Margot Benacerraf (14 August 1926 – 29 May 2024) was a Venezuelan film director. She studied at the Institut des hautes études cinématographiques (Institute for Advanced Cinematographic Studies, IDHEC) in Paris and is best known for her 1959 award-winning film Araya.
Benacerraf's two best known films, the 1950s documentaries Reverón and Araya, are considered "landmarks of Latin America narrative non-fiction".[6]Reverón illustrates the life of the well-known Venezuelan painter Armando Reverón, and Araya portrays the day-to-day work of the workers of the salt mines of Araya, a village in the east of Venezuela.[7] It was entered into the 1959 Cannes Film Festival,[8] where it shared the Cannes International Critics Prize with Alain Resnais's Hiroshima mon amour.[9][10]
Benacerraf founded the Cinemateca Nacional de Venezuela in 1966[11] and was its director for three years consecutively. She was a member of the board of directors of Caracas Athenaeum,[1] and in 1991, with the help of the writer and patron of the Latin American cinema Gabriel García Márquez, created Latin Fundavisual, the foundation in charge of promoting Latin American audiovisual art in Venezuela.[5]
Benacarraf died in Caracas on 29 May 2024, at the age of 97.[5]
Awards
Benacarraf received several decorations among them the Venezuelan National Prize of Cinema (1995), the Order Andrés Bello tiwce, the Order Simón Bolivar, Order of the Italian Government, Bernardo O'Higgins Order of the Government of Chile, among others.[4] In February 1987, Ateneo de Caracas inaugurated a movie theater named after her.[12] In 2019, the Venezuelan American Endowment for the Arts (VAEA) awarded Benacerraf the Paez Medal of Art 2019 for her life work.[13]
^ abcUricare, Joy (29 May 2024). "La ejemplar Margot Benacerraf". El Diario (in Spanish). Retrieved 31 May 2024. Además formó parte de la Junta Directiva del Ateneo de Caracas, donde más tarde le dedicarían una sala de cine a la que pusieron su nombre.