries of Scotland,[9] University of Stirling,[10] the Glasgow Life Museums,[11] the Fleming Collection,[12] among others.[13]

See also

References

  1. ^ a b c d e f g h i j "Margot Sandeman: Scottish painter". The Times. 4 April 2009. Retrieved 12 March 2016.
  2. ^ a b c d e f g h i j k "Margot Sandeman". Herald Scotland. 11 April 2009. Retrieved 12 March 2016.
  3. ^ a b c d "Brush with greatness". www.scotsman.com. Retrieved 12 March 2016.
  4. ^ a b "Sandeman Margot – University of Stirling". www.stir.ac.uk. Retrieved 12 March 2016.
  5. ^ Andreae, Christopher (2013). Joan Eardley. Lund Humphries. pp. 47–48. ISBN 9781848221147.
  6. ^ "Margot Sandeman - Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951". sculpture.gla.ac.uk. Retrieved 12 March 2016.
  7. ^ a b David Buckman (1998). Artists in Britain Since 1945 Vol 2, M to Z. Art Dictionaries Ltd. ISBN 0-95326-095-X.
  8. ^ Frances Spalding (1990). 20th Century Painters and Sculptors. Antique Collectors' Club. ISBN 1-85149-106-6.
  9. ^ "Margot Sandeman, Scottish". National Galleries of Scotland. Retrieved 30 May 2023.
  10. ^ "Margot Sandeman (1922–2009)". University of Sterling. Retrieved 30 May 2023.
  11. ^ "No More Sheep III, Margot Sandeman (1922–2009)". ArtUK. Retrieved 30 May 2023.
  12. ^ "Margot Sandeman: A New Fleming Collection Acquisition". Retrieved 30 May 2023.
  13. ^ Casely, Gordon (10 April 2009). "Margot Sandeman". The Herald (Scotland). Retrieved 30 May 2023.