James Arthur Surls (born 1943) is an Americanmodernistartist and educator, known for his large sculptures. He founded the Lawndale Alternative Arts Space at the University of Houston in the 1970s.[1]
Biography
James Arthur Surls was born April 19, 1943, in Terrell, Texas. His father Joe William Surls was a carpenter and a cattle breeder.[2][3] His mother Martha Lucille Surls (née Ramsey) had been made an honorary Cherokee Nation elder as one of "The Wisdom Givers".[2][4][3] He was raised in Malakoff, Texas, and spend much of his childhood helping his dad with chopping wood and building wooden structures.[5][6] Surls attended Malakoff High School.[3] After high school he attended Henderson County Junior College and transferred to a junior college in San Diego.[3] While in San Diego he received notification of the military draft and had to return to Texas to file for deferment.[3]
He is best known for large sculptures that are roughly hewn and derive much of their power from a close connection to nature and raw materials.[8] His drawings and prints are largely monotone. Surls' work is particularly organic and primal. Having built a career in the 1980s and 1990s as a Texas artist, Surls relocated to a Colorado ranch and removed his work from for-profit galleries.
In 2009, five Surls bronze-and-steel bouquets were set up on Park Avenue by the New York City Parks Public Art Program and the fund for Park Avenue.
Surls has three daughters from his first marriage to Martha Ann Gebhart from 1965 to 1972.[5][7] His second marriage was to Linda Samuels, she was from New England and they had met at Cranbrook Academy of Art.[11][12] His third marriage was in 1978 to Charmaine Locke in Liberty, Texas, she was a former student of his at Southern Methodist University.[13][5][14]
^ abcd"James Surls, An American Sculptor". AIA Houston. Retrieved 2021-02-03. He graduated from Sam Houston State Teachers College in 1966 and from Cranbrook Academy of Art in1968.
^ abKlaasmeyer, Kelly (2005-11-03). "Spirit of Splendora". Houston Press. Retrieved 2021-02-03. Surls grew up in East Texas, and his mother, an elder in the Cherokee Nation, was interested in Native American ritual. His father was a carpenter.
Acconci, Vito, Visions of paradise, installations by Vito Acconci, David Ireland, and James Surls, March 24 through April 29, 1984, Cambridge, Mass., Massachusetts Institute of Technology, 1984.
Auping, Michael, Structure to resemblance, work by eight American sculptors, June 13 – August 23, 1987, Buffalo, N.Y., Albright-Knox Art Gallery, 1987.
Graze, Sue, Visions: James Surls, 1974–1984, Dallas, Tex., Dallas Museum of Art, 1984.
Locke, Charmaine, Leonard Shlain, and James Surls, Finding balance, reconciling the masculine/feminine in contemporary art and culture, Houston, Houston Center for Contemporary Craft, 2006.
Sultan, Terrie & Eleanor Heartney, James Surls, the Splendora years, 1977–1997, Austin, TX, University of Texas Press, 2005.
Surls, James, James Surls, embracing paradox, St. Louis, MO, University of Missouri-St. Louis, 2000.
Surls, James, Jeanne Lil Chvosta, & Fronia W. Simpson, James Surls, in the Meadows and beyond, Dallas, Tex., Meadows Museum, 2004.