John Murray Anderson's Almanac is a musical revue, featuring the music of the songwriting team of Richard Adler and Jerry Ross, as well as other composers. It was conceived by John Murray Anderson. An earlier version of the show had been produced in 1929 with the title Murray Anderson's Almanac.[5] The earlier production included Henry Sullivan for composing the music and Noël Coward as part of the script writing team. Sullivan would go on to write music for the 1953 production mentioned here. The full title for the show was John Murray Anderson's Almanac: A Musical Harlequinade.[6]
Henry Sullivan composed music for both shows.[16] A few years before the 1953 show, John Murray Anderson and Henry Sullivan composed the music for the off-camera scenes in the film The Greatest Show on Earth (1952).[17]
Songs
Act 1
Prologue: Harlequinade – Pierrette Ensemble, Jimmy Albright, Lee Becker, Hank Brunjes, Carleton Carpenter, Ronald Cecill, Dean Crane, Nanci Crompton, Imelda De Martin, Dorothy Dushock, James Jewell, Gerard Leavitt, Celia Lipton, Greb Lober, Ralph McWilliams, Harry Mimmo, Ilona Murai, Margot Myers, Gwen Neilson, Gloria Smith
Queen for a Day
My Cousin Who? – Billy DeWolfe, Jimmy Albright, Ronald Cecill, Dean Crane, Celia Lipton, Ralph McWilliams, Illona Murai, Gwen Neilson, Kenneth Urmston, Toni Wheelis
The Nightingale and the Rose – Jimmy Albright, Hank Brunjes, Ronald Cecill, James Jewell, Gerard Leavitt, Celia Lipton, Greb Lober, Tina Louise, Ralph McWilliams, Margot Myers, Gwen Neilson, George Reeder, Siri, Gloria Smith, Monique Van Vooren
My Love is a Wanderer
The Pan Alley (Mammy Songs, Rhythm Songs, Torch Songs, Patriotic Songs)– Lee Becker, Carleton Carpenter, Ronald Cecill, Dean Crane, Imelda De Martin, Dorothy Dushock, Jay Harnick, Larry Kert, Bob Kole, Gerard Leavitt, Greb Lober, Ralph McWilliams, Illona Murai, Margot Myers, George Reeder, Gloria Smith, Kenneth Urmston
Hope you Come Back – Polly Bergen, Billy DeWolfe, Hermione Gingold, Nanci Crompton, Elaine Dunn, Kay Medford
Brooks Atkinson reviewing for The New York Times called it a "bright and brilliant show", and had special praise for Hermione Gingold, who "gives herself artistic airs that are hilarious", and Harry Belafonte's "Mark Twain" performance, "expository style as a singer and actor makes it the 'Almanac's' high point in theatrical artistry." However, Atkinson wrote that the "Almanac is more distinguished for its humor. Jean Kerr...has written a gruesome jest about horror literature, 'My Cousin Who?'"[28]