Cotter was a freelance writer for the New York Times from 1992 to 1997 before being hired as a full-time art critic in 1998.[1] Specifically hired for his expertise in Asian art,[4] he is credited with exposing contemporary Indian and Chinese art to a Western audience. Among his Pulitzer-winning pieces were ones written as a result of a trip to China prompted by the 2008 Summer Olympics, including an examination of the Chinese museum scene and an account of art at the Mogao Caves near Dunhuang.[4] In 2009, he won the Pulitzer Prize for Criticism.[5]