Interactive Futures (IF) was a biennial conference and exhibition, hosted in Vancouver, British Columbia, Canada, that explored current tendencies, research and dialogue related to the intersection of technology and art. Interactive Futures included a variety of events such as lectures, workshops, exhibitions, and panels in an effort to provide opportunities for discourse by local, national and international researchers and practitioners.[1]
History
Interactive Futures (IF) has been active since 2002[2] holding a conference alongside its exhibitions and performances. From 2002 through 2007, Interactive Futures has grown from a single venue event, held at the University of Victoria that featured local researchers and artists, to a multi-venue event with international cultural partners, an active archival website and international publications.[3][4] For IF'09, Julie Andreyev and Maria Lantin became co-Directors and relocated IF to Intersections Digital Studios, Emily Carr University of Art + Design, Vancouver, Canada.[5]
Mandate
Interactive Futures (IF) is a forum for showing current tendencies in new media art as well as a conference for exploring ideas and research related to technology and art. IF supports a conference, keynote addresses, presentations, panel discussions, exhibitions, and performances. National and international presenters, performers and artists acknowledged for their research and production are invited to contribute to an expansion of knowledge within the IF thematic. IF provides a forum for artists and researchers of Canada to interact with international members of the media arts communities within an intensive setting.[6]
The 2011 symposium, guest curated by Carol Gigliotti,[8] focused on new media artwork influenced by the growing wealth of knowledge about other species' perceptions of the world[9]
The sub-themes of Perception, Agency, and Consciousness/Compassion were explored through exhibitions, presentations, panel discussions, film screenings and workshops.[10]
IF'09: Stereo focused on research, production, and experiments with perception in relation to the knowledge of two-channel sound, and stereographic 3D.[13]
The sub-themes of Stereographics, Co-Locative, and Sensory Illusions were explored through exhibitions, presentations, panel discussions, film screenings and workshops.
IF'07: The New Screen sought to explore emerging forms of screen-based media from the diverse repertoire of artists, theorists, writers, filmmakers, developers and educators.[20]
The conference was sponsored by the Victoria Film Festival, Open Space Artist-Run Centre and the Canadian Council for the Arts.[21]
^"Archived copy"(PDF). Archived from the original(PDF) on 2014-02-01. Retrieved 2014-02-10.{{cite web}}: CS1 maint: archived copy as title (link)Antennae: The Journal of Nature in Visual Culture, Issue 21 Summer 2012