Neither Cuthbert Girdlestone[3] nor Graham Sadler (in the New Penguin Guide[4]) consider this among Rameau's finest works, though both remark on the originality of its overture, which breaks the traditional Lullian mould common to French overtures up to that time.
The prologue, Le temple de Mémoire ("The Temple of Memory"), describes the victory of Fontenoy in allegorical fashion. The first entrée is entitled La fable (Legend) and depicts the marriage of Hercules and Hebe, the goddess of youth. The second entrée, L'histoire ("History"), tells the story of the Hellenistic king of SyriaSeleucus I Nicator, who gives up his fiancée Stratonice when he learns his son Antiochus I Soter is passionately in love with her (this tale was also the subject of a later 18th century French opera, Étienne Méhul's Stratonice). The third and final entrée is called La féerie ("Fairy tale") and is set in the Middle East. Through her love for him, Argélie redeems Zimès from the power of the evil fairy Alcine.
Recording
Les fêtes de PolymnieVéronique Gens, Emöke Baráth, Aurélia Legay, Mathias Vidal, Thomas Dolié, Purcell Choir, Orfeo Orchestra conducted by György Vashegyi (2 CDs, Glossa 2015)
