Jim Broadbent is an English actor who has had multiple appearances in both television and film. For his film career, Broadbent won both an Academy Award and a Golden Globe Award (both for Iris (2001))[1] and a BAFTA for Moulin Rouge! (2001). For his television career Broadbent has won both a Golden Globe and a BAFTA TV Award (both for Longford (2006))[2] and an Emmy for The Street (2006).[3]
Broadbent's roles are varied from his roles as Malcom "Santa" Claus in Arthur Christmas and Horace Slughorn in Harry Potter and the Half Blood Prince and Harry Potter and the Deathly Hallows – Part 2 to his roles as King William IV in The Young Victoria and Col. Alfred Wintle in The Last Englishman.
Broadbent's acting career spans over 50 years with his debut being in 1971's The Go-Between as a spectator at a cricket match.
Film
Television
Theatre
Year
|
Title
|
Role
|
Playwright
|
Venue
|
1974
|
Lord Nelson Lives in Liverpool 8
|
|
Philip Martin
|
Royal Court Theatre (Upstairs), London
|
1975–77
|
The Bed Before Yesterday
|
Taxi Driver (replacement)
|
Ben Travers
|
Lyric Theatre (Shaftesbury Ave), London
|
1976
|
Illuminatus!
|
Patrolman James Patrick Hennessy et al.
|
Robert Shea and Robert Anton Wilson
|
Peter Osborne-Ho’ Halligan’s Liverpool School of Language, Music, Dream and Pun, Mickery Theatre, Amsterdam, and other locations.
|
1979
|
The Warp
|
|
Ken Campbell and Neil Oram
|
ICA Theatre, London
|
Ecstasy
|
Len
|
Mike Leigh
|
Hampstead Theatre, London (world premiere)
|
1981
|
Goose Pimples
|
Vernon
|
|
Hampstead Theatre and Garrick Theatre, London
|
1981–82
|
Our Friends in the North
|
Austin Donohue/Weir
|
Peter Flannery
|
Royal Shakespeare Company, The Other Place, Stratford-upon-Avon, Gulbenkian Studio, Newcastle-upon-Tyne, Pit, London
|
1982 |
Every Good Boy Deserves Favour |
Colonel |
Tom Stoppard |
Barbican Centre, Royal Shakespeare Company
|
1982–83
|
Clay
|
Pat
|
Peter Whelan
|
Barbican Centre, Royal Shakespeare Company, Pit, London
|
1983
|
Other Worlds
|
John Wheatley / Richard Wheatley
|
Robert Holman
|
English Stage Company
|
1985
|
The Government Inspector
|
Anton Svoznik-Dmuchanovsky
|
Nikolai Gogol
|
National Theatre
|
1986–87
|
Kafka’s Dick
|
Hermann K
|
Alan Bennett
|
Royal Court Theatre (world premiere)
|
1987
|
The Greatest Story Ever Told
|
Wallace
|
|
National Theatre of Brent, Assembly Rooms Edinburgh
|
1988 |
The Recruiting Officer |
Sergeant Kite |
George Farquhar |
Royal Court Theatre, West End
|
A Place with the Pigs
|
Pavel
|
Athol Fugard
|
Our Country's Good |
Harry Brewer |
Timberlake Wertenbaker
|
1988–89
|
Man of the Moment
|
|
Alan Ayckbourn
|
Stephen Joseph Theatre, Scarborough
|
A Flea in Her Ear |
Victor Emmanuel Chandebise/Poche |
Georges Feydeau |
The Old Vic, London
|
1996 |
Habeas Corpus |
Arthur Wicksteed |
Alan Bennett |
Donmar Warehouse, London
|
2003–04 |
The Pillowman |
Tupolski |
Martin McDonagh |
Cottesloe Theatre, Royal National Theatre
|
2005 |
Theatre of Blood |
Edward Lionheart |
Lee Simpson & Phelim McDermott |
Lyttelton Theatre, Royal National Theatre
|
2013
|
The Chapel of Unrest
|
Older Man
|
Stephen Volk
|
Bush Theatre
|
2015 |
A Christmas Carol |
Scrooge |
Charles Dickens |
Noël Coward Theatre, West End
|
2018 |
A Very Very Very Dark Matter |
Hans Christian Andersen |
Martin McDonagh |
Bridge Theatre, London
|
References