List of compositions by Elisabeth Lutyens
This is a list of compositions by Elisabeth Lutyens (1906–83), a British composer of contemporary classical music. Lutyens's music was published by numerous publishers.
Sources
This list is based on that compiled by Glyn Perrin in New Music 88,[1] with corrections and additions from A Pilgrim Soul: Life and Work of Elisabeth Lutyens by Meirion and Susie Harries (1989).[2]
Publishers
List of works
Year |
Opus |
Title |
Scoring |
Duration |
Premiere |
Performer(s) |
Recording |
Publisher |
Note
|
1937 |
— |
The Check Book |
piano (for children) |
10' |
|
|
CD[4] |
AUG |
|
1937 |
Op. 5 No. 1 |
String Quartet No. 1 |
string quartet |
|
1939-02 London |
|
|
|
destroyed
|
1938 |
Op. 5 No. 4 |
Sonata for Solo Viola |
viola |
11' |
1950-08-20 Darmstadt? |
Michael Mann? |
|
MIL |
|
1938 |
Op. 5 No. 5 |
String Quartet No. 2 |
string quartet |
19' |
probably Warsaw 17.04.1939 |
|
|
LEN |
|
1939 |
Op. 5 No. 6 |
String Trio |
|
8' |
London 03.05.1945 |
|
|
MIL |
|
1939 |
Op. 7 |
Three Pieces for Orchestra |
|
4' |
London 07.09.1940 |
|
|
MIL |
|
1939 |
Op. 8 No. 1 |
Chamber Concerto |
nine instruments |
9' |
London 11.06.1943 |
|
CD[5] |
MIL[6] |
|
1940-41 |
Op. 8 No. 2 |
Chamber Concerto |
clarinet, ten sax, piano, string orchestra |
10' |
?1945 |
|
|
MIL |
|
1941 |
Op. 9 |
Five Intermezzi |
piano |
6' |
Paris 1946 or BBC 16.11.1947 |
|
LP[7] CD[8] CD[4] |
MIL |
|
1942 |
— |
Three Symphonic Preludes |
orch |
12' |
London 07.07.1946 |
|
|
MIL |
|
1942 |
— |
Two Songs |
voice, piano |
|
Wigmore Hall, 17.11.1945 |
Hedli Anderson/Norman Franklin |
CD[9] |
UYMP |
Text: W. H. Auden
|
1942 |
Op. 10 |
Nine Bagatelles |
cello, piano |
6' |
|
|
CD[10] |
MIL/IMP[11] |
|
1944 |
— |
Suite Gauloise |
violin, piano |
12' |
|
|
|
dW |
|
1945 |
Op. 8 No. 3 |
Chamber Concerto |
bassoon, string orchestra, percussion |
10' |
London 18.01.1946 |
|
|
MIL[12] |
|
1945 |
Op. 14 No. 1 |
Five Little Pieces |
clarinet, piano |
5' |
London 03.11.1962 |
|
CD[13] |
SCH[14] |
|
1946 |
Op. 13 |
Ô Saisons, Ô Châteaux, Cantata |
soprano, strings |
7' |
11.02.1947, Wigmore |
Margaret Field-Hyde, Kathleen Merritt String Orch |
LP[15] CD[16] |
MIL[17] |
Text: Arthur Rimbaud
|
1946 |
- |
Air-Dance-Ground |
viola, piano |
|
|
|
|
MIL |
arrangement of Henry Purcell
|
1946-47 |
Op. 8 no. 4 |
Chamber Concerto |
horn, small orchestra |
12' |
Scheveningen 12.06.1948 |
|
|
MIL |
ded: Dennis Brain
|
1946-47 |
Op. 8 No. 5 |
Chamber Concerto |
string quartet, small orchestra |
12' |
|
|
|
MIL |
|
1947 |
Op. 14 |
The Pit, Dramatic Scene |
tenor and bass soli, women's chorus, orchestra |
30' |
|
|
|
MIL |
Text: W. R. Rodgers
|
1947 |
Op. 15 |
Concerto for Viola and Orchestra |
vla, orch |
15' |
London 08.09.1950 |
|
|
MIL |
|
1948 |
Op. 16 |
Requiem for the Living |
soli/chorus/orchestra |
|
30.09.1952 |
|
|
|
|
1948 |
Op. 17 |
Suite |
solo organ |
6' |
London 16.06.1951 |
|
CD[18] |
unpubl. |
ded: Edward Clark
|
1948 |
— |
Aptote |
solo violin |
9' |
London ?02.03.1948 |
|
|
LEN |
|
1948 |
— |
Three Improvisations |
piano |
6' |
|
|
CD[8] CD[4] |
LEN |
|
1948 |
— |
Nine Songs |
voice, piano |
13' |
|
|
LP/CD[19] |
UYMP |
Text: Stevie Smith
|
1948 |
— |
Ninepins |
2 violins (teacher/pupil) |
|
|
|
|
MIL |
|
1949 |
Op. 18 |
String Quartet No. 3 |
string quartet |
14' |
23.01.1951 |
|
|
MIL |
|
1949 |
Op. 19 |
Ballet |
9 wind and perc |
|
unperformed |
|
|
|
|
1950 |
Op. 20 |
Prelude and capriccio |
solo cello |
|
|
|
|
MIL |
|
1950 |
Op. 22 |
Concertante for Five Players |
fl(picc).cl(bcl).vln(va).vc.pno |
10' |
Hampstead 11.02.1952 |
|
|
MIL |
|
1951 |
— |
Nativity |
soprano, string orchestra (or organ) |
6' |
London 05.06.1951 |
|
CD[20] CD[18] |
NOV |
Text: W. R. Rodgers
|
1952 |
- |
String Quartet No. 4 |
string quartet |
|
unperformed |
|
|
- |
|
1952 |
- |
String Quartet No. 5 |
string quartet |
|
unperformed |
|
|
- |
|
1952 |
Op. 25 |
String Quartet No. 6 |
string quartet |
8' |
London 06.12.1954 |
|
LP[21] LP/CD[22] |
MIL |
|
1952 |
Op. 27 |
Excerpta Tractati Logico-Philosophici (Motet) |
unaccompanied chorus |
10' |
Dartington August 1954 |
- |
LP[23] CD[24] |
SCH |
Text: Ludwig Wittgenstein. Commissioned by William Glock
|
1953-54 |
Op. 28 |
Valediction |
cl, pno |
10' |
London 15.06.1954 |
|
LP[25] CD[26] |
MIL |
|
1954 |
Op. 29 |
Infidelio |
sop, ten, 7 instr |
40' |
17.4.1973 |
|
|
UYMP |
|
1955 |
Op. 30 |
Nocturnes |
vln, gtr, vc |
6' |
London 10.12.1954 |
Emanuel Hurwitz, Terence Weil, Julian Bream |
|
SCH |
|
1955 |
Op. 31 |
Music for Orchestra I |
|
20' |
6.1.1961 |
BBC SO/Maderna |
CD[27] |
MIL |
|
1955 |
Op. 32 |
Sinfonia |
organ |
7' |
21.4.1956, RFH |
Ralph Downes |
CD[18] |
SCH[28] |
|
1955 |
Op. 33 |
Capriccii |
2 hp, perc |
8' |
4.12.1984, Wigmore Hall - OR London 12.12.1955 |
|
|
SCH[29] |
|
1956-57 |
Op. 34 No. 1 |
Sonance (Duo) |
hn/pno |
10' |
|
|
|
SCH |
|
1956-57 |
Op. 34 No. 2 |
Duo |
vc/pno |
10' |
|
|
|
SCH |
|
1956-57 |
Op. 34 No. 3 |
Duo |
vln/pno |
11' |
|
|
|
SCH |
see Op. 41
|
1956 |
Op. 36 |
Chorale for Orchestra |
orch[30] |
4' |
1971 |
RPO |
|
SCH[31] |
ded: to
|
1956/65 |
Op. 37 |
In The Temple Of A Bird's Wing |
bar, pno |
duration |
1966, Arts Council Drawing Room |
Benjamin Luxon, Paul Hamburger |
|
UYMP |
|
1957 |
Op. 38 |
Variations |
flute |
4'30" |
London 18.11.1960 |
|
CD[32] |
MIL |
|
1957 |
Op. 39 |
De Amore |
soprano, tenor, mixed chorus and orchestra |
40' |
1973-09-07, BBC Proms |
Jane Manning, Philip Langridge, BBC Singers, London Choral Society, BBC SO, Leon Lovett |
|
SCH[33] |
|
1957 |
Op. 41 |
Fantasie-Variations |
vln/pno |
11' |
- |
- |
- |
- |
see Op. 34 no. 3
|
1957 |
Op. 42 |
Six Tempi |
10 instr |
13' |
London 1959 |
|
CD[5] |
MIL |
|
1956 |
Op. 43 |
Piano e Forte |
piano |
15' |
London 1960 |
|
LP[7] CD[4] |
MIL |
|
1960 |
Op. 44 |
Quincunx |
bar, sop, orch |
20' |
Cheltenham 12.07.1962. |
|
LP/CD[34]
|
UYMP |
|
1960 |
Op. 45 |
Wind Quintet |
fl.ob.cl.bsn.hn |
12' |
|
|
LP[21] |
MIL |
|
1961 |
Op. 46 |
Symphonies for solo piano, wind, harps and percussion |
wind/hp/perc[35] |
17' |
July 28, 1961, Proms |
Katharina Wolpe, Malcolm Sargent, BBC SO |
|
SCH[36] |
|
1961 |
Op. 47 |
Catena |
sop, ten, 21 instruments |
40' |
1965-06-08 BBC Concert Hall |
Dorothy Dorow, Gerald English, ECO, Norman Del Mar |
|
SCH |
|
1962 |
Op. 48 |
Music for Orchestra II |
orch[37] |
11' |
March 23, 1969 or Straßburg September 1962 |
BBC SO |
|
SCH[38] |
|
1962 |
Op. 49 |
Five Bagatelles |
piano |
5' |
Liverpool 10.10.1963 |
Katharina Wolpe |
LP[21] LP[7] CD[8] CD[4] |
SCH |
|
1957/1963 |
Op. 50 |
The Country of the Stars |
unaccompanied chorus |
10' |
20.03.1963 |
|
CD,[24] IonianUsk |
NOV |
|
1963 |
Op. 51 |
String Quintet |
2vln.vla.2vc |
21' |
Manchester 12.05.1976 |
Roland Fudge, Peter Nutting (vln), Avril Schepens (vla) Elizabeth Brierley, Nigel Blomiley (vc) |
|
SCH |
|
1963 |
Op. 52 |
Wind Trio |
fl, cl, bsn |
10' |
December 10, 1963, Concert Hall, BBC Broadcasting House |
Douglas Whittaker, Colin Bradbury, Geoffrey Gambold |
CD[24] |
SCH[39] |
|
1963 |
Op. 53 |
Présages |
ob |
9' |
1965, Wigmore Hall |
Janet Craxton |
CD[24] |
UYMP |
|
1963 |
Op. 54 |
Encomion |
chorus, brass, percussion |
17' |
1964-04-15 Liverpool Metropolitan Cathedral |
Sandon Ensemble |
|
SCH |
|
1963 |
Op. 55 |
Fantasie Trio |
fl, cl, pno |
11' |
Dec 1963, Dublin |
Chantry Ensemble |
CD[24] |
UYMP |
|
1963 |
Op. 56 |
Music for Orchestra III |
orch[40] |
14' |
1967-07-19 or c1967-07-17 |
Polish Radio Orchestra |
|
SCH[41] |
|
1964 |
Op. 57 |
String Trio |
vln, via, vc |
10' |
London 05.12.1965 |
|
CD[24] |
SCH[42] |
|
1964 |
Op. 58 |
Scena |
vln, vc, perc |
13' |
London 10.12.1965 |
|
|
SCH[43] |
|
1963 |
Op. 59 |
Music for Piano and Orchestra |
orchestra [44] |
10’ |
1975-12-17 Hilversum (NL) |
Radio Filharmonisch Orkest |
CD[45] |
SCH |
|
1964 |
Op. 60 |
Music for Wind |
double quintet |
11' |
1965-12-15 or Liverpool 24.06.1965 |
Portia Ensemble |
|
SCH[46] |
|
1964/5 |
Op. 61 |
The hymn of a man |
mixed choir |
10' |
|
|
|
- |
see Op. 61 below
|
1965 |
Op. 62 |
The Valley Of Hatsu-Se |
sop, ens |
10' |
Dartington 06.08.1965 |
|
CD[5] |
UYMP |
|
1965 |
- |
Magnificat and Nunc Dimitis |
SATB |
11' |
- |
- |
CD[24] |
SCH |
|
1965-67 |
Op. 63 |
The Numbered |
opera |
120' |
unperformed |
|
|
UYMP |
opera in prologue and two acts
|
1966 |
Op. 64 |
Akapotik Rose |
sop, ens |
18' |
August 1966, Dartington |
Jane Manning, Vesuvius Ensemble |
|
UYMP |
|
1966 |
Op. 65 |
Music for Three |
ob, fl, pno |
12' |
|
|
|
UYMP |
comm: Mabillon Trio
|
1966 |
Op. 66 |
And Suddenly it's Evening |
tenor and ensemble |
25' |
3 March 1967, QEH, London |
Herbert Handt, Members of the BBC SO |
LP/CD[47] |
SCH |
|
1966 |
- |
A Sleep of Prisoners |
organ |
11' |
1966-02-28, St George's Cath., Perth, Aus. |
|
CD[18] |
unpubl. |
|
1967 |
Op. 67 No. 1 |
Novenaria |
orch |
12' |
16 February 1969 |
BBC Training Orchestra, Walter Susskind |
|
UYMP |
|
1967 |
Op. 67 No. 2 |
Helix |
piano duet |
9' |
London 16.02.1968 |
Bradshaw/RRB |
|
UYMP |
|
1967 |
Op. 67 No. 3 |
Scroll For Li-Ho |
vln, pno |
17' |
London 8 April 1968 |
Peter Carter, Sally Mays |
|
UYMP |
|
1968 |
Op. 67 No. ?3 or Op. 86? |
Epithalamion |
sop, org |
8' |
St Mary's Church, Disley |
|
CD[18] |
UYMP |
|
1968 |
Op. 67 No. 4 |
Horai |
hn, vln, pno |
16' |
Stoke-on-Trent, 24 April 1969 |
Liverpool Horn Trio |
|
UYMP |
|
1967-8 |
Op. 68 |
Time Off? — Not A Ghost Of A Chance! |
music theatre |
80' |
01.03.1972, London |
|
|
UYMP |
|
1968 |
Op. 69 |
Essence Of Our Happinesses |
ten, ch, orch |
26' |
8.09.1970, Proms |
|
|
UYMP |
|
1968 |
Op. 70 |
The Tyme Doth Flete |
chorus, optional brass |
8'/10' |
|
|
|
UYMP |
|
1968 |
Op. 71 |
A Phoenix |
sop, cl, von, pno |
6' |
|
|
|
UYMP |
|
1968 |
Op. 71a |
A Phoenix |
sop, pno |
6' |
6 Oct 1969 |
Jane Manning, Susan McGraw |
|
UYMP |
|
1969 |
Op. 72 |
Temenos |
organ |
9' 30" |
|
|
CD[18] |
UYMP |
|
1969 |
Op. 73 |
The Dying Of The Sun |
guitar |
6' |
1969, Wigmore Hall |
Gilbert Biberian |
|
UYMP |
|
1969-70 |
Op. 74 |
Isis and Osiris, lyric drama |
8 voices, orch |
135' |
1976-11-26 Morley College |
|
|
UYMP |
|
1969 |
Op. 74a |
Lament of Isis on the death of Osiris |
sop |
5' |
BBC, 6 October 1969 |
Jane Manning |
CD[5] |
UYMP |
|
1969 |
Op. 74b |
Trois Pièces Brèves |
org |
9' |
1969-12-9 Dartington |
Nicholas Danby |
CD[18] |
UYMP |
|
1969 |
Op. 75 |
The Tides of Time |
doublebass, piano |
6' |
London 22.10.1970 |
Rodney Slatford |
CD [48] |
YOR[49] |
|
1970 |
Op. 61a |
The hymn of a man |
mixed choir |
10' |
|
|
|
UYMP |
revision of Op. 61
|
1970 |
Op. 76 |
In The Direction Of The Beginning |
bass, piano |
16' |
1979-09-08 BBC |
Ian Caddy, Jennifer Coultas |
|
UYMP |
|
1970 |
Op. 77 |
Anerca |
speaker/actress, 10 gt, perc |
9' |
Wigmore Hall, 4 May 1971 |
Freda Dowie, Omegia Ensemble, Gilbert Biberian |
|
UYMP |
|
1970 |
Op. 78 |
Oda A La Tormenta |
mez, pno |
18' |
PLG, Purcell Room, 15 January 1971 |
Eiko Nakamura/Roger Smalley |
|
UYMP |
|
1970 |
Op. 79 |
Vision Of Youth |
sop, ens[50] |
23' |
London 13.11.1972 |
Jane Manning, Matrix |
|
UYMP |
comm: Matrix
|
1970 |
Op. 80 |
Islands |
sop, ten, narr, ens |
26' |
1971-06-07, St John's Smith Square |
LS/Atherton |
|
UYMP |
|
1971? |
- |
Verses of Love |
choir |
7' |
|
|
CD,[24] CD[51] CD[52] |
NOV[53] |
|
1971 |
Op. 81 |
Driving Out The Death |
ob, str trio |
15' |
Wigmore Hall, 20 February 1972 |
London Oboe Quartet |
CD[54] |
UYMP |
|
1971 |
Op. 82 |
The Tears of Night |
voices and ens |
13' |
London 03.03.1972 |
|
|
UYMP |
|
1971 |
- |
Requiescat |
sop, string trio |
5' |
BBC, 15 August 1971 |
Jane Manning, Tunnell String Trio |
CD[5] CD[55] |
UYMP |
In Memoriam Igor Stravinsky
|
1971 |
Op. 83 |
Dirge For The Proud World |
sop, c-ten, vc, hpd |
9' |
Paris 13.12.1971 |
|
|
UYMP |
|
1972 |
Op. 84 |
Voice of Quiet Waters |
ch, orch |
16' |
Huddersfield 14.04.1973 |
Leeds Festival Chorus, BBC Northern SO, Bryden Thomson |
|
UYMP |
|
1972 |
Op. 85 |
Counting Your Steps |
ch |
16' |
London 22.05.1972 |
|
|
UYMP |
|
1972 |
Op. 86 |
Chimes and Cantos |
bar, ens |
7' |
London 23.04.1972 |
|
|
UYMP |
|
1972 |
Op. 87 |
Plenum I |
piano |
12' |
1972 |
Katharina Wolpe |
LP[7] CD[56] |
UYMP |
|
1972 |
Op. 88 |
Dialogo |
ten, lute |
14' |
London 12.11.1972 |
|
|
UYMP |
|
1972 |
Op. 89 |
The Linnet From The Leaf |
singers, ens |
40' |
11.11.1979 |
|
|
UYMP |
|
1973 |
Op. 90 |
Rape Of The Moone |
ens |
14' |
|
|
|
UYMP |
|
1973 |
Op. 91 |
The Waiting Game, 3 scenes |
mez, bar, orch |
40' |
unperformed |
|
|
UYMP |
|
1973 |
Op. 92 |
Plenum II |
ob, ens |
23' |
1974-06-14, QEH |
Janet Craxton, LS, Andrew Davis |
|
UYMP |
|
1973 |
Op. 93 |
Plenum III (String Quartet No. 7) |
string quartet |
9‘ |
London 06.05.1974 |
|
|
UYMP |
|
1973 |
Op. 94 |
Tre |
clarinet |
9' |
1977-02-27 |
Alan Hacker |
|
UYMP |
|
1973 |
Op. 95 |
Roads |
2 sop, c-ten, ten, bar, bs |
14' |
Cheltenham 06.07.1974 |
|
|
UYMP |
|
1973 |
Op. 96 |
Laudi |
sop, ens[57] |
16' |
1974-11-11, University of Nottingham |
Matrix |
|
UYMP |
|
1973 |
Op. 97 |
One And The Same |
sop, spkr, mimes, ensemble |
27' |
York 21.06.1976 |
|
|
UYMP |
|
1974 |
Op. 98 |
The Winter of The World |
2 orchs |
16' |
London 05.05.1974 |
|
|
UYMP |
|
1974 |
Op. 99 |
Kareniana |
vla, ens |
14' |
unperformed |
|
|
UYMP |
|
1975 |
Op. 100 |
Plenum IV (What Is The Wind, What Is It) |
2 organs |
duration |
RFH, London 05.03.1975 |
Stephen and Nicholas Cleobury |
LP[58] CD[18] |
UYMP |
|
1975 |
Op. 101 |
Eos |
orch |
10' |
Nottingham 24.02.1975 |
|
CD[45] |
UYMP |
|
1975 |
Op. 102 |
The Goldfish Bowl |
opera |
120' |
|
|
|
UYMP |
"scrapped"[59]
|
1975 |
Op. 103 |
This Green Tide |
basset horn, pno |
10' |
|
|
LP[25] |
UYMP |
|
1975 |
Op. 104 |
Pietà |
harpsichord |
9' |
06.02.1977 |
Colin Tilney |
|
UYMP |
comm: Colin Tilney in memory of Dallapiccola
|
1975 |
Op. 105 |
Go, Said the Bird |
e-guitar, string quartet |
12' |
Bath 02.07.1976 |
Mitchell Dalton, Chilingirian Quartet |
|
UYMP |
|
1975 |
Op. 106 |
The Ring of Bone |
piano, optional speaking voice |
10' |
Manchester 12.05.1976 |
Peter Lawson |
LP[60] CD[61] CD[8] CD[4] |
UYMP |
|
1975 |
- |
Fanfare for a Festival |
3 tpt, 3 tbn |
4’ |
1976-06-05 York Festival |
Equale Brass |
CD[62] |
UYMP |
|
1976 |
Op. 107 |
Mare et Minutiae (String Quartet No. 8) |
string quartet |
17’ |
York 12.06.1976 |
Medici Quartet |
|
UYMP |
|
1976 |
Op. 108 |
Rondel |
chamber orchestra |
15' |
Liverpool 25.04.1978 |
RLPO |
|
UYMP |
|
1976 |
Op. 109 |
Like A Window |
actor, singers, flute, cello |
25' |
24.11.1977 |
|
|
UYMP |
|
1976 |
Op. 110 |
Constants |
cello and piano |
15' |
London 30.01.1977 |
Joan Dickson/Joyce Rathbone? |
CD[63] |
UYMP |
comm: Joan Dickson and Joyce Rathbone
|
1976 |
Op. 111 |
Nocturnes and Interludes |
sop, pno |
18' |
unperformed |
|
|
UYMP |
|
1976 |
Op. 111a |
It Is The Hour |
mixed unaccompanied chorus |
5' |
Malton 29.09.1976 |
|
|
UYMP |
|
1976 |
Op. 112 |
Concert Aria |
female voice, orchestra |
12' |
unperformed |
|
|
UYMP |
Text: anon French
|
1976 |
Op. 113 |
Six Bagatelles |
Chamber orch |
14' |
1996-03-16 Bristol |
Brunel Ensemble, Christopher Austin |
CD[64] |
UYMP |
|
1977 |
Op. 114 |
Fantasia |
alto sax and 3 instrumental groupa |
13' |
unperformed |
|
|
UYMP |
|
1977 |
Op. 115 |
Winter Series — Spring Sowing |
sop, pno |
40' |
RNCM, 21 February 1979 |
Jane Manning, Richard Rodney Bennett |
|
UYMP |
|
1977 |
Op. 116 |
Five Impromptus |
piano |
10' |
2018-10-30 Wigmore |
Nicolas Hodges |
CD[56] |
UYMP |
|
1977 |
Op. 117 |
Cascando |
contralto, violin, string orchestra |
10' |
Hilversum 04.12.1979 |
|
|
UYMP |
|
1977 |
Op. 118 |
Nox |
solo piano and 2 chamber orchestras |
14' |
London 15.12.1983 |
|
|
UYMP |
|
1977 |
Op. 119 |
Madrigal |
oboe & violin |
8' |
21 January 1981, Redcliffe Concert |
Janet Craxton, Perry Hart |
|
UYMP |
|
1977 |
Op. 120 |
By All These |
sop, gtr |
7' |
BMIC, 30 March 1981 |
Alison Horriben, Nick Hooper |
|
UYMP |
|
1977 |
Op. 121 |
Romanza |
solo guitar |
9' |
Kenneth Meyer https://www.youtube.com/watch?v=W-8P80SGTPA |
|
|
UYMP |
|
1977 |
Op. 122 |
O Absalom... |
oboe (cor anglaise), vn, via, vc |
12' |
London 14.06.1978 |
|
CD[65] |
UYMP |
|
1977 |
Op. 123 |
Chorale Prelude and Paraphrase |
string quintet, tenor, piano, 3 percussion |
16' |
unperformed |
|
|
UYMP |
|
1978 |
Op. 124 |
Tides |
chamber orchestra |
12-13' |
unperformer |
|
|
UYMP |
|
1978 |
Op. 125 |
Doubles (String Quartet No. 9) |
string quartet |
10‘ |
Hampstead, 18 March 1979 |
Medici Quartet |
|
UYMP |
comm: Medici Quartet
|
1978 |
Op. 126 |
Seven Preludes |
piano |
22' |
London 04.09.1978 |
|
CD[8] CD[56] |
UYMP |
|
1978 |
Op. 127 |
Elegy of the Flowers |
tenor, 3 instrumental groups |
13' |
London 26.01.1980 |
Philip Langridge |
|
UYMP |
|
1978 |
Op. 128 |
Footfalls |
flute/piano |
8' |
1979-02-07, Purcell Room |
Ann Cherry, Jeremy Brown |
LP[66] |
UYMP |
|
1979 |
Op. 129 |
Echoi |
mezzo-soprano, orchestra |
13' |
01.07.1980 |
Elise Ross, BBC Scottish, Simon Rattle |
|
UYMP |
|
1979 |
Op. 130 |
Cantata |
dramatic soprano, instrumental ensemble |
16' |
|
|
|
UYMP |
|
1979 |
Op. 131 |
She Tells Her Love While Half Asleep |
soprano |
5' |
1983-91-18 BBC |
Dorothy Dorow |
|
UYMP |
|
1979 |
Op. 132 |
The Great Seas |
piano |
20' |
1979-12-18 BMIC |
Michael Finnissy |
CD[56] |
UYMP |
|
1979 |
Op. 133 |
Prelude |
violin |
9' |
21.01.1981 |
|
|
UYMP |
comm: Perry Hart
|
1979 |
Op. 134 |
Cantata |
sop, alto, baritone, 8 instruments |
13' |
unperformed |
|
|
UYMP |
|
1979 |
Op. 135 |
Trio |
cl, vc, pno |
13' |
22 May 1980 |
Muhifeld Trio |
CD[67] |
UYMP |
|
1979 |
Op. 136 |
The Roots Of The World |
mixed chorus, cello |
12' |
14 April 1988 |
Lowri Blake, BBC Singers/Ionian Singers?, James Wood |
|
UYMP |
|
1979 |
Op. 137 |
That Sun |
contralto, piano |
11' |
Purcell Room, 7 January 1980 |
Susan Tyrrell, David Owen Norris |
|
UYMP |
|
1979 |
Op. 138 |
Echoes |
contralto, afl, ca, 2 vn, va, vc |
11' |
Bracknell, 28 June 1981 |
Sue Anderson, Suoraan |
|
UYMP |
|
1979 |
Op. 139 |
String Quartet No. 10 |
string quartet |
10’ |
Edinburgh 09.11.1980 |
Edinburgh Quartet |
|
UYMP |
|
1979 |
Op. 140 |
Morning Sea |
ob/ob d'amore, pno |
13' |
Wigmore Hall, 18 December 1981 |
Robin Canter, Lynn Hendry |
|
UYMP |
|
1979 |
Op. 141 |
Three Books of Bagatelles |
piano |
12'/7'15"/12' |
|
Michael Finnissy (book 1) |
|
UYMP |
|
1980 |
Op. 142 |
Concert Aria ('Dialogo') |
high sop and orchestra |
13' |
1981-07-12 Cheltenham |
Deborah Cook, City of London Sinfonia, Richard Hickox |
|
UYMP[68] |
|
1980 |
Op. 143 |
Mine Eyes, My Bread, My Spade |
bar, string quartet |
13' |
Wigmore Hall, 22 July 1981 |
Ian Caddy, Delme String Quartet |
|
UYMP |
|
1980 |
Op. 144 |
Rapprochement |
hn, hp, ens |
15' |
3 November 1981 |
Anthony Halstead, Frances Kelley, Lontano, Lionel Friend |
|
UYMP |
|
1980 |
Op. 145 |
Déroulement |
oboe, guitar |
11' |
unperformed |
- |
- |
UYMP |
|
1980 |
Op. 146 |
Diurnal (String Quartet No. 11) |
string quartet |
15’ |
Altrincham 21.12.1981 |
Medici Quartet |
|
UYMP |
|
1980 |
Op. 147 |
Six |
cl(+bcl,Ebcl), tp(+Dtp,flg), pf, perc, vn, cb |
15' |
Purcell Room, 16.5.1981 |
Lysis |
- |
UYMP |
|
1980 |
Op. 148 |
Soli |
cl (+ bass-cl), double bass |
7' |
Purcell Room, 16 May 1981 (or London 13.12.1980) |
Lysis |
- |
UYMP |
|
1980 |
Op. 149 |
Wild Decembers |
orch |
12' |
Bletchley, 14.3.1982 |
Philharmonia, Sir Charles Groves |
|
UYMP |
|
1980 |
Op. 150 |
Fleur du Silence |
ten, ensemble |
14' |
London 02.08.1981 |
|
|
UYMP |
|
1980 |
Op. 151 |
The Singing Birds |
speaker, vla |
10' |
unperformed |
|
|
UYMP |
|
1981 |
Op. 152 |
Music For Orchestra IV |
orch without violins |
13' |
London 15.12.1983 |
|
|
UYMP |
|
1981 |
Op. 153 |
Branches of The Night And Of The Day |
hn, string quartet |
8' |
09.10.1981 |
|
|
UYMP |
|
1981 |
Op. 154 |
La Natura dell'Acqua |
piano |
8'-9' |
London 28.10.1984 |
|
CD[8] CD[56] |
UYMP |
|
1981 |
Op. 155 |
String Quartet No. 12 |
string quartet |
9‘ |
Harrogate 05.08.1982 |
|
|
UYMP |
|
1981 |
Op. 156 |
The Living Night |
percussion |
13' |
St Bartholomew the Great's, 23 June 1982 |
James Wood |
|
UYMP |
|
1981 |
Op. 157 |
Echo Of The Wind |
viola |
7' |
19.07.1984 |
|
CD[69] CD[70] |
UYMP |
|
1982 |
Op. 158 |
String Quartet No. 13 |
string quartet |
10-11’ |
Wigmore 16.03.1983 |
Edinburgh Quartet |
|
UYMP |
|
1982 |
Op. 159 |
Encore-Maybe |
piano |
9' |
7 March 1983, Wigmore Hall |
Thalia Myers |
CD[71] CD[4] |
? |
|
1982 |
Op. 160a |
Triolet I |
clarinet, mandolin, cello |
10' |
London 04.12.1984 |
|
CD[5] |
UYMP |
|
1983 |
Op. 160b |
Triolet II |
cello, marimba, harp |
9' |
London 04.12.1984 |
|
CD[5] |
UYMP |
|
n.d. |
- |
Chorale Prelude |
organ |
4' |
|
|
CD[18] |
unpubl. |
|
n.d. |
- |
The Virgin's Cradle Hymn |
unison choir |
|
|
|
|
OUP[72] |
|
References
- ^ New Music 88 ed. Michael Finnissy, Malcolm Hayes and Roger Wright (Oxford, 1988: Oxford University Press), pp. 16-21
- ^ A Pilgrim Soul: Life and Work of Elisabeth Lutyens by Meirion and Susie Harries (London, 1989: Joseph)
- ^ see Wise Classical website,Wise Music Group
- ^ a b c d e f g Martin Jones, RES10306 (2022)
- ^ a b c d e f g NMC D011 (1993)
- ^ Available for hire from EMI Music Inc (via Wise Music)
- ^ a b c d Richard Deering, Pearl she 537
- ^ a b c d e f Arabella Teniswood-Harvey, Move MD 3354
- ^ (1 song) Anthony Rolfe Johnson, Graham Johnson, Hyperion CDA 66709 (1994)
- ^ Lionel Handy, Jennifer Hughes, Lyrita Recorded Edition SRCD.383 (2019)
- ^ IMP MV00002450
- ^ Available for hire from EMI Music Inc (via Wise Music)
- ^ Kymia Kermani/Alba Gentili, Salto SAL 7025 (2022)
- ^ ISMN13 979-0-2201-0615-6
- ^ Marilyn Tyler, RPO, del Mar, HMV ASD 612 (1965)
- ^ Teresa Cahill, Brunel Ensemble, Christopher Austin, Signum SIGCD053 (2007)
- ^ Available for hire from EMI Music Inc (via Wise Music)
- ^ a b c d e f g h i Tom Winpenny (with Philippa Boyle, Dewi Rees), Toccata Classics TOCC 0639
- ^ Meriel and Peter Dickinson, Unicorn Records UNS 268 (1980), Heritage HTGCD 240 (2012)
- ^ Choir of Worcester College, Oxford, Resonus Classics RES10113
- ^ a b c Argo ZRG 5425 (1966)
- ^ Frauenmusikvertrieb 68876 (1988), Troubadisc TRO-CD01418 (2012)
- ^ Argo ZRG 5426 (1965)
- ^ a b c d e f g h NMC D124 (2006)
- ^ a b Georgina Dobrée and Morris Pert, Chantry Records ABM 25 (1978)
- ^ Georgina Dobrée and Morris Pert, Clarinet Classics CC0012 (1995)
- ^ YSL 1045 33
- ^ ED13423 ISMN13 979-0-2201-3931-4
- ^ ISMN13 979-0-2201-2698-7
- ^ 2.1.1.1-3.3.2ttbn.btbn.0-hp-3vn.3vc
- ^ LSL 2806-01
- ^ Christine Hankin, Dutton CDLX7193 (2007)
- ^ LSL 2807-01
- ^ LP: Argo ZRG 622 (1969) CD: Lyrita SRCD.265 (2008)
- ^ pic.2.2.ca.Ebcl.2.bcl.2.cbsn-4.3.3.1-timp.6perc(2s.d, b.d, ten d, 5cym, 4tam-t, 3tamb, 3tri, tub bells, crots, bng, mar, tempbl, wdbl, cast, whip, glsp, vib, xyl)-2 hp
- ^ LSL 2813-01
- ^ 2pic.afl.1.Ebcl.3.asax.1-0.4.3.0.sarrusophone-timp.perc(b.d, 3small gongs, tam-t, tri, glsp, vib, xyl)-cel-str(6.0.0.6.4)
- ^ LSL 2809-01
- ^ ED13011 ISMN13 979-0-2201-2645-1
- ^ 3.2.3.bcl.2.cbsn-4.3.4.1-timp.3perc(2s.d, 3sus cym, large cym, bng, tri, tub bells, vib, xyl)-hp.cel-str
- ^ LSL 2810-01
- ^ ISMN13 979-0-2201-0645-3
- ^ ISMN 979-0-2201-2480-8
- ^ 3.2.3.bcl.2.cbsn-4.3.4.1-timp.3perc(2s.d, 3sus cym, large cym, bng, tri, tub bells, vib, xyl)-hp.cel-str
- ^ a b Martin Jones, RES10315 (2023)
- ^ LSL 2812-01
- ^ LP: Argo ZRG 638 (1970) CD: Lyrita SRCD.265 (2008)
- ^ Leon Bosch, Sung-Suk Kang, Meridian 5015959455028 (2008)
- ^ YE 0014
- ^ 3 clarinets, piano, percussion
- ^ Ionian Singers, Usk Recordings, Usk 1216CD (1995)
- ^ Londinium Chamber Choir, Somm SOMMCD 0180 (2018)
- ^ Novello NOV160150
- ^ The London Oboe Quartet (Janet Craxton, Perry Hart, Brian Hawkins, ?Charles Tunnell), Oboe Classics CC2011 (2005)
- ^ Lindsay Gowers, The Mercia Ensemble, FMR Records FMR CD35-0996 (1996)
- ^ a b c d e Martin Jones, RES10291 (2021)
- ^ 3 clarinets, piano, percussion
- ^ Stephen and Nicholas Cleobury, Vista VPS 1039 (1976)
- ^ A Pilgrim Soul: Life and Work of Elisabeth Lutyens by Meirion and Susie Harries (London, 1989: Joseph), p. 295
- ^ Peter Lawson, ECR 001 (1982)
- ^ Nathan Williamson, Somm SOMMCD0196 (2019)
- ^ Onyx Brass, Chandos CHSA5221 (2018)
- ^ Paul & Hugh Watkins, Chandos CHAN 10862 (2015)
- ^ Brunel Ensemble, Christopher Austin, Signum SIGCD053 (2007)
- ^ The London Oboe Quartet (Janet Craxton, Perry Hart, Brian Hawkins, Charles Tunnell) BBC Records And Tapes BBC CD 635
- ^ Ann Cherry, Jeremy Brown, DUO D0010
- ^ The Mühlfeld Ensemble, Clarinet Classics CC0007 (1994), 3rd movt only: Colin Lawson, Clarinet Classics CC0031 (2001)
- ^ ISMN M 57020 601 8
- ^ Paul Silverthorne, Black Box BBM1058 (2001)s
- ^ Rosalind Ventris, Delphian DCD34292 (2023)
- ^ Thalia Myers, Usk Recordings USK 1221CD (1996)
- ^ OUP Archive OCS1151
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