The opera begins with Patsy Bear (spelled Bear in the libretto but spelled Blair in the character list), a middleweightboxer, punching leaves on a tree. Avril Ainger, a mathematics lecturer, encounters him while riding her bicycle and they have a conversation. The next day, Avril passes by the gym where Patsy fights. His manager has dropped him. He is waiting for the bus, but when the driver arrives, he will not tell Patsy the number, for Patsy is illiterate and has difficulty even recognizing numbers. She accompanies him back to his hut and they learn more about each other, Patsy's limitations, and the hurt of Avril's first marriage. They go to a restaurant, and Avril tries to help Patsy with the bill, but he is typically one to walk off without paying.
She begins teaching him basic mathematics, starting with familiarizing him with all the digits, but he only wants to make love.
The second act is set mostly in Avril's bedroom, jumping backward and forward in time, often with the characters changing clothes in front of the audience.
Avril asks Patsy about the nature of his erections because her previous husband could get them only if he hit her. After they make love for the first time, Patsy's manager calls and tells him that a new lad wants him to be his trainer.
Avril wants Patsy to promise he will not get back in the ring. She cuts up his gear. She takes off her top and hits him, saying she does not want to be hurt again. Patsy asks her to be more ladylike and make love.
Later, she gets a phone call, and collapses at what she hears. Patsy has fallen into a coma. The doctor says he will regain his memory if she keeps talking to him.
In the final scene, Avril pushes Patsy, now in a wheelchair, down the street where they first met, express their desire to make love, and go through their counting routine.
Recording
Love Counts an opera in two acts
Photograph by Michael Nyman design by Russell Mills and Michael Webster
A recording based on the Almeida production was released in 2007 featuring Andrew Slater as Patsy Bear (bass) and Helen Williams as Avril Ainger (soprano). It is the 57th Michael Nyman album.
