List of compositions by Josef Tal
This is a List of compositions by Josef Tal; Josef Tal website.
OPERAS[1]
|
Year Composed |
WORK |
DETAILS |
PARTICIPANTS |
PREMIERE
|
1955 |
Saul at Ein Dor |
Text: Books of Samuel |
soloists and orchestra |
Michael Taube 1955, Tel Aviv
|
1958 |
Amnon and Tamar |
libretto: Recha Freier, after Samuel II, 13 |
soloists, men's choir and orchestra |
Heinz Freudenthal 1961, Jerusalem
|
1969 |
Ashmedai |
libretto: Israel Eliraz |
soloists, choir, orchestra & electronic music |
Gary Bertini / Leopold Lindtberg 1971, Hamburg
|
1972 |
Masada 967 |
libretto: Israel Eliraz |
soloists, choir, & electronic music |
Gary Bertini / Leonard Schach 1973, Jerusalem
|
1974 |
The Temptation |
libretto: Israel Eliraz |
soloists, choir, orchestra & electronic music |
Gary Bertini / Götz Friedrich 1976, München
|
1983 |
The Tower |
libretto: Hans Keller |
soloists, choir, orchestra & electronic music |
Ádám Fischer / Siegfried Schoenbohm 1987, Berlin
|
1987 |
The Garden |
libretto: Israel Eliraz |
soloists & ensemble |
Peter Löscher / Irmgard Schleier 1988, Hamburg
|
1993 |
Josef |
libretto: Israel Eliraz |
soloists, choir, orchestra |
David Alden / Gary Bertini 1995, Tel Aviv
|
|
KEYBOARD
|
Year Composed |
WORK |
DETAILS |
PREMIERE
|
1931 |
Pieces |
for piano 4-hands |
[2]
|
1936 |
Chaconne |
for piano |
[2]
|
1937 |
Three Pieces |
for piano |
Grünthal 1939, Jerusalem
|
1945 |
Cum Mortuis In Lingua Mortua |
7 Variations for piano on a theme by Moussorgsky |
Grünthal 1945, Jerusalem
|
1946 |
Six Sonnets |
for piano |
Grünthal 1948, Tel Aviv
|
1949 |
Sonata |
for piano [3][4][5][6][7][8] |
Grünthal 1950 Tel Aviv
|
1951 |
A Little Walk |
for piano 4-hands |
[2]
|
1956 |
Five Inventions |
for Piano |
Lengyel(?) 1961
|
1962 |
Dodecaphonic Episodes |
for piano |
Tal 1963, Tel Aviv
|
1962 |
Concerto No. 4 |
for piano & magnetic tape [9] |
Tal 1962, Jerusalem
|
1964 |
Concerto No. 5 |
for piano & electronic music |
Gerty Blacher-Herzog 1964, Berlin
|
1964 (Rev. 1977) |
Concerto |
for harpsichord & electronic music |
Frank Pelleg 1964, Tel Aviv
|
1970 |
Concerto No. 6 |
for piano & electronic music |
Tal 1970, Jerusalem
|
1975 |
Five Densities |
for piano |
Arnan Wiesel 1990, Tel Aviv
|
1983 |
Salva venia |
for organ |
Oscar Gottlieb Blarr 1984, Düsseldorf
|
1986 |
Essay I |
for piano [3] |
Alan Sternfeld 1987, Israel
|
1988 |
A Tale in Four Parts |
for piano 4-hands |
[2]
|
1988 |
Essay II |
for piano |
?
|
1989 |
Essay III |
for piano |
Alan Sternfeld 1990, Jerusalem
|
1997 |
Essay IV |
for piano |
Jeffrey Burns 1998, Düsseldorf
|
2000 |
Essay V |
for piano |
?
|
|
ORCHESTRAL / ENSEMBLE / INSTRUMENTAL SOLO
|
Year Composed |
WORK |
DETAILS |
PREMIERE
|
1934 |
By the Rivers of Babylon |
for cello & harp [10][11] |
Weissgerber / Szarvas 19?? (?)
|
1937 |
Suite |
for cello |
Hillel Zori 2010, Tel Aviv
|
1937 |
Sonata |
for cello |
Hillel Zori 2010, Tel Aviv
|
1939 |
Prelude |
for chamber orchestra, flute & fagott |
Grünthal 1939, Jerusalem
|
(before 1940[12]) |
Trois Novelettes |
for symphony orchestra |
Gottfried / IPO 2014, Tel Aviv
|
1940 |
Suite |
for viola |
Gideon Roehr 1946 Jerusalem
|
1940 |
Theme and Variations |
for 2 pianos & percussion |
Grünthal / Kaplan/ Liebenthal 1940, Jerusalem
|
1945 |
Concerto No. 1 |
for piano & orchestra |
Grünthal / Schlesinger 1945 Jerusalem
|
1946 |
Exodus |
symphonic poem for baritone & orchestra. Text: Exodus, Psalms[9] |
Bernardino Molinari 1947, Tel Aviv
|
1947 |
Lament |
for cello & harp [11] |
Josef Weissgerber / Klari Szarvas 19?? (?)
|
1949 |
Hora |
for cello & harp [11] |
Josef Weissgerber / Klari Szarvas 19?? (?)
|
1950 |
Reflections |
for string orchestra [13] |
Michael Taube 1950, Tel Aviv
|
1951 (Rev. 1952) |
Sonata |
for violin & piano [3] |
Goren / Stanfield 1951, Jerusalem
|
1952 |
Sonata |
for oboe & piano |
Haas / Tal 1954 (?)
|
1952 |
Symphony No. 1 |
[3] |
Artur Gelbrun 1955, Bruxelles
|
1953 |
Concerto No. 2 |
for piano & orchestra |
Tal / Singer 1953, Jerusalem
|
1953 |
Duo |
for 2 flutes |
Hanoch Tel-Oren / Sharona Tel-Oren 1953, Israel
|
1953 |
Concerto |
for viola & orchestra |
Gideon Röhr / Heinz Freudenthal 1954, Haifa
|
1954 |
String Quartet No. 1 |
|
Alexander Tal / Yuval / Binyamini / Mense 1959, Tel Aviv
|
1956 |
Concerto No. 3 |
for tenor, piano & orchestra. Text: Eleazar Kalir |
Taube / Tal 1956, Jerusalem
|
1957 |
Festive Vision |
for symphony orchestra |
Izler Solomon 1958, Jerusalem
|
1959 |
Intrada |
for harp |
Contestants of First Int. Harp Contest 1959, Jerusalem
|
1960 |
Symphony No. 2 |
[3] |
Ronli-Riklis 1961, Jerusalem
|
1960 |
Sonata |
for viola & piano |
Ödön Pártos / Tal 1960, Tel Aviv
|
1960 |
Concerto |
for cello & string orchestra [3][4] |
Uzi Wiesel / Ronli-Riklis 1961, Jerusalem
|
1961 |
Structure |
for harp |
Szarvas 1962, Israel
|
1963 |
String Quartet No. 2 |
|
New Israeli Quartet 1965, Tel Aviv
|
1965 |
Duo |
for viola & piano |
(?) 1965, Hamburg
|
1966 |
Wind Quintet |
|
Danzi Quintet 1968, Amsterdam
|
1966 |
Three Compositions |
for recorder & harpsichord |
[2]
|
1968 |
Fanfare |
for 3 trumpets & 3 trombones |
?
|
1969 |
Double Concerto |
for violin, cello & chamber orchestra |
Gary Bertini / Pinchas Zukerman / Uzi Wiesel 1970, Ein Gev
|
1971 (Rev. 1980) |
Concerto |
for harp & electronic music |
Nicanor Zabaleta 1971, Johannesburg
|
1973 |
Treatise |
for cello |
Uzi Wiesel 1974, Tel Aviv
|
1973 |
Trio |
for violin, cello & piano |
Shulman / Toister / Silver 1985, Tel Aviv
|
1975 |
Shape |
for chamber ensemble |
Ralph Shapey 1976, Chicago
|
1976 |
Concerto |
for flute & chamber orchestra |
Aurèle Nicolet / Mendi Rodan 1977, Jerusalem
|
1976 (Rev 1987) |
String Quartet No. 3 |
[3][4] |
?
|
1977 |
Backyard |
for chamber ensemble & tape (for choreography) |
[2]
|
1978 |
Symphony No. 3 |
[3][4] |
Zubin Mehta 1979, Jerusalem
|
1979 |
Double Concerto |
for 2 pianos & orchestra |
Gary Bertini / Eden / Tamir 1981, Jerusalem
|
1980 |
Concerto |
for clarinet & orchestra |
Bertini / Walter Boeykens 1984, Jerusalem
|
1980 |
Movement |
for tuba & piano |
Margulies / Garten 1982, USA
|
1981 (Rev. 1986) |
Dance of the Events |
for orchestra |
Gary Bertini 1982, Jerusalem
|
1982 |
Piano Quartet |
for violin, viola, cello & piano |
Cantilena Chamber Players 1982, New York
|
1982 |
Imago |
for chamber orchestra |
Arthur Weisberg 1983, Washington
|
1982 |
Chamber Music |
for s-recorder, marimba & harpsichord |
Manuela Christen / Hans-Peter Achberger / Urte Lucht 1987, Hamburg
|
1985 |
Symphony No. 4 |
|
Zubin Mehta 1987, Tel Aviv
|
1985 |
In Memoriam of a Dear Friend |
for cello |
Kaganovski 1986, Jerusalem
|
1986 |
Symphonic Fanfare |
|
Houston Symphony Orchestra 1987, Houston
|
1989 |
Duo |
for trombone & harp |
Nitzan Har-Oz / Adina Har-Oz 1991, Israel
|
1989 |
Dispute |
for harp |
Contestants in the 11th International Harp Contest 1991, Jerusalem
|
1991 |
Symphony No. 5 |
|
Daniel Barenboim 1992, Berlin
|
1991 |
Symphony No. 6 |
|
Wolf-Dieter Hauschild 1992, Eschede (Germany)
|
1992 |
Duo |
for oboe & English horn |
[2]
|
1994 |
Quartet |
for t-saxophone, violin, viola & cello |
Ein Habar / Braunstein / Kam / Plesser 1994, Hasselburg
|
1996 |
Perspective |
for viola |
Tabea Zimmermann 1996, Berlin
|
2005 |
Good Night |
for 2 recorders |
Manuela Christen / Eveline Lorandi 2010, Amriswil (Switzerland)
|
|
SOLO VOICE WITH ONE INSTRUMENT, ENSEMBLE OR ORCHESTRA
|
Year Composed |
WORK |
DETAILS |
PREMIERE
|
1936 |
Drei Lieder der Ruhe (Three Songs of Serenity) |
for soprano & piano. Texts: Paul Verlaine, Georg Heym, Christian Morgenstern |
Hede Türk / Grünthal 1938, Jerusalem
|
1950 |
Festive Prologue |
for narrator & 2 pianos. Text: Rachel Bluwstein |
[2]
|
1955 |
Three Songs |
for soprano & piano. Texts: Rachel Bluwstein |
Hilde Zadek / Tal 1955, Tel Aviv
|
1971 |
Song |
for baritone or alto & ensemble. Texts: Heinrich Heine |
Heljä Angervo 1972, Berlin
|
1975 |
My Child |
for soprano & clarinet. Text: Natan Yonatan |
Adi Etzion / Richard Lesser 1975, Tel Aviv
|
1975 |
Else – Hommage to Else Lasker-Schüler |
chamber scene for mezzo-soprano, narrator & ensemble. Text: Israel Eliraz |
Adi Etzion 1975, Tel Aviv
|
1978 |
Fürchte dich nicht |
for baritone and double bass |
[2]
|
1987 |
Die Hand |
dramatic Scene for soprano & cello. Text: Israel Eliraz |
Catherine Gayer / Uzi Wiesel 1989, Jerusalem
|
1991 |
Wars Swept Through Here |
for baritone & ensemble. Text: Israel Eliraz |
Matteo de Monti / Helmut Keller 1992, Kassel
|
1991 |
Bitter Line |
for baritone & ensemble. Text: Israel Eliraz |
Friedrich Goldmann / Georg Christoph Biller 1991, Berlin
|
1993 |
Mein blaues Klavier (My Blue Piano) |
for mezzo-soprano & piano. Text: Else Lasker-Schüler |
Andión Fernández / Axel Bauni 1994 Berlin
|
|
CHORAL MUSIC A CAPPELLA / WITH ORCHESTRA
|
Year Composed |
WORK |
DETAILS |
PREMIERE
|
1936 |
On the Way |
for 4 women voices. Texts: Rachel Bluwstein |
[2]
|
1949 Rev. 1954 |
Aleinu Leshabe'ach |
for 3 voices women choir, tenor & piano (organ). Text: Siddur, Shalom Shabazi |
Helfman / Putterman 1949, New York
|
1949 |
The Mother Rejoices |
symphonic cantata. Text: Book of Maccabees [9] |
Freudenthal 1953, Jerusalem
|
1952 |
3 Songs for Choir |
for choir. Texts: Song of Songs, Shalom Shabazi[3] |
Tal 1953, Jerusalem
|
1955 |
Succot Cantata |
for soloists, mixed choir & orchestra. Text: Shacharit, Eleazar Kalir |
Tal 1955, Jerusalem
|
? (After 1962) |
God Full of Mercy |
for mixed choir. Text: Yehuda Amichai |
[2]
|
1967 |
The Death of Moses |
requiem for soloists, mixed choir, orchestra & electronic music. Text: Yehuda Ya'ari[3][4] |
Bertini 1967, Jerusalem
|
1968 |
Parade of the Fallen (Misdar Ha'Noflim) |
cantata for soloists, choir & orchestra. Text: Haim Hefer |
Mendi Rodan 1969, Jerusalem
|
1975 |
Death Came to the Wooden Horse Michael |
for soloists, mixed choir & electronic music. Text: Nathan Zach |
Avner Itai 1979, Jerusalem
|
1978 |
With All Thy Soul |
cantata for soloists, equal voices boys' choir, mixed choir & ensemble. Text: 1 Maccabees (Apocrypha), Sefer Ha'Agada |
Bertini 1978, Jerusalem
|
1985 |
Dream of the Circles |
for baritone, choir & ensemble. Text: Nachman of Breslov |
Avner Itai 1985, Tel Aviv
|
1987 |
Touch a Place |
for solo voice & choir. Text: Israel Eliraz |
Arnon Meroz 1987, Jerusalem
|
|
ELECTRONIC MUSIC (unaccompanied)
|
Year Composed |
WORK |
DETAILS
|
1958 |
Exodus (II) |
for choreography
|
1959 |
The Tale of the Shadow |
for a radio play
|
1963 |
Ranges of Energy (Ver. I) |
for choreography [14]
|
1964 Rev. 1971, 1978 |
I Called Upon The Lord in Distress |
for choreography
|
1968 |
Ashmedai - electronic overture of the opera |
for choreography
|
1970 |
Variations |
for choreography
|
1972 |
Frequencies 440–462 |
|
1976 |
The Emigrants |
for the theater play
|
1979 |
Shikaron Sinai |
for a TV documentary
|
1981 |
L'Atelier |
for the theater play [5]
|
1990 |
Ranges of Energy (Ver. II) a.k.a. Rays of Energy |
Talmark Notation Project[15]
|
1992 |
Coincidentia Oppositorum (Etude No. 1) |
Talmark Notation Project[15]
|
|
Notes
- ^ Historical Text and Pretext in the Works of an Israeli Composer, in Fontes Artis Musicae, Vol XXII, 1975/1-2 pp 43-47 (with Israel Eliraz)
- ^ a b c d e f g h i j k not yet performed
- ^ a b c d e f g h i j Ron, Yohanan: (2000) The Music of Josef Tal – Selected Writings, The Israeli Music Archive, Tel Aviv University, Department of Musicology
- ^ a b c d e Ron, Yohanan: The Instrumental Music of Josef Tal: Style and Artistic Concepts – Ph.D. Thesis, Bar-Ilan University (1990) (Hebrew)
- ^ The Sonata for Piano is included in the repertoire of the 13th Arthur Rubinstein International Piano Master Competition (2011) [1] Archived 2010-02-27 at the Wayback Machine
- ^ Espiedra, aviva: Josef Tal, Sonata for Piano, in: A critical study of four piano sonatas by Israeli composers, 1950-1979, Doctor of Musical Arts dissertation in Peabody Institute of the Johns Hopkins University, 1992 pp 15-78
- ^ [2] Kotaro Fukuma performs the Sonata for piano at the Arthur Rubinstein Piano Master Competition, May 2011 in Tel Aviv
- ^ [3] Dmitri Levkovich performs the Sonata for piano (partial) at the Arthur Rubinstein Piano Master Competition, May 2011 in Tel Aviv
- ^ a b c publication revoked according to composer's wish
- ^ Score lost
- ^ a b c "Lamerntation", "Hora" and "By the Rivers of Babylon" performed by Klara Szarvas (harp) and Joseph Weissgerber (Cello)] on Archive.org
- ^ according to additional documents
- ^ Leichtling, Avrohom: Josef Tal, Reflections. in: Musikproduktion Höflich Repertuar and Opera Explorer (2005) [4]
- ^ Electronic source lost
- ^ a b Markel, Shlomo,: On Notation for Electro Acoustic Music and Interactive Environment for Composition, PhD. Thesis submitted to the "Technion", Haifa, January 1993
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