Margaret Ada SutherlandAOOBE (20 November 1897 – 12 August 1984) was an Australian composer, among the best-known female musicians her country has produced.
Career
Margaret Sutherland's father was George Sutherland, a journalist and writer and member of a prominent Scottish-Australian family. The painter Jane Sutherland was her aunt and the physicist and mathematician William Sutherland was her uncle. Her sister, Ruth Sutherland was a painter and writer.
Her first piano teacher was another aunt, Julia Sutherland (1861-1930), a pupil of Louis Pabst, a German émigré then considered to be Melbourne's leading piano teacher (himself a pupil of Anton Rubinstein, and Percy Grainger's first teacher).[1] A student of Edward Goll in Australia and of Sir Arnold Bax in London during the 1920s, Sutherland wrote pieces in almost all forms, but particularly concentrated on the genre of chamber music. Her major works include a symphony,[2]The Four Temperaments (orchestrated by Robert W. Hughes in 1964), concertos for various instruments (including violin), a symphonic poem entitled Haunted Hills (1953), and the chamber operaThe Young Kabbarli (1964; libretto by Maie Casey). A severe stroke in 1969 ended her composing career.
Despite the emphasis on non-vocal works in her total output, one of Sutherland's most recognised pieces is "In the Dim Counties" (1936) for voice and piano accompaniment from Five Songs. Sutherland sets her music to the poetry of Shaw Neilson, considered a "pastoral lyric poet" from Australia whose verse has "simplicity of form and restraint of utterance".[This quote needs a citation] Sutherland captures this through sharp rhythms, light instrumentation and "even musical balance".[This quote needs a citation]Five Songs has been recorded by numerous Australian female artists such as Helen Noonan.
Personal life
In 1927 Margaret Sutherland married a Melbourne physician and psychiatrist, Norman Arthur Albiston.[3] They had a son (Mark, 1928) and a daughter (Jennifer, 1930, who predeceased her mother).[1][4] The marriage did not last, and they divorced in 1948. Although Norman was a music lover, he believed that a woman aspiring to be a composer was an indicator of mental derangement,[5] and at one time he discussed his wife's mental state with Felix Werder.[4]
Thérèse Radic, "Margaret Sutherland (1897–1984)", liner notes to Helen Noonan, Woman's Song: Songs by Australian Woman Composers, Newmarket Music, NEW 1042.2, c. 1994.
David Symons (1997). "The Music of Margaret Sutherland". Currency Press, Sydney.
