Of Indian ancestry and raised in the Ismaili Muslim faith, Rashid's family lived in colonial East Africa for generations. Different years of birth are given for Rashid in different sources, but academic work gives the year as 1968.[1][2]: 201 In the early 1970s, his family was forced to leave Tanzania. After failing to secure asylum in the UK and US, they settled in Toronto.[1]
Rashid began his career as an arts journalist, critic, curator, and events programmer, particularly focussed on South Asian diasporic, Muslim and LGBTQ cultural work.
In the early 1990s, Rashid returned to London, Britain, where he met his partner, the writer, curator, and academic Peter Ride. He then won a bursary to attend a prestigious BBC writing internship programme Black Screen and soon after started working in film and television as a screenwriter, director and producer. He currently divides his time between Canada and the UK.
In 2022, Ian was awarded a fellowship on the CBC-BIPOC TV & Film Showrunner Catalyst in partnership with the Canadian Film Centre as an emerging television/streaming showrunner.[14]
Film
Self-taught as a filmmaker, in 1991, Rashid made the short film Bolo Bolo! with Kaspar Saxena.[15] The film, part of an HIV/AIDS cable access series called Toronto Living With AIDS, resulted in the series being pulled from Rogers Television after complaints about sexually suggestive content, though it had a long and healthy life at film festivals.[16]
Rashid went on to write two award-winning short films, Surviving Sabu (1999, Arts Council of England)[17] and Stag (2001, BBC Films).
Touch of Pink, Rashid's first feature film, spent 12 years in development.[18] In 2003, he finally had the chance to direct the project as a Canada-UK co-production. It premiered at the 2004 Sundance Film Festival to great acclaim,[19] a bidding war, and eventually, a sale to Sony Picture Classics. The film has attracted extensive scholarly commentary.[20][1][2] in 2024, Sanghum Film Collective hosted a 20th-anniversary screening and celebration of the film at the legendary Paradise Theatre in Toronto.[21]
How She Move received a similarly positive reception at the Sundance Film Festival. Directed by Rashid in 2007, the film is set in the world of step dancing. It was nominated for a Sundance World Cinema Grand Jury Prize and purchased by Paramount Vantage. The film opened to positive reviews[22][23][24] and strong box office.
Poetry and short stories
Rashid published his first poetry collection, Black Markets, White Boyfriends and Other Acts of Elision, in 1991.[25] Two more followed: the chapbook Song of Sabu in 1993[26] and The Heat Yesterday in 1995.[27] Rashid has recently started publishing poetry again,[28] and a fourth collection is rumoured.
His poems have appeared in journals and been anthologized widely including the poems "Another Country", "Could Have Danced All Night", "Hot Property" and "Early Dinner, Weekend Away" in John Barton and Billeh Nickerson's 2007 anthology Seminal: The Anthology of Canada's Gay Male Poets,.[29] More early work is included in the 2009 anthology Forbidden Sex, Forbidden Texts: New India's Gay Poets.[30]
He wrote and read his short story "Muscular Bridges" for BBC Radio 4's 50th HMT Windrush Anniversary, which later evolved into the feature film Touch of Pink
Rashid has also written song lyrics, most notably for his film Touch of Pink.
Journalism
In the late 1980s, Rashid was a regular contributor to the Canadian LGBT magazine Rites, and the cultural journals Fuse and TSAR Publications. In 1995, he was the Guest Editor for Rungh magazine's Queer Special Issue.[33] His curatorial catalogue essay for "Beyond Destinations",[34] a show he curated for Ikon Gallery in 1993, was reprinted in Rungh in December 2019.[35] He was also assistant editor of Bazaar Magazine, a quarterly journal covering South Asian arts in the UK in the early 1990s. Ian's personal essays have also been published in Wasafiri, Third Text and The Globe and Mail.
In 2022, Ian was awarded a fellowship on the CBC-BIPOC TV & Film Showrunner Catalyst in partnership with the Canadian Film Centre as an emerging television/streaming Show Runner.[14]
His work as a writer and executive producer on the show Sort Of earned him a Peabody Award in 2021 and a nomination for 2022. [38]
References
^ abcAlberto Fernández Carbajal, Queer Muslim diasporas in contemporary literature and film (Manchester: Manchester University Press, 2019), pp. 62-64. ISBN9781526128119.
^ abPadva, Gilad (2017). "The Epistemology of the Ethnic Closet: Interracial Intimacy and Unconditional Love in Ian Iqbal Rashid's a Touch of Pink". In Padva, Gilad; Buchweitz, Nurit (eds.). Intimate Relationships in Cinema, Literature and Visual Culture. Palgrave Macmillan. pp. 199–212. doi:10.1007/978-3-319-55281-1_15. ISBN978-3-319-55281-1.
^Honeycutt, Kirk.Touch of PinkThe Hollywood Reporter, 21 January 2004.
^Shamira A. Meghani, 'Queer South Asian Muslims: The Ethnic Closet and its Secular Limits', in Imagining Muslims in South Asia and the Diaspora: Secularism, Religion, Representations, ed. by Claire Chambers and Caroline Herbert, Routledge Contemporary South Asia Series, 85 (Abingdon: Routledge, 2015), pp. 172-84. ISBN978-0-415-65930-7.