You can help expand this article with text translated from the corresponding article in German. (March 2011) Click [show] for important translation instructions.
View a machine-translated version of the German article.
Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing German Wikipedia article at [[:de:Leopoldine Blahetka]]; see its history for attribution.
You may also add the template {{Translated|de|Leopoldine Blahetka}} to the talk page.
Marie Leopoldine Blahetka (16 November 1809 – 17 January 1885) was an Austrian pianist and composer.
Life
Leopoldine Blahetka was born in Guntramsdorf near Vienna, the child of George and Barbara Joseph Blahetka Sophia, née Traeg. Her father was a history and mathematics teacher and had good relations with Ludwig van Beethoven, and her mother a physharmonica teacher and performer. Her maternal grandfather was the Viennese composer Andreas Traeg.[1]
At the age of 9, Leopoldine Blahetka made her first public appearances, and the Viennese press described her as a "child prodigy". At the age of 11 she created her first compositions, which she also performed regularly as part of her concerts.[2]
In 1821 Blahetka began touring Europe, accompanied by her mother, and continued to tour for about twenty years. In about 1830 the family moved to Boulogne-sur-Mer, France, seeking a better climate. Blahetka died in Boulogne-sur Mer.[4][5] In 1825/26 to Munich, Karlsruhe, Berlin, Hamburg and Leipzig, among others. In 1830 she gave concerts in Graz and Klagenfurt and undertook a longer concert tour via Munich, Frankfurt am Main, Gotha, The Hague and Brussels to London. [2] Robert Schumann, who heard her on her concert tour in Germany, judged her playing to be "a truly feminine one, delicate, prudent and elaborate". He was also very impressed by her compositions.[6]
Works
Selected works include:
op. 9, Grande polonaise concertante pour le piano forte et violoncello
op. 13, Variations sur un thème favorite
op. 14, Variations brillantes
op. 15, Sonate for violin
op. 16, Nr. 1, 6 Deutsche Lieder: Die Nebelbilder
op. 16, Nr. 2, 6 Deutsche Lieder: Der Getröstete
op. 16, Nr. 3, 6 Deutsche Lieder: Die Totenklage
op. 16, Nr. 4, 6 Deutsche Lieder: Die fernen Berge
op. 16, Nr. 5, 6 Deutsche Lieder: Sehnsucht
op. 16, Nr. 6, 6 Deutsche Lieder: Matrosenlied
op. 18, Variations brillantes sur un thème hongrois
op. 19, Polonaise D-Dur
op. 20, Variations brillantes sur le Siège de Corinthe
op. 25, Konzertstück for piano and (optional) string quartet or orchestra[7]
op. 26, Six Valses avec Trio et Coda
op. 26a, Variationen über ein Thema aus der Oper 'Die Stumme' von Portici
op. 27, Variations sur un thème tyrolien
op. 28, Variations sur la chanson nationale autrichienne Gott erhalte Franz den Kaiser
