In June 1992, the cast members are preparing for rehearsals for Michael's upcoming Dangerous World Tour; the first show in Munich, Germany is in two days. Rob, their manager, tells them to get into their places and warm up. Michael arrives and watches the process, which leads to the opening number ("Beat It").
As Michael shares his newest ideas with Rob, Rachel arrives with her cameraman, Alejandro, in hopes of getting an interview with Michael. He sits with Rachel and recounts some of the terrors he suffered as a child and some of the memorable times when Berry Gordy played his family's hits on his Motown label. Michael also discusses his collaboration with Quincy Jones and recording his albums Off the Wall, Thriller and Bad with Jones.
Michael proposes new ideas for the tour ("Billie Jean"/"Smooth Criminal"), which Rob and Dave tell him are impractical and that they cannot afford it. Michael recounts the horrific accident when a spark ignited his hair in the making of an advertisement for Pepsi. After listening to Rob's negative feedback, Michael reminds him of something Quincy said to him, "Keep the faith. Don't let nobody take you down".
As the rehearsal continues, Michael tells Rachel how the songs open up to him. During a break, a commotion breaks out. Rob tries to keep Rachel away from Michael and doesn't want her near him, but Michael manages to find her by disguising himself as a cleaner. He explains to her that the disguise is the only way he can be seen in public, which leads to him singing "Human Nature". After the rehearsal, Michael explains to Rachel how emotional he feels about being loved by fans and about being teased in the newspapers. He tries to blame everything sad and unusual about himself on others (especially the press) but takes sole credit for his good deeds and success.
As Rob comes to check up on him, Michael recalls when he played at the Apollo Theater with the Jackson 5 and how he wasn't nervous. Rob tells Michael that everything they created would be remembered for decades, but the singer replies by asking "Is it perfect?" ("Man in the Mirror"). Michael appears on stage, ready to start the first show of the Dangerous World Tour ("Jam (reprise)", "Black or White" / "Wanna Be Startin' Somethin' (reprise)".
Recording for the original Broadway cast album took place on February 7 and 8, 2022.[18] The original Broadway cast recording was released on July 15, 2022.[19] The original cast recording was nominated for a Grammy Award for Best Musical Theater Album.[20]
Development
The musical was announced in June 2018.[21] Wheeldon spoke about the musical, stating, "The show is very much anchored in one particular moment in time. I always bring up the fabulous movie that Spielberg made about Lincoln: You take one key moment, I suppose, in the history of someone's life and then sort of use that as an anchor point for past storytelling and, perhaps, some kind of prophecy of what's to come. We'll be doing that with this story." Asked about the dance and choreography, he said he "intend[s] to put quite a lot of Michael's work in the show".[22]
A national tour began in Chicago at the Nederlander Theatre on August 1, 2023 and is scheduled to run through August 3, 2025.[31][32] Jamaal Fields-Green took over as Jackson in July 2024.[16][17]
West End (2024)
The musical opened in the West End at the Prince Edward Theatre, with previews beginning March 6, 2024 and an official opening night on March 27.[33] Frost reprised his role as Jackson.[34][35]
Hamburg (2024)
A German production is expected to play the Stage Theater an der Elbe at Hamburg. Dialogue will be in German with the musical numbers remaining in English. Performances are scheduled to begin on December 1, 2024.[36]
Sydney (2025)
An Australian production is scheduled to open at the Sydney Lyric Theatre in February 26, 2025.[37]
Box office
Ticket sales have averaged more than a million dollars per week on Broadway.[38][39][40] Following the Tony Awards, the weekly gross jumped to $1,661,000, with sold-out shows and brisk advance sales; it received the biggest box office jump that week on Broadway and recorded a new high for the show's sales.[41] By September 4, 2022, it broke the Neil Simon Theater's box office record five times with a total cumulative gross of $49.4 million.[42] As of October 2024, MJ the Musical on Broadway had grossed around $225.4 Million with a total attendance of 1,548,697 after 1,141 performances.[43]
Critical response
MJ received mixed reviews from critics. Charles Isherwood of Broadway News criticized Lynn Nottage's book, in particular, writing, "where MJ loses its fleet footing is in the bland, exposition-heavy and often trite dialogue supplied by Nottage ... Clichés, preachy speeches, and baldly obvious dialogue abound."[44] Adam Feldman of Time Out wrote, "'Listen to my music,' says Michael to his interviewer. 'It answers any questions you might have.' Does it? I left the theater entertained, but not convinced I had seen the man in the smoke and mirrors."[45] Maya Phillips of The New York Times wrote, "The musical is inherently hollow; the opacity of Michael Jackson and his life of traumas and controversies make it difficult to find material compelling and cohesive enough to tell a story onstage".[46]
The Deadline reporter Greg Evans said the musical was "visually and sonically ravishing",[47] while the Chicago Tribune called the show's scenery gorgeous and the show "beautiful to experience throughout, which one almost never can say about jukebox musicals".[48] Peter Marks of The Washington Post also praised the show and the cast, especially the "utterly persuasive" Frost, and called MJ "a riveting, adrenaline rush of a show".[49] Linda Armstrong of Amsterdam News called the production "spectacular", "stunning" and "off-the-charts".[50] Joe Westerfield of Newsweek said, "In many ways MJ is a living, breathing, even breathless, music video, but with that touch of inspiration, drive and art that only Michael Jackson can provide."[51]
Myles Frost (principal vocalist), Tavon Olds-Sample (principal vocalist), David Holcenberg (producer), Derik Lee (producer), Jason Michael Webb (producer)
