After graduating with a Bachelor of Fine Arts degree, Prum worked as an Electron at Jim Henson's Creature Shop[10] and then briefly at Disney Online. After being let go, he inquired during a CalArts job fair about employment opportunities in the sound department of LucasArts Entertainment Company.[11] He joined the LucasArts sound team in January 1999 and was involved with all of the Star Wars: Episode I – The Phantom Menace release titles and most of the other games published by both LucasArts and Lucas Learning between early 1999 and the beginning of 2001.
^Singer, Brian (4 March 1993). "Scoring With a Pair of Keyboards". Los Angeles Times. Fullerton, California. Retrieved 2 February 2015. In another facet of the Troy Tech program, Prum is taking classes outside campus. He is enrolled in a Regional Occupation Program graphic arts class and a music theory and musicianship class, the latter at Fullerton College.
^Petrakis, John (5 June 1998). "This 'Sick And Twisted' Animation Fest Not Worth Your Time". Chicago Tribune. The festival does manage, in spite of itself, to sneak in a couple of MINOR successes, including Adam Lane's "Sea Slugs," about a crew of adventurous slugs who yearn for the open seas...
^"IMDB -- Cartoon Sushi". IMDB. Retrieved 2 February 2015. Also contains "Ye Old Woodshop", "Sea Slugs", a "Great True Moments in Rock & Roll History" about Jim Morrison, and seven "Sex & Violence" shorts by Bill Plympton.
^Fraser, Paul (25 March 2013). "The Walking Dead Video Game 'Sound Guy' Jory Prum Discusses His Work". blog.calarts.edu. Retrieved 2 February 2015. A year after I'd graduated—just after being laid-off by Disney—I applied for a job at LucasArts. It took four months, four interviews, and two failed skills tests, but I was then hired by LucasArts and worked as part of the staff sound team for two years.
^Jackson, Blair. "From Scarface to Simlish". No. October 2006. Mix Magazine. Retrieved 8 February 2015. One of those is Jory Prum, another LucasArts alumnus who has been doing dialog recording for the Sam & Max Series (and other Telltale games) at his Fairfax (Marin County) facility called studio.jory.org.
^Flasnes, Maren Omli (10 May 2009). "Lyden av Norge i spill" (in Norwegian). Trondheim, Norway: VG. Retrieved 2 February 2015. «Mercenaries 2» har lyden av oslotog sneket seg inn i lydsporet. - Jeg var på t-banestasjonen på Nationaltheateret i Oslo og ventet på flytoget, og jeg tror det var t-banen som kom og hadde en helt fantastisk lyd både når det kom og dro. Det var vakkert! sier Prum, som alltid passer på å ha med seg lydopptaker for å fange interessante lyder.
^"For the Birds". ReportingPoint.net. February 2008. Retrieved 2 February 2015. Director Ralph Eggleston performed the voice of the large bird, Leo, which was sound designed by Jory Prum.
^Amidi, Amid (25 February 2009). The Art of Pixar Short Films. San Francisco, Calif.: Chronicle Books. p. 31. ISBN978-0811866064. "...every aspect of the production, from the animation to the inventive sound design, which he recorded with Jory Prum. No detail was too insignificant for the director to notice.
^Pinch, Trevor; Bijsterveld, Karin (5 January 2012). The Oxford Handbook of Sound Studies. Oxford University Press. p. 369. ISBN978-0-19-538894-7. Retrieved 2 February 2015. In the 2001 Academy Award-winning short "For the Birds", director Ralph Eggleston and sound designers Tom Meyers and Jory Prum build comedic tension around the squeaks, squawks, and pecking of a gang of birds who want their club to remain exclusive.
^Irwin, Jon (29 January 2015). "Long Live Grim Fandango". Kill Screen / Longreads. Retrieved 2 February 2015. According to McConnell, Jory Prum, sound mixer for the newly orchestral score, cobbled together some Rube Goldbergian machine of wire and hard drives to enable access to the old material.