Two soldiers on leave spend three nights at the Hollywood Canteen before returning to active duty in the South Pacific. Slim Green (Robert Hutton) is the millionth GI to enjoy the Canteen, and consequently wins a date with Joan Leslie. The other GI, Sergeant Nolan (Dane Clark) gets to dance with Joan Crawford. Bette Davis and John Garfield give talks on the history of the Canteen. The soldiers enjoy a variety of musical numbers performed by a host of Hollywood stars, and also comedians, such as Jack Benny and his violin.
The Golden Gate Quartet, an all-black quartet, make a unique appearance. They had appeared at President Franklin D. Roosevelt's third inauguration—"firsts" for black performers—as well as in period movies.
Another cameo shows Joan McCracken straight from the musical Oklahoma! in a strong dance number reminiscent of her later dance in Good News.
"Hollywood Canteen" – sung by the Andrews Sisters behind titles.
"What Are You Doin' the Rest of Your Life" by Ted Koehler and Burton Lane – sung and danced by Jack Carson and Jane Wyman with Jimmy Dorsey and his Orchestra.
"The General Jumped at Dawn" by Jimmy Mundy[4] – sung by Golden Gate Quartet.
"Gettin' Corns For My Country" – sung by the Andrews Sisters with Jimmy Dorsey and his Orchestra.
"Don't Fence Me In" (reprise) – sung by Roy Rogers and later by the Andrews Sisters with Jimmy Dorsey and his Orchestra.
"You Can Always Tell a Yank" by Yip Harburg and Burton Lane – sung by Dennis Morgan and Chorus with Jimmy Dorsey and his Orchestra, then sung by Joe E. Brown with Chorus.
"Sweet Dreams, Sweetheart" – sung by Joan Leslie (dubbed by Sally Sweetland) and Chorus.
"Sweet Dreams, Sweetheart" (reprise) – sung by Kitty Carlisle.
Production
Production on the film began in 1943, before being halted due to salary disputes involving the Screen Actors Guild and Warner Bros over the amount major stars would be paid even for brief cameos in the film.[5] Filming locations included the Sunset Strip, Bel-Air Estates, and Veterans Administration Hospital.[5] New recording equipments developed by Warner Bros, including a cueing device, were first used in this film.[5]
Reception
The film received mixed reviews from critics. Variety noted "There isn't a marquee big enough to hold all the names in this one, so how can it miss? Besides, it's basically solid. It has story, cohesion, and heart."[6] Kate Cameron of the Daily News commented "It is an elaborate show, but it is presented by author-director Delmar Daves in such a patronizing manner as to make one blush for its complete lack of reserve in singing the praises of Hollywood."[7]
Box office
Despite some negative reviews, Hollywood Canteen was well received by audiences and became Warner Bros.' most successful release of 1944. The studio donated 40% of ticket sales to the real Hollywood Canteen.[8]
According to Warner Bros. records, the movie earned $3,831,000 in the U.S. and $1,621,000 elsewhere.[1]
^ abcWarner Bros financial information in The William Schaefer Ledger. See Appendix 1, Historical Journal of Film, Radio and television, (1995) 15:sup1, 1–31 p 25 DOI: 10.1080/01439689508604551
^"All-Time Top Grossers", Variety, January 8, 1964, p 69