Jayne Cortez

Jayne Cortez
Birth nameSallie Jayne Richardson
Born(1934-05-10)May 10, 1934
Fort Huachuca, Arizona, U.S.
DiedDecember 28, 2012(2012-12-28) (aged 78)
Manhattan, New York, U.S.
GenresAvant-garde jazz, free jazz
Occupations
Years active1964–2012
LabelsStrata-East, Verve
Spouse(s)Ornette Coleman (m. 1954–1964, div.);
Melvin Edwards (m. 1975)
ChildrenDenardo Coleman

Jayne Cortez (May 10, 1934[1] – December 28, 2012) was an African-American poet, activist, small press publisher and spoken-word performance artist.[2] Her writing is part of the canon of the Black Arts Movement. She was married to jazz saxophonist Ornette Coleman from 1954 to 1964, and their son is jazz drummer Denardo Coleman. In 1975, Cortez married painter, sculptor, and printmaker Melvin Edwards, and they lived in Dakar, Senegal, and New York City.

Biography

Jayne Cortez was born Sallie Jayne Richardson on the Army base at Fort Huachuca, Arizona, on May 10, 1934. Her father was a career soldier who served in both world wars; her mother was a secretary. Cortez was the second-born of three children, with an older sister and a younger brother.[3]

At the age of seven, she moved to Los Angeles, where she grew up in the Watts district.[4] Young Jayne Richardson reveled in the jazz and Latin recordings that her parents collected. She studied art, music and drama in high school. Later she attended Compton Community College, but dropped out of her course work due to financial difficulties.[11] She took the surname Cortez, the maiden name of her Filipino maternal grandmother, early in her artistic career.

In 1954, Cortez married jazz saxophonist Ornette Coleman when she was 18 years old. Their son Denardo, born in 1956, began drumming with his father while still a child and devoted his adult life to collaborating with both parents in their respective careers.[5] In 1964, Cortez divorced Coleman and founded the Watts Repertory Theater Company, of which she served as artistic director until 1970.[6]

Active in the struggle for civil rights, she collaborated with famous civil rights activist Fannie Lou Hamer and strongly advocated using art as a vehicle to push political causes, with her work being used to register black voters in Mississippi in the early 1960s.[3][7] When reflecting on this time in a 1990 interview with D. H. Melhem, Cortez spoke of its influences on her work, saying: "Being unemployed and without food can make you very sad. But you weren't the problem. The problem existed before you knew there was a problem. The problem is the system, and you can organize, unify, and do something about the system. That's what I learned."[3] She traveled throughout Europe and Africa, and moved to New York City in 1967.

In 1969, her first poetry collection, titled Pissstained Stairs and the Monkey Man's Wares, was published and Cortez went on to become the author of 11 other books of poems, and performed her poetry with music on nine recordings. Most of her work was issued under the auspices of Bola Press, a publishing company she founded in 1971. From 1977 to 1983, Cortez was an English teacher for Rutgers University.[3] She presented her work and ideas at universities, museums, and festivals in Africa, Asia, Europe, South America, the Caribbean and the United States.[8] Her poems have been translated into 28 languages and widely published in anthologies, journals and magazines, including Mother Jones, Postmodern American Poetry (1994), Daughters of Africa (1992), Poems for the Millennium, and The Jazz Poetry Anthology.

In 1975, she married sculptor and printmaker Melvin Edwards,[9] and they lived in Dakar, Senegal, and New York City. His work appeared in her publications as well as on some of her album covers.[4] Cortez and Edwards maintained two residences, one in New York City and one in Dakar, Senegal, which Cortez said "really feels like home".

Cortez died of heart failure in Manhattan, New York, on December 28, 2012, aged 78.[10]

Poetry and performance

The musicians with whom Cortez aligned herself reflected the sociopolitical and cultural elements to which she attached the greatest importance. Born in Fort Huachuca, Arizona, in 1934, she grew up near Los Angeles under the spell of her parents' jazz and blues record collection, which also included examples of Latin American dance bands and field recordings of indigenous American music. Raised in a musically artistic household, in "some of her poems about musicians, Cortez addresses the dark side of a life in music, exploring the addiction and loneliness that many believe are inherently linked to a life in the performing arts."[3] Early exposure to the recordings of Bessie Smith instilled in Cortez a deeply etched sense of female identity, which, combined with a strong will, shaped her into an uncommonly outspoken individual. She became transformed by the sounds of Duke Ellington, Sarah Vaughan, Charlie Parker, Dizzy Gillespie, and no-nonsense vocalist Dinah Washington, whose visceral approach to self-expression clearly encouraged the poet not to pull any punches. In 1997, Cortez described herself to The Weekly Journal in London as "very much a jazz poet", in that she tried to reflect the fullness of the black experience, saying: "Jazz isn't just one type of music, it's an umbrella that covers the history of black people from African drumming to field hollers and the blues."[11]

Cortez, who respected the memory of independent performing artist Josephine Baker, preferred to name inspirations rather than influences, especially when discussing writers. Those with whom she identified included Langston Hughes, Aimé Césaire, Léon Damas, Christopher Okigbo, Henry Dumas, Amiri Baraka, and Richard Wright. Parallels with the ugly/beautiful poetics of Federico García Lorca also suggest themselves. Her words were usually written, chanted, and spoken in rhythmic repetition that resembled the intricate, tactile language of African and Caribbean drumming.

Most of her work from the early 1970s onwards was issued by Bola Press, the publishing company she founded.[4] One of these early works, Festivals and Funerals (1971), while not as well known as Pissstained stairs and the Monkey Man's Wares, is considered significant for how much it derives from Cortez's personal experiences, as well as featuring "the voices of ordinary working people confronting social issues and weighing their role in fighting for change."[3] She cut her first album, Celebrations and Solitudes, at White Plains, New York, in 1974. A set of duets with bassist Richard Davis, it was released on the Strata-East label. The first Bola Press recording, taped in October 1979, was called Unsubmissive Blues and included a piece "For the Brave Young Students in Soweto." Cortez delivered her poetry backed by an electro-funk modern jazz group called the Firespitters, built around a core of guitarist Bern Nix, bassist Al McDowell, and drummer Denardo Coleman. For years, the Firespitters and Ornette Coleman's Prime Time coexisted, with Denardo as the axis, and various players participated in both units.

During the summer of 1982, Cortez delivered There It Is, an earthshaking album containing several pieces that truly define her artistry. These include: "I See Chano Pozo," a joyously evocative salute to Dizzy Gillespie's legendary Cuban percussionist (whom she saw at a concert in Wrigley Field, Los Angeles, when she was 14);[12] a searing indictment of patriarchal violence called "If the Drum Is a Woman",[13] and "US/Nigerian Relations", which consists of the sentence "They want the oil/but they don't want the people" chanted dervish-like over an escalating, electrified free jazz blowout. Recorded in 1986, her next album, Maintain Control, is especially memorable for Ornette Coleman's profoundly emotive saxophone on "No Simple Explanations", the unsettling "Deadly Radiation Blues", and the harshly gyrating "Economic Love Song", which is another of her tantrum-like repetition rituals, this time built around the words "Military spending, huge profits and death."

Among several subsequent albums Cheerful & Optimistic (1994) stands out for the use of an African kora player and poignant currents of wistfulness during "Sacred Trees" and "I Wonder Who". Additionally, this album contains a convincing ode to anti-militarism in "War Devoted to War" and the close-to-the-marrow mini-manifestos "Samba Is Power" and "Find Your Own Voice". In 1996, her album Taking the Blues Back Home was released on Harmolodic/Verve; Borders of Disorderly Time, which appeared in 2002, featured guest artists Bobby Bradford, Ron Carter, and James Blood Ulmer.

Cortez appeared on screen in the films Women in Jazz and Poetry in Motion by Ron Mann.[14]

Her impact upon the development of spoken-word performance art during the late 20th century has yet to be intelligently recognized. In some ways her confrontational political outspokenness and dead-serious cathartic performance technique place Cortez in league with Judith Malina and The Living Theater. According to the online African-American Registry, "her ability to push the acceptable limits of expression to address issues of race, sex and homophobia place her in a category that few other women occupy."[15]

Organization of Women Writers of Africa

In 1991, along with Ghanaian writer Ama Ata Aidoo, Cortez co-founded the Organization of Women Writers of Africa (OWWA),[16][17] and served as its president for many years thereafter, with board members including J. e. Franklin, Cheryll Y. Greene, Rashidah Ismaili, and Louise Meriwether, Maya Angelou, Rosamond S. King, Margaret Busby, Gabrielle Civil, Alexis De Veaux, LaTasha N. Diggs, Zetta Elliott, Donette Francis, Paula Giddings, Renée Larrier, Tess Onwueme, Coumba Touré, Maryse Condé, Nancy Morejón, and Sapphire.[18]

In 1997, OWAA organized at New York University "the first major international conference devoted to the evaluation and celebration of literature from around the world by women of African descent".[19] [20] Cortez directed Yari Yari: Black Women Writers and the Future (1999), which documented panels, readings and performances held during that conference. She was also organizer of Slave Routes: The Long Memory (2000) and Yari Yari Pamberi: Black Women Writers Dissecting Globalization (2004), both international conferences held at New York University.[21][22][23]

Until shortly before her death, Cortez had been planning an OWAA international symposium of women writers to be held in Accra, Ghana.[24] Yari Yari Ntoaso: Continuing the Dialogue took place as scheduled, in her honour, May 16–19, 2013.[25][26][27]

Tributes

A memorial celebration of her life, organised by her family on February 6, 2013, at the Cooper Union Foundation Building, included tributes by Amiri Baraka, Danny Glover, Robin Kelley, Genna Rae McNeil, Quincy Troupe, Steve Dalachinsky, George Campbell Jr., Eugene Redmond, Rashidah Ismaili, and Manthia Diawara, as well as musical contributions by Randy Weston, T. K. Blue and The Firespitters.[28]

The Spring 2013 issue of The Black Scholar (Vol. 43, No. 1/2) was dedicated to Cortez's memory and work.[29]

In London, England, on July 19, 2013, a tribute event was held, with featured artists including John Agard, Jean "Binta" Breeze, Denardo Coleman, Zena Edwards,[30] Linton Kwesi Johnson, Grace Nichols, Deirdre Pascall, Keith Waithe, Margaret Busby, and others.[31][32]

Selected awards

Poetry books

  • Pissstained Stairs and the Monkey Man's Wares. Phrase Text. 1969. 52 pp.
  • Festivals and Funerals. Bola Press. 1971. 44pp.
  • Scarifications. Bola Press. 1973. 64pp.
  • Mouth on Paper. Bola Press. 1977. 63pp.
  • Firespitter. Bola Press. 1982. 47pp.
  • With Ted Joans, Merveilleux Coup de Foudre [1982], in French, translated by Ms. Ila Errus and M. Sila Errus, Paris: Handshake Editions.[34]
  • Coagulations: New and Selected Poems. New York: Thunder's Mouth Press. 1984. 112pp. UK: Pluto, 1985, ISBN 978-0-7453-0078-8
  • Poetic Magnetic: Poems from Everywhere Drums & Maintain Control. Bola Press. 1991. ISBN 978-0-9608062-6-3. 64pp.
  • Fragments: Sculpture and Drawings from the "Lynch Fragment" Series by Melvin Edwards, with the Poetry of Jayne Cortez. Bola Press. 1994. ISBN 1852424222. 32pp.
  • Somewhere in Advance of Nowhere. Serpent's Tail/High Risk Books. 1997. ISBN 1852424222. 122pp.
  • Jazz Fan Looks Back. Hanging Loose Press. 2002. ISBN 978-1-931236-10-2. 115pp.
  • The Beautiful Book. Bola Press. 2007. ISBN 9780960806287. 104pp.
  • On the Imperial Highway: New and Selected Poems. Hanging Loose Press. 2009. ISBN 978-1-931236-99-7. 131pp.

Discography

  • Celebrations & Solitudes: The Poetry of Jayne Cortez & Richard Davis, Bassist (Strata-East, 1974)
  • Unsubmissive Blues (Bola Press, 1979)
  • Poets Read their Contemporary Poetry: Before Columbus Foundation (Smithsonian Folkways, 1980)
  • Life is a Killer (compilation on Giorno Poetry Systems, 1982)
  • There It Is (Bola Press, 1982)
  • Maintain Control (Bola Press, 1986)
  • Everywhere Drums (Bola Press, 1990)
  • Poetry & Music: Women in (E)Motion Festival (Tradition & Moderne Musikproducktion, Germany, 1992)
  • Cheerful & Optimistic (Bola Press, 1994)
  • Taking the Blues Back Home (Harmolodic/Verve, 1996)[35]
  • Borders of Disorderly Time (Bola Press, 2002)
  • Find Your Own Voice: Poetry and Music, 1982–2003 (Bola Press, 2004)
  • As If You Knew (Bola Press, 2011)

Videos

  • Tribeca TV Series (David J. Burke, 1993)
  • I'm Gonna Shake (Sanctuary TV, 2010)[36]
  • She Got He Got (Sanctuary TV, 2010)[37]
  • Find Your Own Voice (Sanctuary TV, 2010)[38]

Filmography

  • Poetry in Motion (1982)
  • Ornette: Made in America (1985)
  • Yari Yari: Black Women Writers and the Future (1999)[39]
  • Femmes du Jazz/Women in Jazz (2000)

References

  1. ^ Fox, Margalit. "Jayne Cortez, Jazz Poet, Dies at 78", The New York Times. January 3, 2013.
  2. ^ Academy of American Poets. "Jayne Cortez | 1934–2012". poets.org. Retrieved March 31, 2022.
  3. ^ a b c "Jayne Cortez | Encyclopedia.com". www.encyclopedia.com. Retrieved March 31, 2022.
  4. ^ a b c Busby, Margaret, "Jayne Cortez obituary: Poet whose incantatory performances could be militant, lyrical and surreal", The Guardian. Friday, January 4, 2013.
  5. ^ Rubien, David. "Poet Jayne Cortez makes heady music with Ornette Coleman sidemen", San Francisco Chronicle. Friday, October 26, 2007.
  6. ^ "Jayne Cortez". Encyclopaedia Britannica. December 24, 2021.
  7. ^ Greenhough, Chris, "Jayne Cortez Dies: Poet And Activist Passes Away At 78", The Inquisitr. January 5, 2012.
  8. ^ "Jayne Cortez, revolutionary poet, dies at 78". New York Amsterdam News. January 11, 2013. Retrieved December 24, 2024.
  9. ^ Page, Yolanda Williams (ed.), Encyclopedia of African American Women Writers, vol. 1, Greenwood Press, 2007, p. 121.
  10. ^ "Jayne Cortez Dead: Poet-Performer Dies At 78", HuffPost Celebrity, January 5, 2013.
  11. ^ Gouveia, Joe (January 10, 2013). "Jayne Cortez: exemplar of freedom of expression". The Barnstable Patriot. Retrieved December 24, 2024.
  12. ^ Boyd, Herb (July 2, 2015). "Poet Jayne Cortez has not been gone that long". New York Amsterdam News.
  13. ^ "Jayne Cortez & The Firespitters - If The Drum Is A Woman". July 22, 1982 – via YouTube.
  14. ^ "Jayne Cortez (1934–2012)", IMDb.
  15. ^ "Sun, 05.10.1936: Jayne Cortez, Poet, and Musician born", African American Registry (AAREG).
  16. ^ The Organization of Women Writers of Africa, Inc. on Facebook.
  17. ^ Ulysse, Gina Athena (March 13, 2013). "You Can Help Yari Yari Ntoaso Bring Black Women Writers to Ghana". Ms.
  18. ^ "OWWA's First 20 Years". 2011. Archived March 23, 2013, at the Wayback Machine, Organization of Women Writers of Africa, Inc.
  19. ^ Williams, Lena, "Literary Women With Roots In Africa", The New York Times, October 16, 1997.
  20. ^ The proceedings were included as a special double issue of The Black Scholar in Spring 1999, titled "Black Women Writers".
  21. ^ "Yari yari pamberi : black women writers dissecting globalization, October 12-October 16, 2004 : an international conference on literature by women of African ancestry / co-sponsored by New York University's Institute of African-American Affairs and the Organization of Women Writers of Africa, Inc. ; producer, Manthia Diawara ; director & scriptwriter, Jayne Cortez". MSU Libraries Catalog. Michigan State University. Retrieved November 18, 2023.
  22. ^ "Yari, Yari Pamberi Black Women Writers Dissenting Globalization". Educational Media Reviews Online. The Pennsylvania State University. 2007.
  23. ^ Yari Yari Pamberi: Black Women Writers Dissecting Globalization was published in 2008 as a special issue of The Black Scholar, Summer-Fall, 2008.
  24. ^ "Poet-performer Jayne Cortez dies in NY at age 78", The Washington Examiner. Saturday, January 5, 2012.
  25. ^ "'Yari Yari Ntoaso: Continuing The Dialogue'—OWWA Conference Features Caribbean Writers". Repeating Islands. January 29, 2013. Retrieved June 26, 2023.
  26. ^ "Yari Yari Ntoaso: Continuing the Dialogue – Accra, Ghana", Institute of African American Affairs, New York University. 2013
  27. ^ Osabutey, Phyllis D., "Africa: Women Writers of African Ancestry Hold Conference in Accra", The Chronicle, May 20, 2013.
  28. ^ Kringle, Dawoud (February 7, 2012), "DooBeeDoo attended the Jayne Cortez memorial yesterday" Archived July 9, 2019, at the Wayback Machine, DooBeeDooBeeDoo.
  29. ^ Norman (Otis) Richmond, aka Jalali (Spring 2013). "Jayne Cortez Forced Her Way into History". The Black Scholar, 43(1–2), In Memoriam: Jayne Cortez, 1934-201226–28. https://doi.org/10.5816/blackscholar.43.1-2.0026.
  30. ^ Edwards, Zena (July 20, 2013), "Tribute to Jayne Cortez & a Poem", The Dialogue.
  31. ^ "A Tribute to Jayne Cortez" Archived April 27, 2020, at the Wayback Machine, George Padmore Institute.
  32. ^ Le Gendre, Kevin (July 24, 2013). "Jazz breaking news: Linton Kwesi Johnson and Val Wilmer pay tribute to 'Firespitter' Jayne Cortez". Jazzwise.
  33. ^ a b c d e f g "Cortez, Jayne 1936– | Awards, Honors". Encyclopedia.com. Retrieved January 18, 2022.
  34. ^ Natambu, Kofi (December 30, 2012). "A Tribute To Jayne Cortez, 1934–2012: Innovative Poet and Performance Artist, Cultural leader, and Revolutionary Activist". The Panopticon Review. Retrieved July 3, 2023.
  35. ^ Taking the Blues Back Home at AllMusic. Retrieved August 10, 2012.
  36. ^ Jayne Cortez, "I'm Gonna Shake" on YouTube, mediasanctuary, October 23, 2010. ("A Dialogue Between Voice and Drums", live at The Sanctuary for Independent Media in Troy, NY.)
  37. ^ Jayne Cortez, "She Got He Got" on YouTube, mediasanctuary, October 23, 2010.
  38. ^ Jayne Cortez, "Find Your Own Voice" on YouTube, mediasanctuary, October 23, 2010.
  39. ^ Torres, Roselly (March 15, 2020). "Black Women Writers Gatherings Documented in Film by Writer Jayne Cortez". H-Net. Retrieved November 18, 2023.

Critical reviews, interviews, and scholarly references

  • Anderson III, T. J. Notes to Make the Sound Come Right: Four Innovators of Jazz Poetry. Fayetteville: University of Arkansas Press, 2004.
  • Benston, Kimberly W. "Renovating blackness: Remembrance and revolution in the Coltrane Poem". Performing Blackness: Enactments of African-American Modernism. London: Routledge, 2000.
  • Bolden, Tony. Afro-blue: Improvisations in African American Poetry and Culture. Urbana: Illinois University Press, 2004.
  • Boyd, Herb. "Everywhere Drums", The Black Scholar. 21.4 (1991): 41.
  • Brown, Kimberly N. "Return to the Flesh: The Revolutionary Ideology behind the Poetry of Jayne Cortez". Writing the Black Revolutionary Diva: Women's Subjectivity and the Decolonizing Text. Bloomington: Indiana University Press, 2010.
  • Clarke, Cheryl. "After Mecca": Women Poets and the Black Arts Movement. New Brunswick, N.J: Rutgers University Press, 2005.
  • Feinstein, Sascha. Ask Me Now: Conversations on Jazz & Literature. Bloomington: Indiana University Press, 2007.
  • Feinstein, Sascha. Jazz Poetry: From the 1920s to the Present. Westport, CT: Greenwood Press, 1997.
  • Ford, Karen. "On Cortez's Poetry". Modern American Poetry.
  • Iannapollo, Robert. "Jayne Cortez/Firespitters, Cheerful & Optimistic, Bola 9401", Cadence. 21.2 (1995): 96–97.
  • Jones, Meta D. E. The Muse Is Music: Jazz Poetry from the Harlem Renaissance to Spoken Word. Urbana: University of Illinois Press, 2011.
  • Kingan, Renee M. "'Taking It Out!': Jayne Cortez's Collaborations with the Firespitters", in Thompson, Gordon. Black Music, Black Poetry: Blues and Jazz's Impact on African American Versification. London: Ashgate, 2014.
  • Lavazzi, Tom. "Echoes of DuBois: The Crisis Writings and Jayne Cortez’s Earlier Poetry". Blevins, Jacob. Dialogism and Lyric Self-Fashioning: Bakhtin and the Voices of a Genre. Selinsgrove, Pa: Susquehanna University Press, 2008.
  • McCarthy, Albert J. "Jazz and Poetry", Jazz Monthly. 3.10 (December 1957): 9–10.
  • Melhem, D. H. "A MELUS Profile and Interview: Jayne Cortez", MELUS. 21.1 (1996): 71–79.
  • Meehan, Kevin. "Red Pepper Poetry: Jayne Cortez and Cross-Cultural Saturation", People Get Ready: African American and Caribbean Cultural Exchange. Jackson: University Press of Mississippi, 2009.
  • Melhem, D. H. Heroism in the New Black Poetry: Introductions and Interviews. Lexington: Kentucky University Press, 1990.
  • Nielsen, Aldon Lynn. Integral Music: Languages of African American Innovation. Tuscaloosa: Alabama University Press, 2004.
  • Pareles, Jon. "Setting Agitprop Poetry To the Beat of Current Jazz", The New York Times March 25, 1991: C14.
  • Rambsy, Howard. The Black Arts Enterprise and the Production of African American Poetry. Ann Arbor: University of Michigan Press, 2011.
  • Richmond, Norman. "Jayne Cortez: 'It's What We've Been Doing All Our Lives'", Fuse. 6.1–2 (1982): 73–76.
  • Ruffin, Kimberly N. "Dispatch from a Diaspora's Daughter: an Interview with Jayne Cortez", Abafazi. 13.1 (2005): 13–16.
  • Ruffin, Kimberly N. "'Freedom of Expression' Meet Jayne Cortez", Footsteps. 7.2 (2005): 27.
  • Ryan, Jennifer D. "Talk to Me: Ecofeminist Disruptions in the Jazz Poetry of Jayne Cortez", Post-Jazz Poetics: A Social History. New York: Palgrave Macmillan, 2010.
  • Sakolsky, Ron. "Firespitter: Jayne Cortez and the Poetics of Diasporic Resistance", LiP Magazine, November 5, 2004.
  • Wilmer, Val. "Jayne Cortez: the Unsubmissive Blues", CODA. 230 (1990): 16–19.
  • Wilson, John S. "Music: Poetry and Jazz", The New York Times. June 9, 1970: 36.
  • Woessner, Warren. "Unsubmissive Blues", Small Press Review. 15.3 (1981).
  • Woods, Luke. "Cortez McAndless Distinguished Professor Poet to grace EMU with her Lyrical Stylings", Echo Online.

Read other articles:

Artikel ini sebatang kara, artinya tidak ada artikel lain yang memiliki pranala balik ke halaman ini.Bantulah menambah pranala ke artikel ini dari artikel yang berhubungan atau coba peralatan pencari pranala.Tag ini diberikan pada Januari 2023. Ada usul agar artikel ini digabungkan ke Pulau Enggano. (Diskusikan) Hutan di Pulau Enggano 36,34% (14.378,35 Ha) wilayah Pulau Enggano merupakan Kawasan Hutan. 22.08 % (8.736,57 Ha) merupakan Kawasan Konservasi. Terdapat seluas 3.450,00 Ha Hutan ...

 

 

PT Trikomsel Oke TbkJenisTerbukaKode emitenIDX: TRIOIndustriritelDidirikan1996KantorpusatJakarta, IndonesiaTokohkunciSugiono Wiyono Sugialam, Presiden DirekturProdukRitel produk dan layanan telekomunikasiAnakusahaGlobal TeleshopOkeShopSitus webwww.trikomseloke.com Trikomsel Oke adalah perusahaan yang bergerak pada ritel produk dan layanan seluler yang berkantor pusat di Jakarta dan berdiri sejak 1996. Awal berdirinya pada tanggal 7 Oktober 1996, perusahaan ini bernama PT Trikomsel Citrawahana...

 

 

No. 644 Squadron RAFActive23 Feb 1944 – 1 Sep 1946Country United KingdomBranch Royal Air ForceTypeInactiveRoleAirborne Assault SOE Supply TransportPart ofNo. 38 Group RAF[1]Motto(s)Latin: Dentes draconis serimus(Translation: We sow the dragon's teeth)[2]InsigniaSquadron Badge heraldryIn front of an increscent, a Pegasus rampant[3] The Pegasus signifies the Squadron's association with the Parachute Brigade[4]Squadron Codes2P (Feb 1944 – Sep 1946)[5...

Japanese actor Taiji Tonoyama殿山 泰司Born(1915-10-17)October 17, 1915DiedApril 30, 1989(1989-04-30) (aged 73)OccupationActor Taiji Tonoyama (殿山 泰司, Tonoyama Taiji, October 17, 1915 – April 30, 1989) was a Japanese character actor who made many appearances in films and on television from 1939 to 1989.[1] He was a close friend of Kaneto Shindo and one of his regular cast members.[2] He was also an essayist. In 1950 he helped form the film company Kindai E...

 

 

American prelate His Excellency, The Most ReverendFrancis Patrick KeoughArchbishop of BaltimoreSeeArchdiocese of BaltimoreAppointedNovember 29, 1947InstalledFebruary 24, 1948Term endedDecember 8, 1961PredecessorMichael Joseph CurleySuccessorLawrence ShehanOrdersOrdinationJune 10, 1916by John Joseph NilanConsecrationMay 22, 1934by Amleto Giovanni CicognaniPersonal detailsBorn(1890-12-30)December 30, 1890New Britain, Connecticut, USDiedDecember 8, 1961(1961-12-08) (aged 70)Baltim...

 

 

Pour les articles homonymes, voir débris (homonymie). Trou dans le radiateur de la navette spatiale américaine Endeavour provoqué par un débris durant la mission ST-118. Le diamètre de l'orifice d'entrée est de 6,4 mm et celui de sortie est le double. Test destiné à simuler l'impact d'un débris spatial dans un véhicule en orbite au centre de recherche de la NASA. Cette série de photographies capturée grâce à une caméra rapide représente un essai d'impact d'une bille en a...

Биробиджанская епархия Благовещенский собор в Биробиджане Страна  Россия Церковь Русская православная церковь Дата основания 7 октября 2002 года Управление Главный город Биробиджан Кафедральный собор Благовещенский Иерарх Епископ Биробиджанский и Кульдурский Лука (...

 

 

Brazilian jiu-jitsu athlete (1989–2022) In this Portuguese name, the first or maternal family name is Pereira and the second or paternal family name is Nascimento. Leandro LoLeandro Lo at the 2022 IBJJF WorldsBornLeandro Lo Pereira do Nascimento(1989-05-11)11 May 1989[1]São Paulo, BrazilDied7 August 2022(2022-08-07) (aged 33)São Paulo, Brazil[2]DivisionGI weight classes Lightweight: −76 kg (168 lb) Middleweight: −82.3 kg (181 lb) Middle-Hea...

 

 

2024 live album by Loreena McKennittThe Road Back HomeLive album by Loreena McKennittReleasedMarch 8, 2024 (2024-03-08)RecordedAugust 2023Length42:39LabelQuinlan RoadProducerLoreena McKennittLoreena McKennitt chronology Lost Souls(2018) The Road Back Home(2024) The Road Back Home is a live album by Canadian singer Loreena McKennitt. It was released on March 8, 2024, through Quinlan Road. Background and recording The Road Back Home was recorded live in summer 2023 durin...

此條目可参照英語維基百科相應條目来扩充。 (2021年5月6日)若您熟悉来源语言和主题,请协助参考外语维基百科扩充条目。请勿直接提交机械翻译,也不要翻译不可靠、低品质内容。依版权协议,译文需在编辑摘要注明来源,或于讨论页顶部标记{{Translated page}}标签。 约翰斯顿环礁Kalama Atoll 美國本土外小島嶼 Johnston Atoll 旗幟颂歌:《星條旗》The Star-Spangled Banner約翰斯頓環礁�...

 

 

The Meinongian argument is a type of ontological argument[1] or an a priori argument that seeks to prove the existence of God.[2] This is through an assertion that there is a distinction between different categories of existence.[3] The premise of the ontological argument is based on Alexius Meinong's works. Some scholars also associate it with St. Anselm's ontological argument.[4] Concept The Meinongian argument holds that Sherlock Holmes exists in what some s...

 

 

Japanese anime television series Kaleido StarVolume 1 DVD cover (US release)カレイドスター(Kareido Sutā)GenreDrama,[1] sports[2]Created byJunichi Sato Anime television seriesDirected byJunichi Sato (1–26)Yoshimasa Hiraike (27–51)Produced byYoshiyuki FuruyaTakeshi SasamuraShunji NamikiWritten byReiko YoshidaMusic byMina KubotaStudioGonzoG&G EntertainmentLicensed byNA: ADV Films (expired)Crunchyroll[3]Original networkTV Tokyo...

American politician (born 1984) William TimmonsMember of the U.S. House of Representativesfrom South Carolina's 4th districtIncumbentAssumed office January 3, 2019Preceded byTrey GowdyMember of the South Carolina Senatefrom the 6th districtIn officeNovember 14, 2016 – November 9, 2018Preceded byMike FairSucceeded byDwight Loftis Personal detailsBornWilliam Richardson Timmons IV (1984-04-30) April 30, 1984 (age 40)Greenville, South Carolina, U.S.Political partyR...

 

 

Saint-Aubin-le-VertueuxcomuneLocalizzazioneStato Francia Regione Normandia Dipartimento Eure ArrondissementBernay CantoneBernay TerritorioCoordinate49°03′N 0°36′E49°03′N, 0°36′E (Saint-Aubin-le-Vertueux) Superficie14,98 km² Abitanti906[1] (2009) Densità60,48 ab./km² Altre informazioniCod. postale27300 Fuso orarioUTC+1 Codice INSEE27516 CartografiaSaint-Aubin-le-Vertueux Modifica dati su Wikidata · Manuale Saint-Aubin-le-Vertueux è un comune fr...

 

 

Salishan language of North America Lower ChehalisŁəw̓ál̕məšNative toUnited StatesRegionsouth of Olympic Peninsula, WashingtonEthnicityChehalis peopleExtinct1990s[1]Language familySalishan CoastTsamosanMaritimeLower ChehalisLanguage codesISO 639-3ceaGlottologlowe1427Lower Chehalis is classified as Extinct by the UNESCO Atlas of the World's Languages in Danger[2] Lower Chehalis (Łəw̓ál̕məš) is a member of the Tsamosan (or Olympic Peninsula) branch of the Coast...

يفتقر محتوى هذه المقالة إلى الاستشهاد بمصادر. فضلاً، ساهم في تطوير هذه المقالة من خلال إضافة مصادر موثوق بها. أي معلومات غير موثقة يمكن التشكيك بها وإزالتها. (ديسمبر 2018) الجزائر في الألعاب الأولمبية علم الجزائر رمز ل.أ.د.  ALG ل.أ.و. اللجنة الأولمبية الجزائرية تاريخ �...

 

 

1954 film Mid-Century LovesDirected byGlauco Pellegrini Pietro Germi Mario Chiari Roberto Rossellini Antonio PietrangeliCinematographyTonino Delli ColliEdited byRolando BenedettiMusic byCarlo RustichelliRelease date 18 February 1954 (1954-02-18) LanguageItalian Mid-Century Loves (Italian: Amori di mezzo secolo) is a 1954 Italian anthology historical melodrama film consisting of five segments directed by Glauco Pellegrini, Pietro Germi, Mario Chiari, Roberto Rossellini and Anton...

 

 

Fictional character This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.Find sources: Lady Shiva – news · newspapers · books · scholar · JSTOR (August 2020) (Learn how and when to remove this message) Comics character Lady ShivaLady Shiva, as depicted in Birds of Prey (vol. 2) #6 (November 2010). Art by Alina Urusov.Publicati...

German ice hockey player Ice hockey player Michael Hackert Hackert with the Grand Rapids Griffins in 2005Born (1981-06-21) 21 June 1981 (age 43)Heilbronn, West GermanyHeight 6 ft 0 in (183 cm)Weight 200 lb (91 kg; 14 st 4 lb)Position CentreShot LeftDEL team Iserlohn RoostersPlayed for DEG Metro StarsERC IngolstadtFrankfurt LionsGrand Rapids GriffinsAdler MannheimIserlohn RoostersHeilbronner FalkenNational team  GermanyPlaying career 1998–2014...

 

 

Scottish Division One 1902-1903 Competizione Scottish Division One Sport Calcio Edizione 13ª Organizzatore SFL Date dal 16 agosto 1902al 4 aprile 1903 Luogo  Scozia Partecipanti 12 Formula Girone all'italiana A/R Risultati Vincitore Hibernian(1º titolo) Statistiche Miglior marcatore David Reid (14) Incontri disputati 132 Gol segnati 429 (3,25 per incontro) Cronologia della competizione 1901-02 1903-04 Manuale La Scottish Division One 1902-1903 è stata la 13ª edizio...