The film was released in Italy on 20 October 1978 and in France on 25 October. A considerable commercial success, it became one of the highest-grossing foreign-language films released in the United States. It won the Golden Globe Award for Best Foreign Language Film and was nominated for three Oscars: Best Director (Molinaro), Best Adapted Screenplay, and Best Costume Design. Michel Serrault won the César Award for Best Actor. It was followed by two sequels, with Tognazzi, Serrault, Galabru, and Luke reprising their roles. The 1983 musical and the 1996 American film The Birdcage were adapted from the same source material.
Plot
Like the play upon which it is based, the film tells the story of a middle-aged, gay couple – Renato Baldi, the owner of a Saint-Tropez nightclub featuring drag entertainment, and Albin Mougeotte, his star attraction – and the madness that ensues when Renato's son Laurent brings home his fiancée Andrea and her ultra-conservative parents to meet them.
Exterior filming was on-location in Saint-Tropez and Nice, and interiors were shot at Dear Film and Cinecitta Studios in Rome, Italy. The film was inspired by the Paris drag cabaret Chez Michou.[5]
Reception
Box office
As of 2020[update], La Cage aux Folles has remained the no. 11 [6] foreign-language film released in the United States of America. The film was the second highest-grossing film of the year in France with 5,406,614 admissions. In Germany, it received 2.65 million admissions, making it the 11th highest-grossing film of the year.[7]
Critical response
On Rotten Tomatoes, the film has a 92% rating based on 25 reviews, with an average rating of 7.7/10. The site's consensus reads: "La Cage aux Folles is a fine French-Italian farce with flamboyant, charming characters and deep laughs".[8]
Roger Ebert gave the film three-and-a-half stars out of four and wrote that "the comic turns in the plot are achieved with such clockwork timing that sometimes we're laughing at what's funny and sometimes we're just laughing at the movie's sheer comic invention. This is a great time at the movies."[9]Vincent Canby of The New York Times wrote in a negative review that the film "is naughty in the way of comedies that pretend to be sophisticated but actually serve to reinforce the most popular conventions and most witless stereotypes."[10] Gene Siskel of the Chicago Tribune gave the film two-and-a-half stars out of four and wrote, "For me, 'La Cage aux Folles' was over soon after it began. It's all so predictable. This could have been a Luci & Desi comedy routine. The film's only distinctive quality is the skill of its veteran actors in working with tired material."[11] Kevin Thomas of the Los Angeles Times called the film "a frequently hilarious French variation on Norman, Is That You? and has the same broad humor and appeal but has been put over with considerably more aplomb."[12] Gary Arnold of The Washington Post panned the film for "stale, excruciating sex jokes" and direction that "has evidently failed to devise a playing rhythm to compensate for whatever farcical tempo the material enjoyed on the stage."[13]
David McGillivray of The Monthly Film Bulletin described the film as "a crude amalgam of Norman, Is That You? and John Bowen's play Trevor ... All shrieks, mincing and limp wrists, La Cage aux Folles also looks positively antiquated beside the sophisticated gay comedy of such as Craig Russell."[14]
La Cage aux Folles caught the attention of television producer Danny Arnold, who in 1979 pitched the concept of a weekly series about a gay couple similar to the one in the film to ABC. His planned title was Adam and Yves, a play on both Adam and Eve and a slogan used by some anti-gay groups. After months in development, Arnold realized that the concept was unsustainable as a weekly series, which led to the show getting dropped.[18]
