La Ronde is a 1950 French anthology film directed by Max Ophüls and based on the French translation of Arthur Schnitzler's 1897 play Reigen. Set in Vienna in 1900, it shows ten amorous encounters across the social spectrum, from a street prostitute to the nobility, with each scene involving one character from the previous episode. The French term "La Ronde" can mean doing the rounds, a round of drinks, or a circular dance.
The master of ceremonies opens the proceedings by telling the audience that they will see various episodes in the endless waltz of love. Prompted by the MC, a prostitute picks up a soldier, and they go to a private spot under a bridge. The soldier picks up a chambermaid at a dance hall, and they find an empty bench in the park. The chambermaid willingly succumbs to the son of her employers while his parents are away. The young man starts an affair with the young wife of an older businessman. The wife has a discussion in bed with her husband. The husband takes a young woman to a private dining room in a fancy restaurant and gets her drunk. The young woman spends time alone with a poet in his apartment. The poet has a heated discussion with an actress in her dressing room after a performance of his play, in which she is starring, about where they will spend the night. The actress is visited in her bedroom by a count who saw her perform. Although she invites him to visit her again that evening, instead he gets drunk and ends up in the bed of the prostitute, completing the circle.
Robert Vattier as Professor Schüller, Alfred's tutor (uncredited)
Marcel Mérovée as the young waiter at the restaurant (uncredited)
Charles Vissières as the elderly employee at the theater (uncredited)
Production
Arthur Schnitzler died in 1931. Although, at the time the film was made, his son was still abiding by his explicit wish that his play Reigen should never be performed or adapted, Ophuls was able to secure the rights to make a film adaptation in French because Schnitzler had willed the rights to the French translation of the play (titled La Ronde) to his French-language translator, who granted permission.
Censorship
The New York film censors classified the film as "immoral", and therefore unacceptable for public screening. At the end of 1953, the film's producers appealed to the U.S. Supreme Court, and, in 1954, La Ronde was approved for exhibition in New York without any cuts.[3]
Reception
Critical response
On the review aggregator website Rotten Tomatoes, 95% of on 19 critics' reviews of the film are positive, with an average rating of 8.5/10.[4]
