Renée Bernard, known as Koringa (1913–1976) was a French circus performer and snake charmer.[1][2][3] She was billed as the "Only Female Fakir in the World" and "the only female yogi".[4]
Early life
Renée Bernard was born in Bordeaux, France, in 1913.[1][2] She was five feet tall and of French Indochina ancestry.[5][6] However, her promotional materials claimed that Koringa was born in Rajisthan, India, having been orphaned at the age of three and raised by fakirs who had taught her their skills.[2][3][4] One English reporter wrote that she only spoke Spanish and German.[7]
Career
Cyril Bertram Mills of the Bertram Mills Circus discovered and recruited Bernard in 1937 when she was performing an act involving climbing barefoot up a ladder made of swords for a small French circus.[1][8] Her act also included dancing on razor blades and hot coals.[3]
Mills and Bernard came up with the name Koringa and fabricated an Indian backstory for her.[2][9] She was billed as "The Only Female Fakir in the World".[1][3] This stage persona gave her a cultural identity that was popular with British and French audiences in the time.[10]
Her acts included four female assistants in Eastern-style costumes, five crocodiles, two pythons, two boa constrictors, and having a concrete block broken on her stomach.[1][2][6] Koringa act sometimes including pushing pins and needles into her skin and hanging by her throat from the sharp edge of a sword.[6] She would also enter a state of self-hypnosis and, then, was placed on the sharp edge of two metal plates; a reporter noted that the plates were sharp enough to cut paper and sharpen a pencil.[6] In a variation of this act, she lay across the sharp edge of swords; then, a large stone was placed on her and broken with a hammer.[7]
Her signature act was hypnotizing the eight-foot-long crocodile named Churchill and standing on his head while wearing several snakes around her neck.[11][3][6]Her act concluded with her being buried alive for five minutes in a sand pit filled with snakes or in a coffin filled and covered with sand.[3][5][7] In another variation of her act, she dressed as a female Tarzan, with a leopard print costume.[12]
In 1937, she was featured on the cover of Look magazine.[4] By 1938, she was the leading act for Mills Brothers.[1] On 8 July 1938, Koringa and one of her crocodiles visited Fenwicks department store in Newcastle upon Tyne at the invitation of Arthur Fenwick, one of the directors and a circus enthusiast.[13] By November 1939, it was believed that Koringa earned more than the British prime minister.[14]
By 1942, Koringa had left the Mills Circus and was headlining with a vaudeville tour..[15] In February 1942, she lost control of her largest crocodile and it dived into the orchestra pit at the Palace in Preston.[15] Despite the scattering of the musicians and damage to instruments, Koringa regained control of the reptile and continued her act.[15] The next night, one of her smaller crocodiles bit her chest, below her shoulder.[15] She continued the performance but was unable to complete her show the next night because of the injury which required six stitches.[15] However, a reviewer in The Guardian noted, that her act "belongs to the circus rather than vaudeville."[16]
Fictional and theatrical representations and exhibitions
Koringa was one of the artists featured in a 2018 exhibition Circus! Show of Shows at the Weston Park Museum, Sheffield.[11]
South African writer Finuala Dowling's 2022 novel The Man Who Loved Crocodile Tamers has Koringa as a central character.[19][20] Koringa is one of the female artists featured in Marisa Carnesky's 2022 production Showwomen.[21][22]
^ abcdeDelmar, Anton (4 April 1948). "Jungle Girl Tames Cros and Pythons". Omaha World-Herald. Omaha, Nebraska. p. 85. Retrieved 7 December 2023 – via Newspapers.com.
^ abc"Girl Fakir at Olympia". The Daily Telegraph. London, England. 23 December 1937. p. 6. Retrieved 7 December 2023 – via Newspapers.com.
^"Prysylla's Diary". Evening Chronicle. Newcastle upon Tyne, Tyne and Wear, England. 22 November 1939. p. 8. Retrieved 7 December 2023 – via Newspapers.com.
^Wright, Laurence (11 May 2023). "Koringa and the Professor: beating some 'fictive' bounds in Finuala Dowling's The Man Who Loved Crocodile Tamers". ANQ: A Quarterly Journal of Short Articles, Notes and Reviews. 37 (3): 473–481. doi:10.1080/0895769X.2023.2210168. S2CID258644367.