Kathryn Tickell was born in Walsall, to parents who originated from Northumberland and who moved back there from Staffordshire with the family when Kathryn was seven.[2] Her paternal grandfather played accordion, fiddle, and organ. Her father, Mike Tickell,[3] sings and her mother played the concertina. Her first instrument was piano when she was six.[4] A year later, she picked up a set of Northumbrian smallpipes brought home by her father, who intended them for someone else. Frustrated by fiddle and piano, she learned that the pipes rewarded her effort.[5] She was inspired by older musicians such as Willy Taylor, Will Atkinson, Joe Hutton, and Billy Pigg.[6]
Performing and recording
Tickell on stage in 1985, shortly after the release of her first recording
At thirteen, she had gained a reputation from performing in festivals and winning pipe contests.[4][7] When she was seventeen, she released her first album, On Kielder Side (Saydisc, 1984), which she recorded at her parents' house. During the same year, she was named Official Piper to the Lord Mayor of Newcastle, an office that had been vacant for 13 years, since George Atkinson's appointment for a single year in 1971.[8][4][7] She formed the Kathryn Tickell Band, with Karen Tweed on accordion, bass, and Ian Carr on guitar, and released the band's first album in 1991 on Black Crow Records.[4] Later, the band comprised Peter Tickell on fiddle, Julian Sutton on melodeon, and Joss Clapp on guitar.[7] In 2001, the Kathryn Tickell Band was the first band to play traditional folk music at the Promenade Concerts in London.[7][9]
She recorded with the Penguin Cafe Orchestra when it was led by Simon Jeffes. She met Jeffes while she was in her teens, and he wrote the song "Organum" for her. After Jeffes's death, she played with the Orchestra again over a decade later when it was run by his son, Arthur.[5]
Two ex-members of the North East England traditional music group the High Level Ranters have appeared on her albums: Tom Gilfellon on On Kielder Side and Alistair Anderson on Borderlands (1986). The latter album included to a tribute to the Wark football team. Several other pipers have appeared on her albums: Troy Donockley on Debatable Lands, Patrick Molard on The Gathering and Martyn Bennett on Borderlands. Debatable Lands included "Our Kate", a composition by Kathryn Tickell dedicated to Catherine Cookson.
She formed Kathryn Tickell and the Side, with Ruth Wall on Celtic harp, Louisa Tuck on cello, and Amy Thatcher on accordion. The group plays a mixture of traditional and classical music. They released an eponymous album in 2014.[11][12]
In 2018 Tickell established a new band, Kathryn Tickell & The Darkening, with whom she released the album Hollowbone in 2019. This project signals a different approach, with new material. There is a semi-imaginary incursion into the prehistory of Northumbrian music in the track "Nemesis" based on Roman-era texts and a melody by Emperor Hadrian’s court musician Mesomedes. There is a foray into a world of ancestral shamanism in "O-u-t Spells Out". The album was greeted with critical acclaim, with four-star reviews in The Observer and the Financial Times, as were the band's various national tours in its first two years of existence.[citation needed]
Other projects
In 1987, the early part of her career was chronicled in The Long Tradition, a TV documentary. Kathryn Tickell's Northumbria, another documentary, appeared in 2006. In 1997, Tickell founded the Young Musicians Fund of the Tyne and Wear Foundation to provide money to young people in northeastern England who wanted to learn music. She founded the Festival of the North East and from 2009 to 2013 was the artistic director of Folkworks.[6]
^Wilkinson, Allan (17 February 2015). "Kathryn Tickell and the Side". Northern Sky Magazine (live review). Archived from the original on 20 December 2016. Retrieved 28 November 2020.{{cite web}}: CS1 maint: unfit URL (link)
