He is known for his oil paintings of people, and for a searching process by which they emerge, trail off, wander, get lost, experiment and reemerge.[3] This searching quality is characterized by a thick texture in many of his paintings, influenced by Alberto Giacometti, Frank Auerbach, and Rembrandt van Rijn. Every painting emerges from struggle and re-evaluation.[4]
The artist's work has been shown in galleries and museums across the United States, Europe and Asia, including Eight Approaches at the Museum of Fine Arts in Boston,[5] the Worcester Art Museum,[6] a solo exhibition, Tohu vaVohu[7] at the Hebrew College in Boston (2004), and Becoming[8] (2006) at the Yale Slifka Center and NYU Bronfman Center. “Commanding visions,” emerge from the midst of Meyer's thickly layered paint, according to Hebrew College Professor Steven Copeland in the introduction to the 2004 Tohu vaVohu catalog. “He engages...fateful questions concerning the character of art and of Judaism, their possibilities, challenges and problems.”[3]
Meyer's subjects play a hide-and-seek game with the viewer, often dissolving into the paint. According to Allegra Goodman, in the introduction to the 2013 exhibition catalog Rustle, Sparkle, Flutter, Float, these people “will reveal themselves, and they will disappear. Look at them up close and they scatter, self-effacing.” The figures are elusive and appear introspective. “Some artists try to depict our world. Meyer presents people in their own worlds, and invites us to enter.”[9]
