Dan Fainaru praised the work of the film's cinematographer Jigme Tenzing in his review of the film for Screendaily.[2] Jay Weissberg of Variety described the film as "visually rich though narratively challenging".[1]Kuensel's Sonam Wangmo Dukpa also praised Jigme Tenzing's camera work and described the film's scenes as "visual poetry" and "mystic, operatic performance".[3]