The film closely follows the plot line of the Faulkner novel. It tells the story of Lucas Beauchamp, (pronounced 'Bee-cham'), a respectable and independent black man, who is unjustly accused of the murder of white man Vinson Gowrie. Through the help of two teenage boys, the town lawyer and an elderly lady, he is able to prove his innocence.
Clarence Brown, who had been born in Massachusetts but was raised in Tennessee, wanted to do a film version of the book when it was released in 1948. As a mainstay of MGM for over two decades, he asked studio head Louis B. Mayer about doing a film adaptation, but he had his doubts over whether it would be a profitable venture. Dore Schary, recently brought in as a vice president of production, gave support to Brown, which allowed the film to go through. Brown insisted on filming in Oxford, Mississippi, where Faulkner had lived for most of his life.[3]
Reception
According to Metro-Goldwyn-Mayer records the film earned $643,000 in the U.S. and Canada and $194,000 elsewhere, for a worldwide box office of $837,000.[1][2]
More than 50 years later, in 2001, film historian Donald Bogle wrote that Intruder in the Dust broke new ground in the cinematic portrayal of blacks, and Hernandez's "performance and extraordinary presence still rank above that of almost any other black actor to appear in an American movie."[6] The film has been praised by Ralph Ellison and the New York Times.[7]
Of the various race-related features released in 1949 (such as this film and Pinky, released months earlier), author Ralph Ellison cited Intruder in the Dust as “the only film that could be shown in Harlem without arousing unintended laughter, for it is the only one of the four in which Negroes can make complete identification with their screen image.”[3]
