José Braulio Bedia Valdés (born January 13, 1959, in Havana, Cuba)[1][2] is a Cuban painter currently residing in Florida.[3]
Bedia studied at the Escuela Nacional de Bellas Artes "San Alejandro" and then finished his art studies at the Instituto Superior de Arte in Havana. He escaped Cuba in 1990, settling initially in Mexico and subsequently, in 1993, in the United States.[4]
In 1978 he began participating with other artists in several collective exhibitions. In 1980 he conformed the exhibition XIX Premi Internacional de Dibuix Joan Miró. Fundació Joan Miró, Centre d’Estudis d’Art Contemporani, Parc de Montjuic, Barcelona, Spain; Los novísimos cubanos. Grupo Volumen I was a significant exhibition that took place at The Signs Gallery, New York.[6][7]
He was selected to participate in the Cubans exhibition in the 1st and 2nd Havana Biennial Bienal de La Habana, Museo Nacional de Bellas Artes. In 1990 he was in the XLIV Exposizione Internazionale d’Arte, Biennale di Venezia, Venice, Italy. In 1994, his work was exhibited at "InSite94: A Binational Exhibition of Installation and Site Specific Art" San Diego Train Station, San Diego, California.[8]
In 2001 his work was part of Inside and Out, Contemporary Sculpture, Video and Installations, Bass Museum of Art, IV Bienal del Caribe y Centroamérica, Museo de Arte Moderno, Santo Domingo, Dominican Republic. In 2013 Bedia participated in the collective exhibit Drapetomania: Exposicion Homenaje a Grupo Antillano in Santiago de Cuba.[9]
In 2019, José Bedia's work was included in the group show The Gift of Art, at Pérez Art Museum Miami. The exhibition highlighted important artworks within PAMM's permanent collection on Latinx and Latin American artists. Among the artists featured in the exhibition were Carmen Herrera (Cuba), Teresa Margolles (Mexico), Roberto Matta (Chile), Oscar Murillo (Colombia), Amelia Peláez (Cuba), Zilia Sánchez (Cuba), Tunga (Brazil) and Wifredo Lam (Cuba).[10]
He has obtained several awards for his artistic work:[11]
His pieces can be found in the permanent collections of:
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