Sleen was one of the most celebrated comics artists in his home country. His work is admired for its absurd and sometimes satirical comedy, as well for the fact that he worked completely singlehandedly without any assistance for 45 years on end, a feat that landed him a spot in The Guinness Book of Records in 1992.[1][2] (This feat has been surpassed since by Jim Russell's The Potts, which ran for 62 years.[2][3]) He was one of the few comics artists in Belgium who had a museum dedicated to his work.[4]
Biography
Marc Sleen was born as Marcel Neels in Gentbrugge, near Ghent.[5] He studied drawing in Ghent. During the Second World War he was imprisoned by Nazi soldiers in Fort Breendonk because his brother worked for the resistance. He was tortured and put in the death cell, but saved by the fact that after D-Day the officers moved all the prisoners to a different prison, where he could escape.[2] In 1944 he started to work as a political caricaturist in the Flemish newspaper De Standaard. He also contributed illustrations and short comics for the newspaper and the youth supplement, and made illustrations and his first comics for the magazine Ons Volk.[6] He was also a courtroom sketch artist for a while.[2]
In October 1947, Marc Sleen started a new series, The adventures of detective Van Zwam in the newspaper De Nieuwe Gids.[5] In the first adventure Detective Van Zwam encounters a fool who thinks he is emperor Nero. After he regains his senses, they continue calling him Nero and slowly he became the star of the series. The name changes accordingly to The adventures of detective Van Zwam and Nero and after nine stories to The adventures of Nero and co.[2]
The series appeared for 55 years with a rhythm of two strips every day. This was typical for the Flemish comic tradition, as with Suske en Wiske (Spike and Suzy). Nero became well known for its ironichumour and references to current affairs. For instance, in the album, Het Vredesoffensief Van Nero ("Nero's Peace Offensive") (1951), Nero visits Joseph Stalin to make him drink an elixir that will make him a pacifist.[2]
Between 1950 and 1965 Sleen published Nero in Het Volk, after which he moved to De Standaard. This caused a huge copyright controversy, as several newspapers fought over the rights over his syndicated comics. Thousands of readers switched from Het Volk to De Standaard, just to follow his adventures in the newspaper. After that switch, he dropped all other series and devoted himself solely to Nero.[2]
From 1992 to 2002, he was aided by Dirk Stallaert [nl], a versatile Flemish comic artist, and at first the intention was to let Stallaert continue the series after Marc Sleen retired. But in the end, Stallaert didn't feel ready to continue it alone, and at the end of 2002, at the age of 80, Marc Sleen ended his career as a comics artist.[5]
Sleen designed album covers for records by Flemish actor, comedian and singer Jef Burm.[7] Burm was a former school mate of his.[8]
TV documentary work
Marc Sleen was also known as a traveller and animal friend. He made 35 safaris to Africa between 1961 and 1991, making more than 20 documentaries for the Vlaamse Radio- en Televisieomroep, mostly for the TV show "Allemaal Beestjes".[6] A few books and records about his safaris appeared as well. Many of his comics featured animals and countries he has visited.[2]
Legacy
Marc Sleen is commonly considered one of the big names of the Flemish comics, together with Willy Vandersteen and Jef Nys.[6]
In 2005 he was selected as one of the 111 nominees for the title "The Greatest Belgian" (De Grootste Belg) in the Flemish edition. He ended in 48th place.[2]
On 19 June 2009, a museum dedicated to his life and career was opened in Brussels: the Marc Sleen Museum. Both Marc Sleen as well as King Albert II of Belgium were present.[4] The king was a fan of Nero since his youth and both he and Baudouin of Belgium learned Dutch by reading "Nero".[2][9]
Sleen died at the age of 93 on the evening of 6 November 2016.[10] He was buried in the Campo Santo in Ghent.[11]
Awards
1974: Prix Saint-Michel for best comical story, Brussels, Belgium. The award went to Het Lachvirus (The Laughing Virus).[2]
His comics were drawn rapidly in a "flexible and loose" style.[14] They can be divided in one-page or one-strip gag series like Piet Fluwijn en Bolleke and De Lustige Kapoentjes, and humorous adventure comics of book length (generally between 32 and 64 pages) like Stropke en Flopke and Nero.