Co-creator Neal Adams' early ideas for Killraven involved the character being the son of a Doc Savagearchetype.[2] This concept had been reworked by the first issue, a multiple-creator goulash in which the two originators and co-plotters turned the scripting over to another writer, and in which artist co-creator Adams penciled only the first 11 pages and Howard Chaykin the remaining nine. The second issue was fully written by the debut's scripter, Gerry Conway, followed in the third by Marv Wolfman.
After this, the book became the province of writer Don McGregor for an acclaimed run[3] from #21 (Nov. 1973) to the final issue, #39 (Nov. 1976). Pencillers were Herb Trimpe, Rich Buckler, Gene Colan, and, most prominently, P. Craig Russell from issue #27 on.
Two of its characters, Carmilla Frost and the African AmericanM'Shulla Scott, shared color comic books' earliest known dramatic interracial kiss,[4] in issue #31 (July 1975), page nine, final panel.[5]
Aside from McGregor, with whom the character became associated, other writers include Bill Mantlo (a fill-in Amazing Adventures and a Marvel Team-Up with Killraven and a future-flung Spider-Man);[6]Joe Linsner (a 2001 Marvel Knightsone-shot, Killraven, set in 2020 New York City, at odds with the original series' locale by that fictional year); and Alan Davis (also artist), in a 2002 parallel universe miniseries, Killraven vol. 2. An Essential Marvel volume in 2005 reprinted all the character's appearances except that Davis story.
McGregor and Russell, however, remain the series' signature creative team; more than two decades after the original series' end, comics historian Peter Sanderson wrote that:
It was writer Don McGregor who transformed the Killraven saga ... into a classic. Of all of Marvel's writers, McGregor has the most romantic view of heroism. Killraven and his warrior band were also a community of friends and lovers motivated by a poetic vision of freedom and of humanity's potential greatness. McGregor's finest artistic collaborator on the series was P. Craig Russell, whose sensitive, elaborate artwork, evocative of Art Nouveau illustration, gave the landscape of Killraven's America a nostalgic, pastoral feel, and the Martian architecture the look of futuristic castles.[7]
Some planned elements of the "Killraven" saga were incorporated into the Eclipse Comics series Sabre, McGregor[8] and Russell[9] each said in 1983.
The character made latter-day appearances in Marvel Zombies 5 #2 (April 2010) where the war against the Martians is concluded, and in The Avengers vol. 4, #4-6 (Aug.-Oct. 2010), the latter in the present day after time-traveling. Killraven appears in Claws II (Aug. 2011), in which the superheroes Wolverine and Black Cat meet him in the future fighting Martians.
In 2014, Killraven also makes a cameo appearance in All-New Invaders Issue # 12 in a modern retelling of the War of the Worlds.
Unrealized projects
In the late 1980s, Don McGregor wrote 50 to 60 pages and P. Craig Russell began illustrating a final story, "Killraven: Final Battles, Final Lies, Final Truths" (also referred to as "Final Lies, Final Truths, Final Battles"). The story never saw print, according to McGregor, because Marvel would not assure Russell the company would print the story in Marvel's best format at the time. In this intended finale to McGregor's story, "Killraven would take that war back to the intruders" on Mars itself.[10]
In the mid-1990s, Grant Morrison and Mark Millar considered tying in Marvel's 2099 imprint, making Ravage a descendant of Killraven: "Our idea was that the Killraven stories had actually happened, but Earth somehow got itself back together. It's now one hundred years later, and the Martians are attacking again, meaning that all the superheroes were going to have to deal with them". Galactus then arrives, and devours Mars along with the Martians.[11]
Writer Robert Kirkman and artist Rob Liefeld announced in August 2007 they were creating a five-issue alternate universe Killraven miniseries planned for release in 2008, but the project never went into production.[13][14]
Fictional character biography
On the alternate-future Earth designated Earth-691 by Marvel Comics,[15] the Martians from H. G. Wells' The War of the Worlds return in 2001 for another attempt at conquering the planet (they were later retconned as extrasolar aliens using Mars as a staging area[16]). After humanity's enslavement, men not used as breeders or collaborators are trained and forced to battle gladiator-style for the Martians' amusement; women are used as breeders to supply infants, eaten by the Martians as a delicacy. Jonathan Raven, dubbed Killraven as his gladiatorial nom de guerre, escaped with the help of the gladiatorial "keeper", but without his brother, Deathraven. Killraven joined the Freemen, a group of freedom fighters against Martian oppression.[17]
From 2018 to 2020, Killraven and his companions travel across the eastern portion of North America, from New York City to Cape Canaveral while searching for Killraven's lost brother.[volume & issue needed] Pursued by the cyborg Skar, the Freemen encounter various victims of Martian transhuman experiments, as well as emotionally and psychologically scarred survivors.[volume & issue needed]
Fugitives from the Martians, Killraven and his Freemen — his African American "mud-brother" M'Shulla Scott, the cynical and bitter Native American Hawk, and the slow-witted strongman Old Skull — meet and incorporate into their group the feisty scientist Carmilla Frost and Grok, her deformed, apelike clone.[18] The Freemen ally with the human/plant hybrid Mint Julep, and battle Abraxas, Rattack and his rats, the High Overlord, and Skar.[19] Killraven tames a mutated serpent-horse to use as his mount, and his Freemen battle Pstun-Rage in Battle Creek, Michigan. In this encounter, the antagonists' names are anagrams of the Battle Creek-based Kellogg Company's breakfast cereals.[20] The Freemen meet the flirty and sensual Volcana Ash, who helps them battle Atalon and the Death-Breeders.[21] After learning that his brother Joshua (Deathraven) is still alive,[22] Killraven fights Martian slaves alongside a time-traveling Spider-Man,[23] The Freemen eventually reach the Everglades, where they encounter a military cadre of survivors and the butterfly-like Mourning Prey.[24]
Still later, the Freemen encounter Killraven's brother, Deathraven, and discover he has become a Martian collaborator.[25]
In November 2020, the Martian occupation is over when Killraven unleashes a zombie plague on the Martians' food supply (humans and human infants).[26]
Powers and abilities
As a youth, gladiator-in-training Jonathan Raven's physical prowess was heightened thanks to injections of experimental chemicals by Keeper Whitman. He was later given mental powers through Whitman's psycho-electric experiments, including the psionic ability to project his consciousness into and take over a Martian's mind, and the psychic ability to resist mental assaults and to mask his presence from robot scanners.
Killraven is also a superb hand-to-hand combatant, and a highly skilled swordsman, wrestler, and martial artist. He is a master of most hand weaponry, especially shuriken. He is a master strategist in guerrilla warfare. Killraven possesses an encyclopedic knowledge of human history, art, and science predating the Martian invasion of A.D. 2001, implanted in his mind by Keeper Whitman.
As artist P. Craig Russell described, "Killraven has a sort of extrasensory ability to counterbalance his gladiatorial skills. He is very much the barbarian type, yet at the same time he has this seed planted in his brain that is the history of the human race — a racial memory of everything that has been obliterated by the Martians. It's almost a magical ability.... It was what removed him from being just another sword-wielding gladiator type."[27]
Killraven wears bulletproof fabrics and leather. He is armed with various weapons as needed, and usually carried a sword and shuriken. He sometimes rides a mutated serpent-horse, or appropriated Martian vehicles and aircraft.
Other versions
Killraven vol. 2, #3 (Feb. 2003). Cover art by Alan Davis.
There have been counterparts of Killraven in several stories:
Alan Davis' 2002 miniseries Killraven depicted an alternate-future variation of the original series, set on the parallel universe Marvel Comics designates "Earth-2120".
Jon Raven is Will of the People in Earth-7305[29] a Captain Britain Corps member who featured in Excalibur #50.
In an alternate future shown in Guardians of the Galaxy #18 (2009), Killraven leads the Guardians against the Martians in the year 3009.
In 1975, Marvel UK's Planet of the Apes comic reprinted Killraven as "Apeslayer", with alterations to substitute the Martians for apes and place the strip in the Planet of the Apes universe.
Mainstream Marvel continuity
In the mainstream Marvel Universe that the company dubs Earth-616, Jonathan Raven appears in the 2006-2007 miniseries Wisdom. He is the son of Wisdom's MI-13 co-worker and lover, Maureen Raven, and the target of a trans-dimensional Martian Invasion because, as the Martian leader states, "On all Earths! Always! Every one of him is dangerous! Ruling council plan to invade all other Earths. So I urged this first expedition now before he is grown". Wisdom is forced to kill Maureen in order to stop the Martian invasion, while Jonathan is taken to an MI-6 safehouse in Prague and trained by martial artist Shang-Chi.[30]
Parodies
In Marvel's Howard the Duck #2 (March 1976), Howard dreams he is "Killmallard", a freedom fighter battling alien overlords who use tripods identical to those of Killraven's Martian opponents.
In other media
Hollywood trade stories in 2005 reported plans to adapt Killraven for a theatrical motion picture, with Marvel and Sony Pictures in negotiations with Robert Schenkkan to write a script.[31][32][33] Those plans were abandoned and the rights of Killraven were reverted to Marvel.
^In addition to contemporaneous reviews in the 1970s, latter-day reviews include:
"Don McGregor took over the 'Killraven' writing chores, and was joined soon after by P. Craig Russell. With their combined talents, and the freedom that comes with working on a low-selling book that could be canceled at any moment, the two of them produced a groundbreaking series that explored philosophy, madness, love, violence, and the nature of freedom". — Gage, Chris. "Killraven 1 (of 6)". (Review) FeoAmante.com. Archived from the original on February 6, 2010.
"Though quite a few folks had their hand in the original run back in Amazing Adventures, it was the words-and-pictures team of Don McGregor and P. Craig Russell that made my tentacles twitch. ...a classic". — Sangiacomo, Michael (January 25, 2003). "JiC: Looking Over the January Rack". Newsarama. Archived from the original on February 6, 2010.
"As his work progressed, readers saw [P. Craig Russell] take artistic ownership of 'Killraven'. ... Much like Jim Steranko's work on Marvel's Nick Fury, Agent of S.H.I.E.L.D, events flowed through some pages in a style that was as reminiscent of fine art as it was of comic art. Also impressive was his sense of design. Russell arguably produced some of the most imaginative, and visually horrific, monsters and villains in Marvel's history. Don McGregor handled the writing for this issue-run, and credit must be given to his involved plots, as well as his ability to pack a lot of story into a 32-page pamphlet". — Allen, Michael (August 17, 2001). "Amazing Adventures". Suspended Animation (column), SciFiDimensions.com. Archived from the original on October 17, 2012.
^One previous interracial kiss occurred not in a color comic book but in Warren Publishing's black-and-white comics magazine Creepy #43 (Jan. 1972), in "The Men Who Called Him Monster", by the same writer, Don McGregor, and artist Luis Garcia. The earliest known humorous interracial kiss was in the story "Home Cooking" in Premier Magazine's satirical comic book Nuts #1 (March 1954), per its listing at the Grand Comics Database.
^Cowsill, Alan; Manning, Matthew K. (2012). Spider-Man Chronicle: Celebrating 50 Years of Web-Slinging. DK Publishing. p. 88. ISBN978-0756692360.
^"Don McGregor Says..." (interview), Comics Interview #3 (May 1983), p. 16: "Some of the elements that I had been leading up to in 'Killraven' [when the series was canceled] — especially the material dealing with Yellowstone National Park — I had written about six months previously for Sabre."
^P. Craig Russell interview, Comics Interview #3 (May 1983), p. 10: "Don always had a very strong structure worked out several years in advance, but when he didn't think he'd be doing 'Killraven' again, he used some of the ideas and settings in other stories — such as the Disney World setting used in Sabre...."
^"A 2005/2006 Interview with Don McGregor!" Arndt, Richard J. (February 3, 2010). "The Warren Magazines: Interviews". Archived from the original on 11 September 2009. Retrieved 22 September 2010. Additional .
^"Kirkman on 'Killraven'" (archive), WizardUniverse.com (Aug. 10, 2007), by Jim Gibbons and Sean T. Collins. Per Kirkman, "[T]his is really just another Killraven from another universe. The original Killraven is still out there".
.jpg)
