Jamie Macgregor Reid (16 January 1947 – 8 August 2023) was an English visual artist. His best known works include the record cover for the Sex Pistols single "God Save the Queen", which was lauded as "the single most iconic image of the punk era."[1]
Reid produced a series of screen prints in 1997, the twentieth anniversary of the birth of punk rock. Ten years later, on the thirtieth anniversary of the release of "God Save the Queen", Reid produced a new print entitled "Never Trust a Punk", based on his original design which was exhibited at London Art Fair in the Islington area of the city.[12] He also produced artwork for the world music fusion band Afro Celt Sound System.[13]
Reid's exhibitions included Peace is Tough at The Arches in Glasgow, and at the Microzine Gallery in Liverpool, where he lived.[5][14] From 2004, he exhibited and published prints with the Aquarium Gallery, where a career retrospective, May Day, May Day, was held in May 2007.[15] Starting in 2004, he exhibited and published work at Steve Lowe's new project space the L-13 Light Industrial Workshop in Clerkenwell, London.[16]
In 2009, following allegations Damien Hirst was to sue a student for copyright infringement, Reid called him a "hypocritical and greedy art bully" and, in collaboration with Jimmy Cauty, produced his For the Love of Disruptive Strategies and Utopian Visions in Contemporary Art and Culture image as a pastiche, replacing the God Save The Queen with God Save Damien Hirst.[17][18]
In October 2010, U.S. activist David Jacobs, founder of the early 1970s Situationist group Point-Blank!, challenged claims that Reid created the "Nowhere Buses" graphic which appeared on the sleeve to the Sex Pistols' 1977 single "Pretty Vacant" and has subsequently been used many times for limited edition prints. Jacobs said he originated the design, which first appeared in a pamphlet as part of a protest about mass transit in San Francisco in 1973.[19]
^Donald, Ann (1998) "The angry revolt into style; Punk's explosion still reverberates in the world of graphic design. Ann Donald catches the echoes", Glasgow Herald, 9 February 1998.