The movie was one of a series of drama documentaries produced at Film Australia for the Nine Network dealing with social issues. It was filmed using hand held cameras. The actors improvised their parts based on detailed research and had real people in supporting roles as professionals,[4][5] Bennett says the making of the film was extremely emotional and it remains one of his favourite films.[6]
Reception
Marke Andrews of the Vancouver Sun gave it 4 stars and says "Bennett never manipulates our emotions with melodrama; the sight of a tiny infant going into a brain scan machine is devastating enough."[7]
References
^ abChilds, Kevin (25 May 1989), "Aussie smiles at Cannes", The Age