Opus Number[1]
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Title of composition
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Year(s) composed
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First performance
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Comments
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Notes
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1 |
Ten Children’s Songs Songs to poems by Christina Rossetti |
1920-21 |
- |
- Scored for unison and two-part voices and piano
- Songs: 1. "Rosy Maiden Winifred"; 2. "Dead in the Cold"; 3. "Lullaby, Oh Lullaby!"; 4. "The Lily Has a Smooth Stalk"; 5. "Dancing on the Hill-tops"; 6. "Margaret Has a Milking Pail"; 7. "Ferry Me Across the Water"; 8. "There's Snow on the Fields"; 9. "A Linnet in a Gilded Cage"; 10. "Boy Johnny"
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2 |
By Footpath and Stile |
1921-22 |
- |
- A cycle of six songs scored for baritone soloist and string quartet
- Setting of poems by English poet Thomas Hardy; songs: 1. "Paying Call"; 2. "Where the Picnic Was"; 3. "The Oxen"; 4. "The Master and the Leaves"; 5. "Voices from Things Growing in a Churchyard"; 6. "Exeunt Omnes"
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3 |
English Pastorals and Elegies No. 1 – A Severn Rhapsody No. 2 – Requiem da camera |
1923 (A Severn Rhapsody) |
- |
- A Severn Rhapsody is a brief orchestral work
- Four-movement Requiem da camera scored for baritone soloist, chorus (or SATB solo voices) and orchestra; movements: 1. "Prelude"; 2. "From 'August 1914'" (setting of John Masefield poem); 3. "In the time of the breaking of nations" (Setting of Thomas Hardy poem); 4. "Lament" (Setting of Gibson poem)
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-
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4 |
Psalms for unaccompanied SATB |
- |
- |
- Scored for a cappella mixed SATB choir
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5 |
Three Short Elegies |
1926 |
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- Setting for unaccompanied chorus of three texts by Scottish poet William Drummond: 1. "Life a right shadow is"; 2. "This world a hunting is"; 3. "This life, which seems so fair" [2]
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-
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6 |
Introit |
mid-1920s |
May 1927 1928 |
- written originally as the second movement of a completed violin concerto for Sybil Eaton, a gifted violinist with whom Finzi was infatuated; entire concerto published posthumously
- second and third movements of concerto premiered May 1927 under Malcolm Sargent with Eaton as soloist
- completed concerto premiered in 1928 in London under Ralph Vaughan Williams. Finzi was not satisfied with it and withdrew the first and third movements.
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-
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7 |
Nocturne (New Year Music) for Orchestra in C-Sharp Minor |
1926, rev. 1940's |
- |
- |
-
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8 |
Dies natalis (cantata for strings and solo voice) |
mid-1920's, 1938–1939 |
Wigmore Hall, January 1940 |
- Scored for soprano or tenor soloist and string orchestra
- Setting of four texts from metaphysical poet and theologian Thomas Traherne (1636/37–1674)
- Movements: 1. "Intrada" (strings only); 2. "Rhapsody" (Recitativo Stromentato); 3. "The Rapture" (Danza); 4. "Wonder" (Arioso); 5. "The Salutation" (Aria)
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[3]
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9 |
Farewell to Arms (Introduction and Aria for tenor voice and small orchestra) |
1944 |
- |
- |
-
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10 |
Eclogue for piano and strings |
- |
- |
- Work intended as a piano concerto that remained unfinished; named posthumously by publisher
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-
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11 |
Romance for String Orchestra |
1928 |
- |
- |
-
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12 |
Two Sonnets by John Milton or Two Milton Sonnets No. 1 "When I consider how my life is spent" No. 2 "How soon hath Time" |
1928 |
- |
- |
-
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13a |
To a Poet |
- |
- |
- Six songs scored for "low voice" and piano; 1. "To a Poet a thousand years hence"; 2. "On parent knees"; 3. "Intrada"; 4. "The Birthnight"; 5. "June on Castle Hill"; 6. "Ode on the rejection of Saint Cecilia"
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-
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13b |
Oh Fair to See |
- |
- |
- Seven songs for "high voice" and piano; 1. "I say I'll Seek Her"; 2. "Oh fair to see"; 3. "As I lay in the early sun"; 4. "Only the wanderer"; 5. "To Joy"; 6. "Harvest"; 7. "Since we loved"
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-
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14 |
A Young Man’s Exhortation |
- |
- |
- Ten songs, scored for tenor and piano
- Song cycle of poems by English poet Thomas Hardy
- Songs: Part I – 1. ‘A Young Man’s Exhortation’, 2. ‘Ditty’,
3. ‘Budmouth Dears’, 4. ‘Her Temple’, 5. ‘The Comet at Yelham’; Part II – 6. ‘Shortening Days’, 7. ‘The Sigh’, 8. ‘Former Beauties’, 9. ‘Transformations’ 10. ‘The Dance Continued’
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15 |
Earth and Air and Rain |
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- Scored for baritone soloist and piano
- Song cycle of ten songs from poems by English poet Thomas Hardy; Songs: 1. ‘Summer Schemes’, 2. ‘When I set out for Lyonnesse’, 3. ‘Waiting Both’, 4. ‘The Phantom’, 5. ‘So I have fared’, 6. ‘Rollicum-rorum’, 7. ‘To Lizbie Browne’, 8. ‘The Clock of the Years’, 9. ‘In a Churchyard’, 10. ‘Proud Songsters’
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16 |
Before and After Summer |
- |
- |
- Ten songs for baritone and piano, with words by Thomas Hardy; songs:1. ‘Childhood among the ferns’
2. ‘Before and after summer’, 3. ‘The Self-Unseeing’, 4. ‘Overlooking the River’, 5. ‘Channel Firing’, 6. ‘In the Mind's Eye’, 7. ‘The Too Short Time’, 8. ‘Epeisodia’, 9. ‘Amabel’, 10. ‘He abjures love’
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17 |
Seven Partsongs – Poems by Robert Bridges No. 1: "I praise the tender flower" No. 2: "I have loved flowers that fade" No. 3: "My spirit sang all day" No. 4: "Clear and gentle stream" No. 5: "Nightingales" No. 6: "Haste on, my joys!" No. 7: "Wherefore tonight so full of care |
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18 |
Let Us Garlands Bring 1. "Come away death" 2. "Who is Silvia?" 3. "Fear no more the heat o’ the Sun" 4. "Oh mistress mine" 5. "It was a lover and his lass"
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1942 |
- |
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19a |
Till Earth Outwears |
1927-1956 |
- |
- Seven songs for high voice and piano, with words by Thomas Hardy; songs: 1. ‘Let me enjoy the earth’,
2. ‘In years defaced’, 3. ‘The Market-Girl’, 4. ‘I look into my glass’, 5. ‘It never looks like summer here’, 6. ‘At a Lunar Eclipse’, 7. ‘Life laughs onward’
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19b |
I Said to Love |
- |
- |
- Six songs for baritone and piano, with words by Thomas Hardy; song: 1. ‘I need not go’, 2. ‘At Middle-field Gate in February’, 3. ‘Two Lips’, 4. ‘In five-score summers’, 5. ‘For life I had never cared greatly’, 6. ‘I said to Love’
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20 |
The Fall of the Leaf – Elegy for Orchestra |
- |
- |
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21 |
Interlude for Oboe and String Quartet |
1933–1936 |
- |
- Scored for Oboe, 2 violins, viola, cello
- Finzi dedicated the work to British oboist Léon Goossens (1897–1988)
- Finzi also made a version for oboe and string orchestra, adding a double bass part
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22 |
Elegy |
- |
- |
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23 |
Five Bagatelles for Clarinet and Piano |
- |
- |
- Scored for clarinet and piano
- An arrangement orchestrated by Lawrence Ashmore is catalogued as Op. 23a.
- Movements: 1. ‘Prelude’, 2. ‘Romance’, 3. ‘Carol’, 4. ‘Forlana’, 5. ‘Fughetta’
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24 |
Prelude and Fugue |
- |
- |
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-
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25 |
Prelude for strings |
- |
- |
- |
-
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26 |
"Lo, the full, final sacrifice" |
1946 |
21 September 1946—St Matthew's Day |
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27 |
Three Anthems No. 1: "My lovely one" No. 2: "God is gone up" No. 3: "Welcome sweet and sacred feast" |
1946 1951 1953 |
- |
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28a |
Love’s Labour’s Lost (songs) |
1946 |
- |
- Four songs to accompany Shakespeare's comedy; 1. "When daisies pied" (Song of Ver); 2. "When icicles hang by the wall" (Song of Hiems); 3. "If she be made of white or red"; 4. "Is it not sure a deadly pain" (False Concolinel – anon.)
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28b |
Love’s Labour’s Lost (suite) |
1946 |
- |
- Ten movement suite scored "for small orchestra" arranged from the incidental music of Op. 28a
- Movements: 1. Introduction; 2. Moth; 3. Nocturne; 4. The Hunt; 5. Dance; 6. Quodlibet; 7. Soliloquy I; 8. Soliloquy II; 9. Soliloquy III; 10. Finale
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-
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29 |
Intimations of Immortality |
late 1930s, completed 1950 |
1950 Three Choirs Festival, conducted by Herbert Sumsion |
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30 |
For St Cecilia |
1947 |
On 22 November 1947 at the Royal Albert Hall by René Soames with the Luton Choral Society and the BBC Symphony Orchestra conducted by Sir Adrian Boult |
- For tenor, chorus and orchestra
- Setting of a work by English poet and author Edmund Blunden
- Commissioned by the St Cecilia’s Day Festival Committee for the 1947 celebration of music’s patron saint
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31 |
Clarinet Concerto |
1949 |
- |
- |
-
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32 |
Thou didst delight my eyes |
- |
- |
- Setting of a poem by Robert Bridges for three-part choir (TTB)
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33 |
All this night |
- |
- |
- An unaccompanied choral motet
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34 |
Muses and Graces |
- |
- |
- A unison song with strings
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35 |
Let us now praise famous men |
- |
- |
- Scoring: Two-part choral song with strings and piano
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36 |
Magnificat |
- |
- |
- |
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37 |
White-flowering days |
1953 |
1 June 1953 |
- Setting, for a cappella chorus, of a poem by Edmund Blunden
- Work was Finzi’s contribution to A Garland for the Queen, a collection of part songs by English composers celebrating the coronation of Elizabeth II
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38 |
Grand Fantasia and Toccata |
- |
- |
- For piano and orchestra
- Thought to be intended as an unfinished piano concerto, named posthumously by publisher
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39 |
In terra pax |
- |
- |
- A "Christmas Scene" scored for soprano and baritone soloists, chorus, strings, harp and cymbal
- Setting of texts from English poet Robert Bridges and the Gospel of Luke
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40 |
Cello Concerto in A minor |
1955 |
19 July 1955 at the Cheltenham Music Festival, conducted by John Barbirolli, Hallé Orchestra, and cellist Christopher Bunting |
- Scored for cello soloist and orchestra
- Work is in three movements: I. Allegro moderato, II. Andante quieto, III. Rondo: Adagio—Allegro giocoso
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Posth. |
Violin Concerto (Concerto for Small Orchestra and Violin) |
- |
1928 |
- Withdrawn concerto from which Introit Op. 6, emerged as a stand-alone piece; published posthumously
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