Manfred Eicher (born 9 July 1943) is a German record producer and the founder of ECM Records.
Life and career
Eicher was born in Lindau, Germany. He studied music at the Academy of Music in Berlin. He started as a double-bass player of classical music and later became a record producer. In 1969, he founded ECM Records (Edition of Contemporary Music) in Munich.[1]
In 1984, Eicher started a sublabel, ECM New Series, for classical music.[2] Some of the artists, whose work was released on the New Series, were Steve Reich, Arvo Pärt, John Adams, Gavin Bryars, Meredith Monk, and the mediaeval composer Pérotin. The best-selling album Officium (1994)—the idea for which "occurred to Mr. Eicher while he was in Iceland to work on [the film] Holocene"[3]—was a collaboration between Jan Garbarek and the Hilliard Ensemble, performing compositions by Cristóbal de Morales, Pérotin and others.
In 1992, Eicher co-directed and co-wrote the film Holozän[4] (Man in the Holocene). In 2002 he wrote the score for the Israeli film Kedma.[5]
Pianist Steve Kuhn has said of him: "If he likes you, Manfred is a wonderful producer. If not, you might as well make a record on the moon. Personally, I admire jazz musicians like Louis Armstrong, Ahmad Jamal and Count Basie, who showed that less is more. But before meeting Manfred Eicher, I hardly practiced it myself."[6] (Artist Interviews)
Eicher has produced most of the records released on his label. Each jazz record takes an average of two days to record and one day to mix. Most were recorded with Jan Erik Kongshaug (of Talent Studios and later Rainbow Studios in Oslo, Norway) as sound engineer. Eicher has produced more than a thousand albums to date.
"Eicher's deceptively simple aesthetic is unfailingly harmonious. He records musicians he likes, allows them to trust their own instincts, and plays a directorial role."[7] (Jazz Review)
