Joachim Wedekind (1925–1963) was a German screenwriter.^[1] He was a specialist in comedies, and worked with a number of directors including Georg Jacoby.

• Anonymous Letters (1949)
• Professor Nachtfalter (1951)
• Pension Schöller (1952)
• The Landlady of Maria Wörth (1952)
• The Forester's Daughter (1952)
• Secretly Still and Quiet (1953)
• The Divorcée (1953)
• Mask in Blue (1953)
• The Bachelor Trap (1953)
• The Rose of Stamboul (1953)
• Guitars of Love (1954)
• Ten on Every Finger (1954)
• As Long as There Are Pretty Girls (1955)
• Ingrid – Die Geschichte eines Fotomodells (1955)
• I Often Think of Piroschka (1955)
• A Girl Without Boundaries (1955)
• Three Girls from the Rhine (1955)
• The Girl Without Pyjamas (1957)
• Greetings and Kisses from Tegernsee (1957)
• The Ideal Woman (1959)
• A Thousand Stars Aglitter (1959)
• Hello, My Name Is Cox (1959)
• Pension Schöller (1960)

• Noack, Frank. Veit Harlan: The Life and Work of a Nazi Filmmaker. University Press of Kentucky, 2016.

• Joachim Wedekind at IMDb

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