Jonathan Rigby is an English actor and film historian who has written several books. Video Watchdog magazine described him as occupying "a proud place in the advance guard of film researchers, writers and critics,"[1] and in 2020 he was inducted into the Rondo Hatton Classic Horror Awards Hall of Fame.[2]
As a stage director, Rigby's revival of Sylvia Rayman's 1951 play Women of Twilight opened at London's White Bear Theatre in 2013 and transferred to Pleasance Islington the following year.[11] He is also an Associate Research Fellow of the Cinema and Television History Research Centre at Leicester's De Montfort University,[12] and has contributed audio and/or video commentaries to the DVD/Blu-ray releases of numerous horror films.[13] In 2010 he was series consultant on the three-part BBC Four documentary A History of Horror,[14] also making a brief appearance as Dracula in the opening episode.[15] Two years later he was programme consultant on the feature-length follow-up, Horror Europa.[16] Also on screen, he played psychic researcher Harry Price in the part-animated 2017 feature film Borley Rectory: The Most Haunted House in England.[17]
Bibliography
English Gothic: A Century of Horror Cinema. Reynolds & Hearn. 2000. ISBN978-1903111017.
English Gothic: Classic Horror Cinema 1897-2015. Signum Books. 2015. ISBN978-0957648166. Expanded version of the original.
Christopher Lee: The Authorised Screen History. Reynolds & Hearn. 2001. ISBN978-1903111116.
Roxy Music: Both Ends Burning. Reynolds & Hearn. 2005. ISBN978-1903111802.
American Gothic: Sixty Years of Horror Cinema. Reynolds & Hearn. 2007. ISBN978-1905287253.
American Gothic: Six Decades of Classic Horror Cinema. Signum Books. 2017. ISBN978-0995519138. Expanded version of the original.
Studies in Terror: Landmarks of Horror Cinema. Signum Books. 2011. ISBN978-0956653444.
Euro Gothic: Classics of Continental Horror Cinema. Signum Books. 2016. ISBN978-0957648159.
References
^Lucas, Tim (April 2002). "Christopher Lee: The Authorised Screen History [review]". Video Watchdog. No. 82. p. 85. Meanwhile, we more seasoned fans have the pleasure of our own new discovery in Jonathan Rigby, who, in only two books, has earned a proud place in the advance guard of film researchers, writers and critics.