Komm, süßer Tod, komm selge Ruh

Komm, süßer Tod, first edition 1736

"Komm, süßer Tod, komm selge Ruh" (Come, sweet death, come, blessed rest) is a song for solo voice and basso continuo from the 69 Sacred Songs and Arias that Johann Sebastian Bach contributed to Musicalisches Gesang-Buch by Georg Christian Schemelli (BWV 478), edited by Schemelli in 1736.[1] The text is by an anonymous author.[2] Bach, by means of melody and harmony, expresses the desire for death and heaven. It is among his most popular works and has been adapted and transformed by several composers, such as Max Reger, Leopold Stokowski,[3] Knut Nystedt, and for the Wanamaker Organ, by Virgil Fox.[4]

Komm, süßer Tod, komm selge Ruh!
Komm führe mich in Friede,
weil ich der Welt bin müde,
ach komm! ich wart auf dich,
komm bald und führe mich,
drück mir die Augen zu.
Komm, selge Ruh!

Komm, süßer Tod, komm, selge Ruh!
Im Himmel ist es besser,
da alle Lust viel größer,
drum bin ich jederzeit
schon zum Valet bereit,
ich schließ die Augen zu.
Komm, selge Ruh!

Komm, süßer Tod, komm, selge Ruh!
O Welt, du Marterkammer,
ach! bleib mit deinem Jammer
auf dieser Trauerwelt,
der Himmel mir gefällt,
der Tod bringt mich darzu.
Komm, selge Ruh!

Komm, süßer Tod, komm, selge Ruh!
O, dass ich doch schon wäre
dort bei der Engel Heere,
aus dieser schwarzen Welt
ins blaue Sternenzelt,
hin nach dem Himmel zu.
O selge Ruh!

Komm, süßer Tod, komm, selge Ruh!
Ich will nun Jesum sehen
und bei den Engeln stehen.
Es ist nunmehr vollbracht,
drum, Welt, zu guter Nacht,
mein Augen sind schon zu.
Komm, selge Ruh![2]

Come, sweet death, come, blessed rest!
Come lead me to peace
for I am weary of the world,
O come! I wait for you,
come soon and lead me,
close my eyes.
Come, blessed rest!

Come, sweet death, come blessed rest!
It is better in heaven,
for there is all pleasure greater,
therefore I am at all times
prepared to say "Farewell,"
I close my eyes.
Come, blessed rest!

Come, sweet death, come blessed rest!
O world, you torture chamber,
oh! stay with your lamentations
in this world of sorrow,
it is heaven that I desire,
death shall bring me there.
Come, blessed rest!

Come, sweet death, come blessed rest!
Oh, that I were but already
there among the hosts of angels,
out of this black world
into the blue, starry firmament,
up to heaven.
O blessed rest!

Come, sweet death, come blessed rest!
I will now see Jesus
and stand among the angels.
It is henceforth completed,
so, world, good night,
my eyes are already closed.
Come, blessed rest.

Music


\header { tagline = ##f arranger = "BC realisation: Frej Wedlund" }
\paper { #(set-paper-size "a4") }
\layout { indent = 0 \set Score.tempoHideNote = ##t
  \context { \Score \remove "Bar_number_engraver" }
  \context { \Voice \remove "Dynamic_engraver" }
}

global = { \key c \minor \time 3/4 }

sopranoVoice = \relative c'' { \global
  c4 bes as8 (g) | g2.\fermata | es'4 d c8 (b) | b2.\fermata |
  c4 d es | as, (g8 f) g4 | f2 es4\fermata |
  g4 a b | c (d8 [es]) d (c) | bes4 (a) g\fermata |
  bes des c8 (bes) | as4 g4. (as16 bes) | as2.\fermata |
  f'8 (d) bes4 as | g (es'8 d) es4 d2.\fermata |
  es4 g8 ([f]) es (d) | c ([es d c]) b (c) g2.\fermata |
  as8 (g) es4 d8 (c) | c2.\fermata \bar "|."
}

verse = \lyricmode {
  Komm, sü -- ßer Tod, komm sel -- ge Ruh!
  Komm füh -- re mich in Frie -- de,
  weil ich der Welt bin mü -- de,
  ach komm! ich wart auf dich,
  komm bald und füh -- re mich,
  drück mir die Au -- gen zu.
  Komm, sel -- ge Ruh!
}

tf = \tempo 4 = 36
tt = \tempo 4 = 66
bcMusic = \relative c { \global
  c4\p d2 | es2. | c4 f2 | g2. |
  es4 b c~ | c d es as, bes \tf es,\fermata | \tt
  es'2 d4 | es fis, g | d2 \tf g4 | \tt
  g' f e | f bes, c | \tf f, \tt f'8 g f es |
  d4. c8 d bes | es4 c f | \tf bes, \tt bes'8 c bes as |
  g4 es g | as8 g f es f4~ | \tf f \tt es8 d es c | \tempo 4 = 60
  f4 g g, | c2. \bar "|."
}

bcFigures = \figuremode { \global
  \set figuredBassAlterationDirection = #RIGHT
  \set figuredBassPlusDirection = #RIGHT
  s4 <6> <5> | s2. | s4 <8 6> <7 5> | <_!>2. |
  <6>4 <6> s4 | <6> <6 5> s4 | <6 5> s2 |
  s4 <4\+ 2> <6!> | <6> <6 5 _!> s4 | <6 4> <5! _+>2 |
  <6!>4 <6- 4> <6 5> | s4 <6 5 _-> <_!> | s2. |
  <7>4 <6> <5-> | s4 <7> <7 _!> s2. |
  <6>4 s4 <6>8 <5> | s4 <6> <4\+ 2> | <6 4\+ 2> <6> s4 |
  <6 5> <6 4> <5 _!> | s2. \bar "|."
}

cembaloRightTop = \relative es' { \global \voiceOne
  es4\pp f f~ | f es\fermata es8 [f] | g [bes] as [g] as4 | g2. |
  g4. f8 es4 | es f es~ | es8 d16 c d4 es |
  g a b | c~ c8 bes16 a bes4~ | bes a g |
  g8 bes4 as8~ as g~ | g f4.~ f8 e | f2. |
  c'4 bes f | g8 as bes4. a8 | bes2. |
  bes4bes8 [as] g bes | as4. g8 f [es] | d4 es2 |
  f8 es es4 d8 c | c2. \bar "|."
}
cembaloRightBot = \relative es' { \global \voiceTwo
  c4\pp bes bes | bes2. | es4 f es8 [d] | d2. |
  c4 d c | c bes bes | c bes8 as <bes g>4 |
  es f f | es a g~ | g8 fis16 e fis4 d |
  e f! c~ | c des c c2. |
  f4 f d | bes es es | d2. |
  es4 g es8 d | c4 d b~ | b c8 b c es |
  d4 c8 b16 a b4 | g2. \bar "|."
}
cembaloLeftTop = \relative es { \global \voiceThree
  g4\pp bes as | g2. | c4 d c8 [b] | b2. |
  g2 g4 | as2 g4 | f2 es4 |
  bes' c d | c d bes8 a | d4.c8 bes4 |
  bes2 bes4~ | bes8 as4 g8~ g4 | as2. |
  as4 bes as | g c c | bes2. |
  bes4 bes bes | as as g~ | g g es |
  as g g | es2. \bar "|."
}
cembaloLeftBot = \relative es { \global \voiceFour
  c4\pp d2 | es2. | c4 d2 | g2. |
  es4 b c~ | c d es | as, bes es, |
  es'2 d4 | es fis, g | d2 g4 |
  g' f e | f bes, c | f,\fermata f'8 g f es |
  d4. c8 d bes | es4 c f | bes,\fermata bes'8 c bes as |
  g4 es g | as8 g f es f4~ | f\fermata es8 d es c |
  f4 g g, | c2. \bar "|."
}

VoicePart = \new ChoirStaff
  <<
    \new Staff \with { midiInstrument = "flute"}
    { \sopranoVoice }
    \addlyrics { \verse }
    \new Staff \with { midiInstrument = "cello" }
    { \clef bass \bcMusic }
    \new FiguredBass \bcFigures
  >>
  
cembaloPart = \new PianoStaff
  <<
    \new Staff \with { \magnifyStaff #2/3 midiInstrument = "harpsichord" }
    << { \cembaloRightTop } { \cembaloRightBot } >>
    \new Staff \with { \magnifyStaff #2/3 midiInstrument = "harpsichord" }
    << \clef bass { \cembaloLeftTop } { \cembaloLeftBot } >>
  >>

\score {
  << \VoicePart \cembaloPart >>
  \layout { }
  \midi { \tt }
}

References

  1. ^ Albert Schweitzer (1911). J. S. Bach. Vol. 2. Translated by Ernest Newman. Breitkopf & Härtel.
  2. ^ a b "Komm, süßer Tod", bach-cantatas.com
  3. ^ "Bach Performance". The Victoria Advocate. Victoria, Texas. June 28, 1999. Retrieved May 28, 2010.
  4. ^ "Organist Virgil Fox Master of Instrument". Boca Raton News. January 26, 1972. Retrieved May 29, 2010.