12 January 1982(1982-01-12) (aged 73) Maseru, Lesotho
Genres
Choral
Musical artist
Joshua Pulumo Mohapeloa (March 28, 1908 – January 12, 1982) was a prominent choral music composer in Sesotho.[2][1]
Early life
Joshua Mohapeloa, a member of the Bataung clan, was born in Molumong in Lesotho, Southern Africa.[2] Joshua Mohapeloa's family converted to Christianity in the 19th century. Both his grandfather Joel Mohapeloa and his father Joel Mohapeloane Mohapeloa were reverends, and it is evident from his works that Christianity influenced Joshua Mohapeloa. After completing his elementary schooling, Joshua Mohapeloa enrolled at the PEMS (Paris Evangelical Missionary Society) mission institution Morija Training College from 1923 to 1927.[3] It was at Morija Training College that he studied music and music education, completing his Junior Certificate in 1927.[1][4]
From the early 1930s to 1937, Joshua Mohapeloa was active as the choirmaster of the then Morija Choristers. A number of Mohapeloa's own works began to be performed by the Choristers during this time. In 1935 his first collection of compositions, titled "Meloli le Lithalerre tsa Afrika", was published by the Morija Printing Press and Book Depot. Joshua Mohapeloa is renowned for composing musical works that blended SeSotho themes with Western styles.[5] Joshua Mohapeloa's ambition was at times stifled as is evident in correspondence between T. Mashologu, Counsellor in the office of Lesotho’s High Commission in London, and Hugh Tracey;[7] and in the words of Bonisile Gcisa (an author and expert on the African choral music) at a commemoration event in honor of Johsua Mohapeloa in 2015, where Gcisa stated that Joshua Mohapeloa faced a number of challenges, including attempts by the missionaries to suppress his talent.[8]
"Coronation song" in 1937. Originally this work celebrated the coronation of King George VI of the United Kingdom. Through adaptations and reprints in 1945, 1955, 1966 and 1980, with the mid-1970 version transforming into ‘Lesotho Lefa la Rōna’ (Lesotho Our Heritage)[10]
Meloli le Lithallere tsa Afrika I [African Songs and Extemporary Harmonizations book 1]. Foreword by Akim. L. Sello, Preface by J.P. Mohapeloa. Morija, Lesotho: Morija Sesuto Book Depot. 1935; 1953; 1977; 1983; 1988. [32 songs][1]
Meloli le Lithallere tsa Afrika II. Morija, Lesotho: Morija Sesuto Book Depot. 1939; 1945; 1955; 1980; 1996. [32 songs][1]
Meloli le Lithallere tsa Afrika III. Morija, Lesotho: Morija Sesuto Book Depot. 1947; 1966; 1977; 1983; 1988. [28 songs][1]
Khalima-Nosi tsa ’Mino Oa Kajeno [Shining Examples of Today’s Music]: Harnessing Salient Features of Modern African Music. Preface by J.P. Mohapeloa. Morija: Morija Sesuto Book Depot. 1951; 2002. [5 songs][1]
Christmas, Balisa, Hosanna, O, phokolang, Molimo ke moea, Silevera le gauda, Ahe, Moren’a Khanya! and Na le ’na? in Hosanna: Lipina tsa Kereke [Hosanna: Church Songs], Morija: Morija Sesuto Book Depot. 1955 [two printings]. [songs 1, 2, 4, 10, 19, 20, 22, 24][1]
Lifela tsa Sione [Songs of Zion], Morija: Morija Sesuto Book Depot, 1st ed. 1844; reprinted many times, last reprint 2010. [Hymn 445 (= Hosanna 19)][1]
Butha-Buthe, Leheshe-heshe, Lehlomela la Thesele le letle-letle, Leribe, Maloti a Lesotho, and Quthing, in Binang ka Thabo [Sing with Joy] Mazenod: Mazenod Institute, 1963[1]
Meluluetsa ea Ntšetso-pele le Bosechaba Lesotho [Anthems for the Development of the Lesotho Nation]. Foreword by Dibarata Ghosh. Preface by J.P. Mohapeloa. Cape Town: Oxford University Press. 1976. [25 songs][1]
Mohapeloa, J.P. 1976. ‘Selelekela’ [Preface]. In Meluluetsa ea Ntšetso-pele le Bosechaba Lesotho, J.P. Mohapeloa, 13-14. Cape Town: Oxford University Press.[1]
^Martin, Dennis (2013). Sounding the Cape: music, identity and politics in South Africa. Somerset West, South Africa: African Minds. p. 183. ISBN9781920489823.
^Coetzee, Paulette June (2014). Performing whiteness; representing otherness: Hugh Tracey and African music. Grahamstown: Rhodes University. pp. 81–88. hdl:10962/d1016502.
^Lechesa, Pule (23 June 2015). "Choral music maestro celebrated". The New Age. p. A8.
^ abHuskisson, Yvonne (1992). Black composers of Southern Africa: an expanded supplement to the Bantu composers of Southern Africa. Pretoria: Human Science Research Council. p. 26. ISBN0796912521.
African Music Society. [n.d., 1948a]. "List of Members at 30th April 1948." Cape Town: University of Cape Town Museums and Archives, P.R. Kirby Collection, file BC750/A.
Coplan, David B. 1994. In the Time of Cannibals: The Word Music of South Africa’s Basotho Migrants. Chicago: The University of Chicago Press.
Huskisson Collection. [n.d. mid-1960s]. Huskisson Collection, South African Music Rights Organisation (SAMRO) Archive: file ‘Mohapeloa, J.P.
Mashologu, Mothusi. 2009. ‘Through the Glass Darkly: Reflections on Morija in the Decade between 1945 and 1955, and the Precious Heritage of the Church of Basutoland’. In Mekolokotoane Kerekeng ea Evangeli Lesotho / Jubilee Highlights 1833-2008, ed. S. Gill et.al., 135-150. Morija: Morija Museum & Archives.
Mohapeloa, J.P.[sic] and M.K. Phakisi. 1997. ‘Likheleke tsa Pina Sesothong’ [‘The Eloquence of Song in Sesotho’]. Unpublished monograph, transl Mantoa Smouse.
South African Broadcasting Corporation. 1989. Ho lla noto [The sound of a note]: Composer J.P. Mohapeloa. Documentary made for TV3 series Mmino, broadcast 24.12.1989.
Vokwana, Thembela. 2004. Expressions in Black: A History of South African Black Choral Music "Amakhwaya / Iikwayala". Pretoria: Unpublished essay.